Eye in the Sky
What’s it about:
A drone-led terrorist capture mission in Kenya takes an unexpected turn, throwing up an intriguing ethical dilemma for all those involved. In one of his last roles, Alan Rickman plays a typically cynical general, with Captain Phillips’ Barked Abdi in a pivotal on-the-ground role.
What did we think:
Angela Young says: This extraordinarily-gripping thriller keeps you guessing and mulling all the way, as you see through the eyes of the frankly bizarre world of modern remote warfare, tiny beetle drones and all. Superb performances from a global cast and an excellent script combine to make this a winner that’ll leave your cogs turning long after you leave the cinema.
It’s got Helen Mirren and Alan Rickman in it. That should tell you all you need to know.
My Big Fat Greek Wedding 2
What’s it about?
Nia Vardalos, John Corbett and the rest of the cast of 2002’s My Big Fat Greek Wedding return for a sequel involving (who’d have thought?) ANOTHER big fat Greek wedding.
What did we think?
Amy Currie says: This film is basically a montage of the entire cast running from one event to another in a very wacky panic. They wave their arms around a lot and pull faces. Man, what a bunch of characters! Family, am I right? Oh, boy.
Batman v Superman: Dawn Of Justice
What’s it about?
Ideologies clash as the world’s only two public superheroes come to words then blows. But is there more afoot?
What did we think?
Anthony Sherratt says: At the end of the day you go to this movie to watch the two SuperFriends fight and/or to see Wonder Woman finally debut on the big screen. You will not be disappointed on either count. It just takes a while to get there.
For a long movie there’s not as much action as you’d expect but once it finally arrives it’s well worth the wait. The first half of the film suffers from a heck of lot of sub-plots, exposition and lingering shots of Superman as a messianic figure. The conflicting ideas of Superman being above the law, an alien and a hero to all are reasonably well explored and exploited even if Jessie Esienberg’s xenophobic Lex Luthor is more psychotic Joker than measured intellect. Affleck does well as an older, jaded Batman though his propensity to use guns and kill people sits oddly, while Gal Gadot would have stolen the show if she’d been used more.
DC is obviously playing movie catch up and trying to pack so much set-up into the front half of this film detracts from what should have been a quality gritty superhero film that lacked the whimsical one-liners of the Marvel universe. Still it was enjoyable and ends with the promise of so much more. Avoid spoilers and see it early.
Star Trek Horizon
What’s it about?
Earth’s coalition of planets is at war with the Romulans. But something is wrong – a weapon of immense power that shouldn’t exist is about to change the galaxy.
What did we think?
Stephen Scott says: For years people have bemoaned the impending death of amateur theatre. Cry no more, for YouTube is the new amateur theatre paradise. As with the local rep, the acting is variable, some casting is dubious, but the passion is never in question. And because the budget is minuscule, there is innovation aplenty (blurring the background to alleviate set design issues is a very nice touch).
The effects, premise & script are all quite good – it’s better than some professional films out there. Open YouTube on your TV and have a Star Trek fan fiction movie night at home!
10 Cloverfield Lane
What’s it about:
After waking up in a cellar after a car accident, Michelle (Mary Elizabeth Winstead) is told that the surface of the Earth isn’t habitable. However, her trust in her saviour, Howard (John Goodman), is shaken when circumstances take a turn for the worst.
What did we think:
Nick Bleeker says: An utterly thrilling and claustrophobic debut from Trachtenberg who keeps everything extremely precise and in-check. Goodman takes the film by the scruff of the neck and drops an MVP-level performance. I recommend you go into this cold for an infinitely more satisfying experience.
Triple 9
What’s it about?
Under a city’s dark underbelly, the Russian mob extort a crew of ex-military into an impossible bank heist. Everything goes right, until everything goes wrong.
What did we think?
Stephen Scott says: Even with 90 minutes of jaw-clenching unnervingness and 25 minutes of smouldering acting there’s just one small problem. There’s no actual ending. There’s a plot, some twists, but no resolution. You leave the cinema with a feeling of dread.
If you’re happy to watch a movie filled to the brim with tension but no resolution, go see it. Otherwise you should …
SEE? See what I mean?
What’s Popular
Three Billboards Outside Ebbing, Missouri
What’s it about?
Seven months after her daughter’s brutal murder, Mildred Hayes (Frances McDormand) rents a trio of disused billboards to express her anger at the case remaining unsolved.
What did we think?
Amy Currie says: Three Billboards is an instant classic packed with dark humour, unexpected character arcs and some damn good acting. See it as soon as you can.
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Goodbye Christopher Robin
What’s it about?
Returning from The Great War, Blue (AA Milne) finds it hard to readjust to ‘proper’ society and moves his family to the country where he plans to write a protest book against war. When his wife flees back to the social lifestyle of the city and their nanny abandons him, a bonding with his son Billie (Christopher Robin) changes not only his objectives, but his perspective.
What did we think?
Stephen Scott says: like a swan, there’s a deceptive volume of activity in Goodbye Christopher Robin: aside from the obvious origins of the classic stories on the surface, there are reflections on the brutality and futility of war, the loss of self brought on by fame, the impersonal relationships caused by the rigid class society of early 20th century Britain, and the brutal consequences that PTSD and post-natal depression have on families.
Like a swan, all of these subplots weave together seamlessly into a charming, heartfelt narrative that paints a picture of a family trying to find the happiness they gifted to the world.
Charming, beautiful and heartbreaking.
Justice League
What’s it about?
The heroes of the (DC) world have to unite to stop an alien invasion.
What did we think?
It’s not great but it’s a lot of fun. I think it’s time Warner Bros/DC call time on the Zack Snyder experiment. His ability to take characters of hope and drag them into a darkness is one thing but it’s time to admit that while he presents nice aesthetics, his ability to tell a story is actually poor. I wanted to like Justice League. Heck, I wanted to love it. And while there was enough to keep me hopeful, it has to be said this movie just didn’t deliver.
After a slow, almost mandatory introduction of the characters it builds to an expected fight scene that remind them of the need to work together. All too predictable but ok. But it then leads to another all-to-similar fight scene that, if anything, was anti-climactic and had no real feel of danger or consequence.
And while they finally showed signs of capturing the essence of one character they’ve constantly missed in recent films, it comes at the expense of Batman who is relegated to little more than a bystander in the fights.
Don’t get me wrong – as I said before there’s some fun here. There’s even some good banter and dialogue (though also some painful stuff too). But what should have been a celebration of the finest collection of heroes comes off as a little flat. Neither comedy or drama, Justice League just doesn’t build up to anything.
Still, at least it’s better than the atrocious Man Of Steel and poor Batman v Superman.
Editor's Choice
Three Billboards Outside Ebbing, Missouri
What’s it about?
Seven months after her daughter’s brutal murder, Mildred Hayes (Frances McDormand) rents a trio of disused billboards to express her anger at the case remaining unsolved.
What did we think?
Amy Currie says: Three Billboards is an instant classic packed with dark humour, unexpected character arcs and some damn good acting. See it as soon as you can.
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Goodbye Christopher Robin
What’s it about?
Returning from The Great War, Blue (AA Milne) finds it hard to readjust to ‘proper’ society and moves his family to the country where he plans to write a protest book against war. When his wife flees back to the social lifestyle of the city and their nanny abandons him, a bonding with his son Billie (Christopher Robin) changes not only his objectives, but his perspective.
What did we think?
Stephen Scott says: like a swan, there’s a deceptive volume of activity in Goodbye Christopher Robin: aside from the obvious origins of the classic stories on the surface, there are reflections on the brutality and futility of war, the loss of self brought on by fame, the impersonal relationships caused by the rigid class society of early 20th century Britain, and the brutal consequences that PTSD and post-natal depression have on families.
Like a swan, all of these subplots weave together seamlessly into a charming, heartfelt narrative that paints a picture of a family trying to find the happiness they gifted to the world.
Charming, beautiful and heartbreaking.
Justice League
What’s it about?
The heroes of the (DC) world have to unite to stop an alien invasion.
What did we think?
It’s not great but it’s a lot of fun. I think it’s time Warner Bros/DC call time on the Zack Snyder experiment. His ability to take characters of hope and drag them into a darkness is one thing but it’s time to admit that while he presents nice aesthetics, his ability to tell a story is actually poor. I wanted to like Justice League. Heck, I wanted to love it. And while there was enough to keep me hopeful, it has to be said this movie just didn’t deliver.
After a slow, almost mandatory introduction of the characters it builds to an expected fight scene that remind them of the need to work together. All too predictable but ok. But it then leads to another all-to-similar fight scene that, if anything, was anti-climactic and had no real feel of danger or consequence.
And while they finally showed signs of capturing the essence of one character they’ve constantly missed in recent films, it comes at the expense of Batman who is relegated to little more than a bystander in the fights.
Don’t get me wrong – as I said before there’s some fun here. There’s even some good banter and dialogue (though also some painful stuff too). But what should have been a celebration of the finest collection of heroes comes off as a little flat. Neither comedy or drama, Justice League just doesn’t build up to anything.
Still, at least it’s better than the atrocious Man Of Steel and poor Batman v Superman.