War Dogs

What’s it about?
Two childhood friends exploit a loophole to win a US military contract, and eventually find themselves rich … and in way over their heads.

What did we think?
Angela Bowen says: Jonah Hill steals the show in this watered down concoction of The Big Short, Wolf of Wall Street, and Good Fellas. It’s not as boobs-in-your-face, cocaine-on-the-ceiling as you might expect, but War Dogs delivers a gritty take on true events with some decent chuckles.

Kubo and the Two Strings

What’s it about?
A retelling of the classic hero story: a boy’s magical powers grow as he embarks on a mystical quest – all while playing beautiful shamisen music and creating incredible origami creatures.

What did we think?
Dan Beeston says: Read off the page Kubo is a simple fable: a basic hero’s journey with the requisite sword, armour and helm picked up along the way. The true magic is just how visually splendid the whole piece is. The film is a triumph of stop motion animation. To see these puppets come to life is jaw dropping. Children and lovers of art should immediately rush out and see it. For everyone else? It’s just another okay story. Three stars.

Stephen Scott says: The use of clay animation is a dying art and helps set this film apart. The plot lines exposing youngsters to alternative religious views, cultural practices, and the importance of heritage are the other major selling points. If you have a kids, take them and enjoy a family bonding. Three and a half stars.

Bad Moms

What’s it about?

Frazzled mums (Mila Kunis, Kristen Bell, Kathryn Hahn) get pushed to breaking point and decide to start being shitty mothers instead. But when a perfect mum (Christina Applegate) pushes their buttons, they decide they need to hit her where it hurts, and challenge her for presidency of the PTA.

What did we think?

Elizabeth Best says: Aside from some slightly problematic messaging (if you ever do anything for just you, your whole life will go down the toilet), this is a fun jaunt exploring what happens when stressed out mums cut loose. Hilarious comic timing from Kunis, Hahn and Bell elevates this from shameless chick flick to worthy comedy. I can’t help but feel, though, that Jada Pinkett Smith was a heartbeat away from the token racially diverse character, only hanging around to say things like “dayum” and “that shit is whack.”.

Suicide Squad

What’s it about?

Set after the events of Batman V Superman, a task force of bad guys is assembled and blackmailed into saving the world from other bad guys, vigilante style.

What did we think?

Elizabeth Best says: It’s not that Suicide Squad is bad. It’s just not… anything. It’s a long, plot-less fight scene, with too many people to pay attention to, moving too fast to actually lock on to anything. Simply put? It’s frenetically boring. Where’s all the fun from the trailer? Characters get loads of screen time but aren’t explored in much depth (Captain Boomerang is an extended punchline, Harley Quinn is a sexy extended punchline, Diablo is the meta-human equivalent of a Bic lighter). Not very much happens except baddies fight baddies to avoid “goodies” (who are kinda baddies) from blowing their heads up. I can’t help but think think DC have done this whole thing backwards; in trying to do an Avengers-style movie, they forgot that all the Avengers had solo movies to establish their characters before they got thrown in together to defeat the big bad. The Suicide Squad aren’t given the same opportunity and as a result we’re still kind of clueless about who they are. Even Jared Leto’s much-hyped Joker doesn’t leave a lasting impression.

Meh. Just meh.

Star Trek: Beyond

What’s it about?

Several seasons into their “five-year mission”, the crew of the Enterprise, led by the cocksure yet jaded James Tiberius Kirk (Chris Pine) and his emotionally detached scientific officer Spock (Zachary Quinto), heed a distress call from uncharted space. It’s a trap! Oh, wrong franchise.

What did we think?

Ben Bissett and Elizabeth Best say: Beyond may be the title card, but this film asks us to boldly go where we’ve gone before. Set pieces that look like they’re straight from the halcyon TV series, populated by aliens that resemble demons from Buffy meld to create a film that pays fond, knowing homage to the old days of the Enterprise, stardate, oh, whenever Shatner was on the bridge. As always, Star Trek is about the relationships, most importantly that of Spock and Kirk, and the actors all deliver here. The message, that unity is stronger than division, resonates in our uncertain political times, and it’s treated with a great deal of reverence. Colossal visual effects are, as per its predecessors, off the planet (sorry) yet the most powerful image in the movie is a single photograph towards the end. Prepare to wipe a tear away, Trekkers.

The Killing Joke

What’s it about?
A recently escaped Joker targets Batman, Commissioner Gordon and his daughter Batgirl in a depraved mission to prove a point: We’re all just one bad day away from going mad.

What did we think?

Clint Skene says: True to the comics as if it was ripped from the pages itself, scenes play out more as art than straight feature. Each scene leaves you more uneasy than the last as The Joker raises the stakes of depravity with each passing second (including an incredibly upsetting song and dance number). It’s high drama, confronting themes and squeamish moments, married with an atmospheric score and amazing performances from Batman alumni Mark Hamill, Kevin Conroy and Tara Strong. This is definitely another smash hit for WB Animation. The Killing Joke is a remarkable and much welcomed addition to the DC Animated universe.

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Black Panther

What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.

What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).

Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.

There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.

Lady Bird

What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.

What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.

Phantom Thread

What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.

What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)

Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.

The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.

An unconventional “romance” question mark?

Molly’s Game

What’s it about?

After an injury derails her Olympic skiing career, pre-law student Molly Bloom (Jessica Chastain) finds her way into the world of underground, high -takes poker. As business grows, Molly soon finds herself in dangerous waters, attracting the attention of both the Mafia and the FBI.

What did we think?

James Tinniswood says: I dug this. That dialogue is unmistakably Sorkin; it’s like jazz – may not always get what’s going on, but damn it’s got a rhythm. His first time as director, Sorkin’s rapid editing style sometimes matches his dialogue style: more cuts than a game of cards. Chastain is great as Molly – a strong, smart and glamorous woman who takes no BS and (mostly) sticks to her principles in the face of very real danger. Idris Elba is solid as Molly’s reluctant lawyer, as is Kevin Costner as Tough Love Dad. Worth going all in on, and other poker puns.

Editor's Choice

Black Panther

What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.

What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).

Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.

There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.

Lady Bird

What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.

What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.

Phantom Thread

What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.

What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)

Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.

The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.

An unconventional “romance” question mark?

Molly’s Game

What’s it about?

After an injury derails her Olympic skiing career, pre-law student Molly Bloom (Jessica Chastain) finds her way into the world of underground, high -takes poker. As business grows, Molly soon finds herself in dangerous waters, attracting the attention of both the Mafia and the FBI.

What did we think?

James Tinniswood says: I dug this. That dialogue is unmistakably Sorkin; it’s like jazz – may not always get what’s going on, but damn it’s got a rhythm. His first time as director, Sorkin’s rapid editing style sometimes matches his dialogue style: more cuts than a game of cards. Chastain is great as Molly – a strong, smart and glamorous woman who takes no BS and (mostly) sticks to her principles in the face of very real danger. Idris Elba is solid as Molly’s reluctant lawyer, as is Kevin Costner as Tough Love Dad. Worth going all in on, and other poker puns.

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