What’s it about?
A Polynesian princess yearns for the open sea and when her island begins to die she embraces the opportunity to seek out the help of the demigod Maui and insist that he return the heart of the world.

What we thought
Dan says:
The stories of ancient tribal cultures tend to get lost in the flash and glitz of 21st century storytelling but Disney have a lot of skill redrafting ‘olde tales’. Moana is exceptional cinema. Lavish scenes, vibrant heartfelt characters and joyous songs combine in that Disney style to share the tales of another whole new world.

Like all of the Disney products there is a sprinkling of shoehorned emotional moments that could have hit the cutting room floor but in total it’s entirely satisfying. I’m still humming the songs and counting down the days until it opens and I can see it again.

What’s it about?
A Canadian airman working for the British forces in World War 2 meets a beautiful hero from the french resistance. The pair go deep undercover to assassinate a german target but end up storming the beaches of each other’s hearts.

What we thought
Dan Beeston says: A lot has been made of Brad Pitt’s separation from his wife, and rumours have abounded that Pitt had a secret dalliance with his on screen partner Marion Cotillard. Put those rumours to bed by watching just how little chemistry these characters have together. Every escalation in their relationship seems forced and unnatural. Some would say that we’re still feeling the tragic effects of World War 2. This film makes me agree.

What’s it about? 

A down-on-his-luck milkshake machine salesman (Michael Keaton) comes across a hamburger joint that’s revolutionized fast food and has an idea on how to get involved in the business in a big way. A.k.a: the story of how an asshole came to claim he was the founder of McDonalds.

What did we think?

Elizabeth Best says: I always thought Ray Kroc was the founder of good old Maccas, but it turns out I was wrong… and sort of right. Ray “won” the right to call himself founder through a lot of clever assholery and fast talking that has to be seen to be believed. Here’s hoping the “Oscar buzz” for Keaton turns out to be true, as this is a fine performance to follow his turns in other nominated films Spotlight and Birdman. For a thoroughly fascinating movie on the origins of McDonalds, the story sure left a bad taste in my mouth. So much so that I’m boycotting them… at least, until I smell someone eating a delicious cheeseburger.

What’s it about?
Eccentric magizoologist Newt Scamander (Eddie Redmayne) misplaces an enchanted suitcase in 1920s New York. An extremely profitable franchise is unleashed.

What did we think?
Amy Currie says: Hey, you guys like Harry Potter? Then I’ve got good news. Fantastic Beasts is the worthy spin-off that you’re going to be really into for the next ten years or so. While it’s darker than the original films, it’s packed with subtle little nods to them that fans will adore, and the story (though somewhat complicated) is good enough to stand alone. It’s tremendous fun to see the wizarding world through a 1920s lens – magical speakeasy, anyone? – and the inhabitants of Scamander’s Pokeball-meets-TARDIS suitcase are just as fantastic as advertised. This film will frighten young children, but everyone else will be thoroughly enchanted.

What’s it about?
Aliens make contact with earth and Amy Adams is the only person who can speak their language

What did we think?
Nick Bleeker says: An incredibly tense and engrossing film, Arrival subverts the traditional sci-fi blockbuster with a gorgeous mix of cinematography, direction, and really solid narrative. Add Amy Adams’ absolutely stunning performance and you have one of the best movies of 2016.

What’s it about?
An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.

What did we think?
Cindy Nelson says: My high expectations for Tom Ford’s second foray into feature films were not disappointed – this stunning thriller creates a world that is both brutal and visually beautiful, telling a story within a story that you won’t expect, and having you on the edge of your seat right to the last frame. An unsettling, violent and stylish film with emotional, powerhouse performances.