Doctor Strange
What’s it about?
A former surgeon with damaged handsnamed Stephen Strange (Benedict Cumberbatch) becomes a powerful sorcerer under the tutelage of a mystic known as the Ancient One (Tilda Swinton). Rachel McAdams, Mads Mikkelsen, and Chiwetel Ejiofor co-star in this entry in the Marvel Cinematic Universe.
What did we think?
Anthony Sherratt says: A highly polished affair featuring possibly the most impressive visual effects we’ve seen in the MCU so far, Dr Strange ticks most of the boxes. The performances are top shelf, the often difficult transition of magic onto the big screen is well-handled and Marvel’s penchant for ever-present humour is of course still on show. The storyline is a bit too simplistic for my taste but that’s the danger of an origin story combined with a need to dumb down complex concepts. Still, Doctor Strange is a worthy addition to the ever burgeoning MCU and will entertain for a few hours.
Jack Reacher: Never Go Back
What’s it about?
Tom Cruise returns as Lee Child’s enigmatic action hero. In an action movie. With lots of action.
What did we think?
The second Jack Reacher film is a slick affair with quality production, scenes and acting. It’s hard to fault specifically but its largely by-the-numbers feel leaves little impression beyond the moment. Adding emotional constipation to an action hero is hardly a huge step but Cruise handles it well while Cobie Smulders basically reprises her SHIELD role and does a good job. Youngster Danika Yarosh also entertains but the pieces somehow just don’t come together.
To be fair it’s a fun action movie that will pass the time and popcorn, but despite the polish this film just doesn’t Reach (see what I did there?) great heights.
Hell or High Water
What’s it about?
Two brothers stage a few gnarly bank robberies to try and save their farm while keeping a cunning Texas ranger at bay.
What Did We Think?
Nick Bleeker says: Bolstered by terrific performances from Chris Pine and Jeff Bridges, Hell or High Water sets its scenes beautifully, capturing the dry isolation of the west and the characters within that world, it’s just a shame the plot is paper-thin.
Deepwater Horizon
What’s it about?
The night in 2010 when the Deepwater Horizon oil rig exploded, causing the worst oil spill in US history.
What did we think?
Nick Bleeker says: While initially hamstrung by technical jargon and setup, the film goes from zero to a billion in the space of five minutes as the second act begins. The resulting destruction is an incredible spectacle that is grim, bloody, and ultimately, deeply saddening.
The Girl on the Train
What it’s about?
People learn to regret living by train lines.
What did we think?
Sarah Taviani says: I’ve read the book. I knew how the story would unfold. But half an hour in, it became clear the moral grey areas were off limits. Rachel’s more repugnant actions were omitted, and the development of other characters suffered as a result.
Emily Blunt does well with her portrayal of Rachel and Danny Elfman’s score was spot-on, but in the end, the film felt like a thought-provoking study of alcoholism rather than a thrilling mystery.
Miss Peregrine’s Home For Peculiar Children
What’s it about?
Imagine if Tim Burton made an X-Men movie.
What did we think?
Anthony Sherratt says: A delightful flight of fancy that will tickle both the heart and imagination, Miss Peregrine’s Home For Peculiar Children is a welcome breath of fresh air. We’ve had a glut of children’s books becoming franchises but this one has the right mix of intelligence and whimsy that will leave people of all ages wanting more. Masterful performances from an all-star cast make it hard to single out individuals but special mention should be made of Eva Green whose sudden jerky movements mimic the peregrine flacon she transforms into wonderfully.
The few faults – the climax isn’t as big as one would hope and the concept of time is a bit ‘wibbly wobbly’ – are minor and easily overlooked once you lose yourself in a world of hidden secrets and incredible powers. It’s very understated for Tim Burton who seems more focused on the story than excessive quirk, but any movie that makes you want to immediately buy the books is doing something right.
What’s Popular
Deadpool 2
What’s it about?
An anti-hero tries to protect a young boy from a time-travelling half-robot… wait, isn’t that the Terminator? #RipOff
What did we think?
Anthony says: It was always going to be difficult to follow up such a successful and original first movie, and it has to be said Deadpool 2 doesn’t have the same impact as its predecessor. However, the jokes are funnier – both in intelligence and irreverence – and there’s a little more pathos. Unfortunately, there are a few pacing issues with an odd lull or two breaking up the quips, but to be frank they’re soon forgotten. It truly excels with its music choice; not only in the cool-song-I-loved-this-one way, but the subtleties that add another layer of humour (I can’t go into detail without spoiling it so I won’t). And the early-credit scene is not only hilarious but has upped the stakes on how stories could be told. <redacted-spoiler-redacted>
At the end of the day it’s a great movie and I’m not just saying that because Ryan Reynolds has a gun and apparently knows my address.
Tully
What’s it about?
GAH! Charlize Theron and Ron Livingston have a third baby! It’s awful. The other two children are bad enough. So many children! Nappies! Sore nipples! Sleep Deprivation! Dear Lord! It’s like one of those educational health films from high school except this time they’re using a more persuasive technique to get you to use condoms. At any rate, a savant babysitter turns up and everything settles down a bit.
What we thought
Dan says: This paints the portrait of parenthood, warts and all, and when Tully finally turns up to get things in order it’s with a sigh of relief from the audience as well. Great moments of cinematography, charming performances and some decently funny jokes allow this film to stick the landing.
If you’re single, watch this film and pat yourself on the back for good decisions made. If you’ve had kids, enjoy watching what you’ve already survived. And if you’ve got a newborn…
God help you.
Breath
What’s it about?
Two young boys growing up in 70s Australia are befriended by a stranger who lures them out of their comfort zone as they struggle with their identity.
What did we think?
This simply delightful coming-of-age film is incredibly intimate and wonderfully genuine. It’s unapologetically Australian and that rawness only adds to the emotions of the characterisation. Simon Baker’s directorial debut is ridiculously impressive especially given the constraints of weather dependence and an inexperienced cast. However the cast are magnificent from the two young boys – Ben Spence and Samson Coulter – to the understated Richard Roxburgh.
I grew up in the 70s but in the desert hundreds of kilometres from the surf which sets the background and culture for this flick. The fact it still spoke to me so strongly just shows what an impressive film this is. Slow-paced and stronger for it, this is not a surfing movie as such, but one where surfing is merely important.
Unsane
What’s it about?
Sawyer (Claire Foy) is a young woman starting a new life in a new city but is still traumatised by an incident from back home. After a single session with a counsellor, she unwittingly signs herself in to being committed to a mental instituton. She insists there is nothing wrong with her, but her stay becomes involuntary when the staff begin to question her sanity, and she is forced to confront her greatest fear.
What did we think?
James Tinniswood says: I am so happy Steven Soderbergh is back pumping out movies, especially interesting little gambles like this. Shot entirely on an iPhone but with a good thriller script, this fits in somewhere between his studio and indie/experimental films. Claire Foy is excellent, and Jay Pharoah is also solid support. The ambiguity about what’s really going on gets resolved maybe a bit too early and it becomes more of a conventional thriller, but it’s still an impressive experiment in tension.
Editor's Choice
Deadpool 2
What’s it about?
An anti-hero tries to protect a young boy from a time-travelling half-robot… wait, isn’t that the Terminator? #RipOff
What did we think?
Anthony says: It was always going to be difficult to follow up such a successful and original first movie, and it has to be said Deadpool 2 doesn’t have the same impact as its predecessor. However, the jokes are funnier – both in intelligence and irreverence – and there’s a little more pathos. Unfortunately, there are a few pacing issues with an odd lull or two breaking up the quips, but to be frank they’re soon forgotten. It truly excels with its music choice; not only in the cool-song-I-loved-this-one way, but the subtleties that add another layer of humour (I can’t go into detail without spoiling it so I won’t). And the early-credit scene is not only hilarious but has upped the stakes on how stories could be told. <redacted-spoiler-redacted>
At the end of the day it’s a great movie and I’m not just saying that because Ryan Reynolds has a gun and apparently knows my address.
Tully
What’s it about?
GAH! Charlize Theron and Ron Livingston have a third baby! It’s awful. The other two children are bad enough. So many children! Nappies! Sore nipples! Sleep Deprivation! Dear Lord! It’s like one of those educational health films from high school except this time they’re using a more persuasive technique to get you to use condoms. At any rate, a savant babysitter turns up and everything settles down a bit.
What we thought
Dan says: This paints the portrait of parenthood, warts and all, and when Tully finally turns up to get things in order it’s with a sigh of relief from the audience as well. Great moments of cinematography, charming performances and some decently funny jokes allow this film to stick the landing.
If you’re single, watch this film and pat yourself on the back for good decisions made. If you’ve had kids, enjoy watching what you’ve already survived. And if you’ve got a newborn…
God help you.
Breath
What’s it about?
Two young boys growing up in 70s Australia are befriended by a stranger who lures them out of their comfort zone as they struggle with their identity.
What did we think?
This simply delightful coming-of-age film is incredibly intimate and wonderfully genuine. It’s unapologetically Australian and that rawness only adds to the emotions of the characterisation. Simon Baker’s directorial debut is ridiculously impressive especially given the constraints of weather dependence and an inexperienced cast. However the cast are magnificent from the two young boys – Ben Spence and Samson Coulter – to the understated Richard Roxburgh.
I grew up in the 70s but in the desert hundreds of kilometres from the surf which sets the background and culture for this flick. The fact it still spoke to me so strongly just shows what an impressive film this is. Slow-paced and stronger for it, this is not a surfing movie as such, but one where surfing is merely important.
Unsane
What’s it about?
Sawyer (Claire Foy) is a young woman starting a new life in a new city but is still traumatised by an incident from back home. After a single session with a counsellor, she unwittingly signs herself in to being committed to a mental instituton. She insists there is nothing wrong with her, but her stay becomes involuntary when the staff begin to question her sanity, and she is forced to confront her greatest fear.
What did we think?
James Tinniswood says: I am so happy Steven Soderbergh is back pumping out movies, especially interesting little gambles like this. Shot entirely on an iPhone but with a good thriller script, this fits in somewhere between his studio and indie/experimental films. Claire Foy is excellent, and Jay Pharoah is also solid support. The ambiguity about what’s really going on gets resolved maybe a bit too early and it becomes more of a conventional thriller, but it’s still an impressive experiment in tension.