Magic in the Moonlight
- By Elizabeth Best
- 12 years ago
What’s is about?
A romantic comedy about an Englishman brought in to help unmask a possible swindle. Personal and professional complications ensue.
What did we think?
Cindy says: I confess I’m a Woody Allen tragic, but as a rule, even I can admit only every second film he makes is a real winner. Blue Jasmine was a hard act to follow, and Magic In The Moonlight IS lovely; just not amazing. Lovely scenery, lovely cast, lovely performances, lovely art direction, but something’s missing. For die hard fans and those looking for something, well, lovely.
Locke
- By Elizabeth Best
- 12 years ago
What’s it about?
Ivan Locke takes a phone call behind the wheel that will put events in motion to unravel his carefully crafted life.
What did we think?
A man. A car. A phone. A life-changing night.
The audience literally rides shotgun in this tale of Locke’s journey towards personal redemption through his own destruction. Tom Hardy is the only person on-screen for the whole movie and he’s mesmerising. We watch in real-time for 85 minutes as he struggles to rebuild his life while the foundations crumble around him, confined to the driver’s seat and at the mercy of his relentlessly ringing phone. It’s close, it’s personal, it’s intimate and we dare you to try and look away.
Predestination
- By Elizabeth Best
- 12 years ago
What’s it about?
A time-travelling temporal agent must hunt down a criminal that’s eluded him his whole life.
What did we think?
The less you know about this film the better. Just know that it’s an Aussie film that looks like an American film, that it has excellent performances from Ethan Hawke and Sarah Snook, that it involves time travel and that your brain may be doing loop-de-loops after it’s over. Don’t think about it too hard – the joy of Predestination is the watching, and the more you ponder the hows and what ifs, the more times you’ll find yourself asking “how?” and “what if…?” Which may send you mad.
The Inbetweeners 2
- By Anthony Sherratt
- 12 years ago
What’s it about?
The four bumbling English lads you know and love from the series and first film undertake an ambitious Australian holiday resulting in a rollicking (and often disgusting) adventure filled with laughs.
What did we think?
Donna Roberts says: Will, Simon, Jay and Neil are back with another politically incorrect, cringe-inducing escapade involving numerous bodily fluids while wandering around Australia. Reportedly the last instalment of the popular series, the movie is superficial, shallow and vulgar resulting in a hysterically funny sequel in which the boys attempt to replicate an authentic ‘travelling’ experience. If none of the above adjectives bother you then you’ll see this as uproarious – though occasionally grotesque – fun.
The Hundred-Foot Journey
- By Elizabeth Best
- 12 years ago
What’s it about?
Forced to flee their homeland, an Indian family moves to France with the hope of educating the locals on their traditional cuisine. The owner of the Michelin-starred restaurant a mere hundred feet across the road (Helen Miren) isn’t too happy.
What did we think?
Elizabeth says: Forget chicken soup for the soul: this is chicken tikka. A tome on cross-cultural tolerance and acceptance as well as being a feast for the eyes, this is a food lover’s paradise. Gorgeously shot, the tale of gastronomic whiz kid Hasan will linger on the palate after the meal is over… if you like that sort of thing. If not, it could be a little too sweet for you.
Guardians Of The Galaxy
- By Anthony Sherratt
- 12 years ago
What’s it about?
A thief, assassin, prisoner and a pair of bounty hunters form a bunch of misfits and attract the attention of an intergalactic terrorist.
What did we think?
Anthony Sherratt says: Guardians of the Galaxy doesn’t take itself too seriously so neither should you. More comedy than sci-fi, it is little more than a fun romp with cool fight scenes. Despite the lack of true gravitas, the only real criticism I can offer (and it’s a minor quibble) is that the characters all compete for the cool witty one-liners and the lack of a real straight man (or woman, racoon or tree) probably dilutes the overall impression. Still it was highly entertaining and I’m already planning a second viewing.
It’s really a 3.5 star movie that scored extra points for great music and one of the most bizarre and unexpected cameos in the post-credits bonus scene. But it’s just soooo much fun.
What’s Popular
Monster Trucks
What’s it about?
An all american teen boy finds a strange creature that uses his old truck as a hermit crab shell that allows him locomotion at high speeds.
What we thought
Dan Beeston says: This conceit is so absurd that I expected a collision of poorly thought out reasons for shonky car chases. What I did not expect was a kids adventure story that rivals Spielburgian classics like ET and the Goonies. Every story element meshes together beautifully. Characters are beautifully realised and I found myself chuckling through the entire film.
This film also manages to add something new and fresh to the tired (no pun intended) trope of the car chase.
Rogue One: A Star Wars Story
What's it about?
It is a period of civil war.
Rebel spaceships, striking from a
hidden base, have won their first victory
against the evil Galactic Empire.
During the battle, Rebel spies managed to steal secret
plans to the Empire's ultimate weapon, the DEATH STAR, an
armored space station with enough power to destroy an entire planet.

What did we think? Stephen Scott says: Where Return of the Jedi was let-down due to 'alleged' toy company requirements, Rogue One seems let down by a meddling committee. Too many cooks dilutes a terrific premise (4 stars) and muddies great characters (3½ stars) thanks to an overly-convoluted introduction (minus 2 stars) and dollops of unnecessary spoon-feeding (minus 7 stars).
But make sure you see it on the big screen for the final battle sequence - it's basically a 21st Century version of the ROTJ final act (5 stars in all its glory - wow it's good).
Epilogue: If you recall, we all loved Star Wars for George's ground-breaking "used universe" and the mythical unanswered questions (Jedi, Clone Wars, why there is no underwear in space). Edwards delivers a gloriously dirty reality, but the committee let the movie down by interrupting him, and providing us with too many answers to questions we didn't ask. A Star Wars movie doesn't require title cards to tell the audience where we are, that's part of the charm. Drop us in and let us swim!
Passengers
What’s it about?
When a spaceship malfunctions, two passengers on a 120-year voyage to a new home planet wake up from their sleep state 90 years too early.
What did we think?
Elizabeth Best says: Take a sci-fi flick, throw in some romance, a few major (and kind of messed up) ethical dilemmas, and a healthy dose of tension and you have a movie that will almost certainly promote robust discussion of that “what would you do?” variety after the credits roll. In what seems to be a trend in movies these days, the trailer for Passengers is a little misleading. Without spoiling things, the premise of this movie is a LOT darker than we are led to believe.
Editor's Choice
Monster Trucks
What’s it about?
An all american teen boy finds a strange creature that uses his old truck as a hermit crab shell that allows him locomotion at high speeds.
What we thought
Dan Beeston says: This conceit is so absurd that I expected a collision of poorly thought out reasons for shonky car chases. What I did not expect was a kids adventure story that rivals Spielburgian classics like ET and the Goonies. Every story element meshes together beautifully. Characters are beautifully realised and I found myself chuckling through the entire film.
This film also manages to add something new and fresh to the tired (no pun intended) trope of the car chase.
Rogue One: A Star Wars Story
What's it about?
It is a period of civil war.
Rebel spaceships, striking from a
hidden base, have won their first victory
against the evil Galactic Empire.
During the battle, Rebel spies managed to steal secret
plans to the Empire's ultimate weapon, the DEATH STAR, an
armored space station with enough power to destroy an entire planet.

What did we think? Stephen Scott says: Where Return of the Jedi was let-down due to 'alleged' toy company requirements, Rogue One seems let down by a meddling committee. Too many cooks dilutes a terrific premise (4 stars) and muddies great characters (3½ stars) thanks to an overly-convoluted introduction (minus 2 stars) and dollops of unnecessary spoon-feeding (minus 7 stars).
But make sure you see it on the big screen for the final battle sequence - it's basically a 21st Century version of the ROTJ final act (5 stars in all its glory - wow it's good).
Epilogue: If you recall, we all loved Star Wars for George's ground-breaking "used universe" and the mythical unanswered questions (Jedi, Clone Wars, why there is no underwear in space). Edwards delivers a gloriously dirty reality, but the committee let the movie down by interrupting him, and providing us with too many answers to questions we didn't ask. A Star Wars movie doesn't require title cards to tell the audience where we are, that's part of the charm. Drop us in and let us swim!
Passengers
What’s it about?
When a spaceship malfunctions, two passengers on a 120-year voyage to a new home planet wake up from their sleep state 90 years too early.
What did we think?
Elizabeth Best says: Take a sci-fi flick, throw in some romance, a few major (and kind of messed up) ethical dilemmas, and a healthy dose of tension and you have a movie that will almost certainly promote robust discussion of that “what would you do?” variety after the credits roll. In what seems to be a trend in movies these days, the trailer for Passengers is a little misleading. Without spoiling things, the premise of this movie is a LOT darker than we are led to believe.