Rock the Casbah
What’s it about?
A French/Arabian co-production in which a family gather after the patriarch dies and secrets are revealed that threaten relationships.
What did we think?
Elizabeth says: Come on guys. Death as a precursor for forced disclosure of dysfunctional secrets has been done. Having the dead guy (a magical Omar Shariff) narrate the funereal action is a gimmick not used frequently enough to differentiate this from any other film of its ilk. It’s all been done – and been done better – before.
Magic in the Moonlight
What’s is about?
A romantic comedy about an Englishman brought in to help unmask a possible swindle. Personal and professional complications ensue.
What did we think?
Cindy says: I confess I’m a Woody Allen tragic, but as a rule, even I can admit only every second film he makes is a real winner. Blue Jasmine was a hard act to follow, and Magic In The Moonlight IS lovely; just not amazing. Lovely scenery, lovely cast, lovely performances, lovely art direction, but something’s missing. For die hard fans and those looking for something, well, lovely.
Locke
What’s it about?
Ivan Locke takes a phone call behind the wheel that will put events in motion to unravel his carefully crafted life.
What did we think?
A man. A car. A phone. A life-changing night.
The audience literally rides shotgun in this tale of Locke’s journey towards personal redemption through his own destruction. Tom Hardy is the only person on-screen for the whole movie and he’s mesmerising. We watch in real-time for 85 minutes as he struggles to rebuild his life while the foundations crumble around him, confined to the driver’s seat and at the mercy of his relentlessly ringing phone. It’s close, it’s personal, it’s intimate and we dare you to try and look away.
Predestination
What’s it about?
A time-travelling temporal agent must hunt down a criminal that’s eluded him his whole life.
What did we think?
The less you know about this film the better. Just know that it’s an Aussie film that looks like an American film, that it has excellent performances from Ethan Hawke and Sarah Snook, that it involves time travel and that your brain may be doing loop-de-loops after it’s over. Don’t think about it too hard – the joy of Predestination is the watching, and the more you ponder the hows and what ifs, the more times you’ll find yourself asking “how?” and “what if…?” Which may send you mad.
The Inbetweeners 2
What’s it about?
The four bumbling English lads you know and love from the series and first film undertake an ambitious Australian holiday resulting in a rollicking (and often disgusting) adventure filled with laughs.
What did we think?
Donna Roberts says: Will, Simon, Jay and Neil are back with another politically incorrect, cringe-inducing escapade involving numerous bodily fluids while wandering around Australia. Reportedly the last instalment of the popular series, the movie is superficial, shallow and vulgar resulting in a hysterically funny sequel in which the boys attempt to replicate an authentic ‘travelling’ experience. If none of the above adjectives bother you then you’ll see this as uproarious – though occasionally grotesque – fun.
The Hundred-Foot Journey
What’s it about?
Forced to flee their homeland, an Indian family moves to France with the hope of educating the locals on their traditional cuisine. The owner of the Michelin-starred restaurant a mere hundred feet across the road (Helen Miren) isn’t too happy.
What did we think?
Elizabeth says: Forget chicken soup for the soul: this is chicken tikka. A tome on cross-cultural tolerance and acceptance as well as being a feast for the eyes, this is a food lover’s paradise. Gorgeously shot, the tale of gastronomic whiz kid Hasan will linger on the palate after the meal is over… if you like that sort of thing. If not, it could be a little too sweet for you.
What’s Popular
Manchester By The Sea
A sombre examination of mourning as a withdrawn and troubled man is unexpectedly left guardianship of his dead brother’s 16-year-old son.
Angela Young says: This film will split audiences. For me, I was seared in two by its utterly real depiction of a pain so awful as to kill a man’s soul. An eccentric soundtrack (from orchestral to choral to swing) and extremely slow pace fits this artistic masterpiece like a glove. Casey Affleck’s portrayal of Lee – now guardian of his late brother’s kid – deserves the Oscar. Michelle Williams’ brief appearances are perfect, and Lucas Hedges is spot on as the kid. A profoundly moving piece on the vast variances of mourning, superbly written and directed.
Split
What’s it about?
A trio of teenagers are kidnapped and imprisoned by a brilliant but strange man with ambiguous motives. Also, it’s an M. Night Shyamalan film, so, you know, take that as you will.
What we thought
Dan Beeston says:If there’s one thing M. Night does well, it is suspense. The problem is that there is always a sword of Damocles distracting you from being in the moment. That notion that you’re waiting for ‘The Twist™’. Ignore that. Split is not ‘The 6th Sense’. It’s just a scary and interesting story told well.
It’s also one where you can’t trust the reviewer’s experience. I can tell that some people will get a lot more out of this than I did and some people will be left frustrated. Ironically, I expect ‘Split’ to be divisive.
Jackie
What’s it about?
An intimate portrait of stoicism, pride and ego; Jackie is an imagining of the Life magazine interview with Jacqueline Kennedy (Natalie Portman); covering her dignified reaction to the traumatic events she experienced in November 1963, and how she created the legend of Kennedy’s Camelot from her unabashed desire for a meaningful legacy.
What did we think?
Stephen Scott says: The culmination of a thought-provoking script, Portman’s mesmerising portrayal of the iconic First Lady, psychological storytelling technique verging on poetic, and an innovative and organic soundtrack, Jackie delivers a profound exploration of how truth is manufactured and interpreted.
Elizabeth Best says: Just give her the Oscar already.
Monster Trucks
What’s it about?
An all american teen boy finds a strange creature that uses his old truck as a hermit crab shell that allows him locomotion at high speeds.
What we thought
Dan Beeston says: This conceit is so absurd that I expected a collision of poorly thought out reasons for shonky car chases. What I did not expect was a kids adventure story that rivals Spielburgian classics like ET and the Goonies. Every story element meshes together beautifully. Characters are beautifully realised and I found myself chuckling through the entire film.
This film also manages to add something new and fresh to the tired (no pun intended) trope of the car chase.
Editor's Choice
Manchester By The Sea
A sombre examination of mourning as a withdrawn and troubled man is unexpectedly left guardianship of his dead brother’s 16-year-old son.
Angela Young says: This film will split audiences. For me, I was seared in two by its utterly real depiction of a pain so awful as to kill a man’s soul. An eccentric soundtrack (from orchestral to choral to swing) and extremely slow pace fits this artistic masterpiece like a glove. Casey Affleck’s portrayal of Lee – now guardian of his late brother’s kid – deserves the Oscar. Michelle Williams’ brief appearances are perfect, and Lucas Hedges is spot on as the kid. A profoundly moving piece on the vast variances of mourning, superbly written and directed.
Split
What’s it about?
A trio of teenagers are kidnapped and imprisoned by a brilliant but strange man with ambiguous motives. Also, it’s an M. Night Shyamalan film, so, you know, take that as you will.
What we thought
Dan Beeston says:If there’s one thing M. Night does well, it is suspense. The problem is that there is always a sword of Damocles distracting you from being in the moment. That notion that you’re waiting for ‘The Twist™’. Ignore that. Split is not ‘The 6th Sense’. It’s just a scary and interesting story told well.
It’s also one where you can’t trust the reviewer’s experience. I can tell that some people will get a lot more out of this than I did and some people will be left frustrated. Ironically, I expect ‘Split’ to be divisive.
Jackie
What’s it about?
An intimate portrait of stoicism, pride and ego; Jackie is an imagining of the Life magazine interview with Jacqueline Kennedy (Natalie Portman); covering her dignified reaction to the traumatic events she experienced in November 1963, and how she created the legend of Kennedy’s Camelot from her unabashed desire for a meaningful legacy.
What did we think?
Stephen Scott says: The culmination of a thought-provoking script, Portman’s mesmerising portrayal of the iconic First Lady, psychological storytelling technique verging on poetic, and an innovative and organic soundtrack, Jackie delivers a profound exploration of how truth is manufactured and interpreted.
Elizabeth Best says: Just give her the Oscar already.
Monster Trucks
What’s it about?
An all american teen boy finds a strange creature that uses his old truck as a hermit crab shell that allows him locomotion at high speeds.
What we thought
Dan Beeston says: This conceit is so absurd that I expected a collision of poorly thought out reasons for shonky car chases. What I did not expect was a kids adventure story that rivals Spielburgian classics like ET and the Goonies. Every story element meshes together beautifully. Characters are beautifully realised and I found myself chuckling through the entire film.
This film also manages to add something new and fresh to the tired (no pun intended) trope of the car chase.