Men, Women & Children
What’s it about?
In modern-day Texas, three compromised families are fraught with lust, change and despair as they navigate the world found online and off.
What did we think?
Dominic Barlow says: In this soothingly intimate and captivating film, Reitman (the director of Juno and Up in the Air) pulls together various stories in a sincere bid to understand how technology is infused into our lives, by visually representing the characters’ text messages and computer desktops with great flair. His broad approach can sometimes become disaffecting, particularly with a motif involving an intergalactic satellite and narration by Emma Thompson, but his amazing cast of actors (which includes the likes of Adam Sandler, Jennifer Garner and Judy Greer) give highly engaging and nuanced performances. It’s unabashedly dramatic, but also quite humorous and much more self-aware than many reviewers give it credit for.
Nightcrawler
What’s it about?
A thief who witnesses an accident starts a business filming incidents and selling them to local news.
What did we think?
Imogen Chapman says: Jake Gylenhaal is excellent at two things: being super beautiful, and playing intense weirdos. He’s serving the latter in Nightcrawler, and it’s definitely one of his creepy best. This is the kind of movie that will make you feel so morally uncomfortable at what you see happening that you’ll need to take a shower. That being said, it’s amazing. It’s the kind of movie that you keep thinking about for days afterwards. I can still kind of feel JG’s giant eyes staring at me…
The Hunger Games: Mockingjay Part One
What’s it about?
Having been thrust into the the spotlight as the reluctant face of the rebellion, Katniss must help inspire others to overthrow the Capitol.
What did we think?
Elizabeth says: It’s all a bit lather, rinse, repeat at this point of the franchise: Katniss looks horrified at something the Capitol did, Katniss gets upset, Katniss channels her upset into anger, Katniss attacks. Katniss looks horrified again, Katniss gets upset again. Lather. Rinse. Repeat. It may have made commercial sense to cut the final book of the trilogy into two parts but it leaves us without the payoff this installment sorely needed. It’s entertaining enough and fans will love it regardless of what anyone says but without it’s predecessors, this mockingjay wouldn’t fly.
Maps To The Stars
What’s it about?
Agatha (Mia Wasikowska) the exiled daughter of a Hollywood power couple (John Cusack and Olivia Williams) returns to LA to reconnect with her famous younger brother (Evan Bird). Violence pursues those around her, including a frustrated actor turned chauffeur (Robert Pattinson) and fading star Havana Segrand (Julianne Moore).
What did we think?
Scott Ford says: A cavalcade of stars, commentary on celebrity and self-help, incest and tween violence — director David Cronenberg has packed a lot into this film, but nothing sticks. The plot, which gestures at classical tragedy and references surrealist poetry, is often advanced by the appearance of exposition-spewing phantoms and is entirely forgettable.
Cronenberg’s direction is excellent as ever, dancing the line between alienation and intimacy. The dialogue between tween superstars is a reminder of his talent for making discomfiture compelling. But there are also more than a few regrettable moments. Maps to the Stars is a lot adding up to not much.
Alexander and the Terrible, Horrible, No Good, Very Bad Day
What’s it about?
Alexander has more terrible days than most, especially compared to the rest of his ‘perfect’ family. Wishing on his birthday that they could experience the sort of day that he normally has, Liar Liar-style, they do.
What did we think?
Rob O’Connor says: Surprisingly amusing! This live-action Disney family film is loosely based on a popular children’s book, so our expectations were low – happily they were exceeded. While so many of these films feature idiot parents, bratty kids and a story aimed at selling Happy Meals, Alexander avoids all that, delivering a nice message about families sticking together.
The jokes were well spread over our posse (9yo, 13yo and parents) and there were enough quality laughs for all for a pass mark. The cast, which include Steve Carell and Jennifer Garner, are dependable but not stretched. The film is good, single-view, inoffensive, forgettable family fun for 7 year olds and up. That’s definitely better than most films in this genre.
Let’s Be Cops
What’s it about?
Two friends dress up as policeman and get carried away when they get mistaken for the real thing.
What did we think?
What do you get when you have a cop movie without cops? This. With a simple premise, Let’s Be Cops is really a one-joke wonder trading off the popularity of TV’s New Girl. And for fans of the show that’s probably gong to be enough. Nick and Coach…. er… I mean Jake Johnson and Damon Wayans are likable (and rather similar to their small screen characters) but there’s just not enough in the script for anyone.
For non-New Girl fans, the first half of the movie is sort of okay but it just runs out of direction and laughs. After awhile it feels like you’re the one doing time. Don’t do the crime kids.
What’s Popular
Trainspotting 2
What’s it about?
Twenty years after Mark Renton stole the stash of cash from his friends, he returns home but exactly what awaits him?
What did we think?
Anthony Sherratt says: It’s easy to argue this cult classic didn’t need a sequel but it’s a surprising relief that this follow up stays true to the characters and story. Not as dark as the original, Trainspotting 2 goes for a bit more humour and focuses more on the quirky relationships between the dysfunctional group. Good characterisation, entertaining and faithful stories and quality homage references will leave any fan of the original content though it’s probably unlikely to be a classic itself. Director Danny Boyle uses an impressive soundtrack featuring Iggy Pop, Blondie, Queen, Run DMC and jarring, almost experimental, camera angles to highlight the emotion and anguish particularly of Ewan Bremner’s Spud who almost steals the show during his withdrawal periods. Wonderful to see Ewan McGregor, Johnny Lee Miller and Robert Carlyle on the big screen together again as Boyle slyly and ironically explores nostalgia in a light that is anything but flattering.
The Great Wall
What’s it about?
European mercenaries make their way to the Orient in search of the super weapon ‘black powder’. They discover a powerful army with just one purpose: defending the world against monsters. But are the true monsters… us?
No. It’s quite obviously the giant green lizard things.
What did we think?
Dan says: This is a film about ideas. The story is pretty average and the character motivations are thin on the ground. The film jumps from design idea to illustration idea and every time it’s dazzling. It’s a bit like flipping through the sketch book of that art geek from high school who would shyly tell you what she’d do if she had access to funding. Well someone got access to funding. They don’t know how to write dialogue but their visual story-telling is epic.
Hidden Figures
What’s it about?
1960’s America was a vortex of social upheaval: apartheid (segregation) was rampant; women’s equality was unimaginable; the space race was nuclear hot; and national pride, if not survival, was at stake. Against all odds, three genii stepped out from the shadows to help NASA realise an impossible dream. Three genii who happened to be black women.
What did we think?
Stephen Scott says: This movie should be compulsory viewing for every man, woman and child. Equality is something many pay lip service to (even today), and while other Oscar-nominated movies show the ugly face of racism via a negative tirade, Hidden Figures lifts you up with a heart-warming, truly accessible story of the little person overcoming insurmountable odds. Inspiring and hopeful.
Incidentally, I never thought I’d see the day where I’d cry watching a man smash a toilet sign off a wall with a crowbar.
Fences
What’s it about?
Life as a black man in 50’s America was hard – you had to fight for every ounce of respect. You are constantly reminded of this by Troy, garbage man and would’ve-been baseball legend (if he had’ve been white).
What did we think?
Stephen Scott says: Adapted from an award winning play, Fences reminds us that before TV enslaved us, people talked to each other for entertainment. They talked & they talked & they talked & they talked. And they talked really fast. They talked about mundane things. About important things. About daily grind. About judgement. About being a black man in a white world. Really fast. A lot.
Talking fast makes Shakespeare natural sounding (a basic rule for theatre productions), and Fences feels like they filmed a theatre show then CGI’ed realistic backgrounds in to make it a movie. It’s blocky. It’s talky. It’s a play made into a film. It’s a beautifully made play made into a film with exceptional acting. But it focuses on style rather than the story. Almost as if it was made to get people nominated for award shows.
Editor's Choice
Trainspotting 2
What’s it about?
Twenty years after Mark Renton stole the stash of cash from his friends, he returns home but exactly what awaits him?
What did we think?
Anthony Sherratt says: It’s easy to argue this cult classic didn’t need a sequel but it’s a surprising relief that this follow up stays true to the characters and story. Not as dark as the original, Trainspotting 2 goes for a bit more humour and focuses more on the quirky relationships between the dysfunctional group. Good characterisation, entertaining and faithful stories and quality homage references will leave any fan of the original content though it’s probably unlikely to be a classic itself. Director Danny Boyle uses an impressive soundtrack featuring Iggy Pop, Blondie, Queen, Run DMC and jarring, almost experimental, camera angles to highlight the emotion and anguish particularly of Ewan Bremner’s Spud who almost steals the show during his withdrawal periods. Wonderful to see Ewan McGregor, Johnny Lee Miller and Robert Carlyle on the big screen together again as Boyle slyly and ironically explores nostalgia in a light that is anything but flattering.
The Great Wall
What’s it about?
European mercenaries make their way to the Orient in search of the super weapon ‘black powder’. They discover a powerful army with just one purpose: defending the world against monsters. But are the true monsters… us?
No. It’s quite obviously the giant green lizard things.
What did we think?
Dan says: This is a film about ideas. The story is pretty average and the character motivations are thin on the ground. The film jumps from design idea to illustration idea and every time it’s dazzling. It’s a bit like flipping through the sketch book of that art geek from high school who would shyly tell you what she’d do if she had access to funding. Well someone got access to funding. They don’t know how to write dialogue but their visual story-telling is epic.
Hidden Figures
What’s it about?
1960’s America was a vortex of social upheaval: apartheid (segregation) was rampant; women’s equality was unimaginable; the space race was nuclear hot; and national pride, if not survival, was at stake. Against all odds, three genii stepped out from the shadows to help NASA realise an impossible dream. Three genii who happened to be black women.
What did we think?
Stephen Scott says: This movie should be compulsory viewing for every man, woman and child. Equality is something many pay lip service to (even today), and while other Oscar-nominated movies show the ugly face of racism via a negative tirade, Hidden Figures lifts you up with a heart-warming, truly accessible story of the little person overcoming insurmountable odds. Inspiring and hopeful.
Incidentally, I never thought I’d see the day where I’d cry watching a man smash a toilet sign off a wall with a crowbar.
Fences
What’s it about?
Life as a black man in 50’s America was hard – you had to fight for every ounce of respect. You are constantly reminded of this by Troy, garbage man and would’ve-been baseball legend (if he had’ve been white).
What did we think?
Stephen Scott says: Adapted from an award winning play, Fences reminds us that before TV enslaved us, people talked to each other for entertainment. They talked & they talked & they talked & they talked. And they talked really fast. They talked about mundane things. About important things. About daily grind. About judgement. About being a black man in a white world. Really fast. A lot.
Talking fast makes Shakespeare natural sounding (a basic rule for theatre productions), and Fences feels like they filmed a theatre show then CGI’ed realistic backgrounds in to make it a movie. It’s blocky. It’s talky. It’s a play made into a film. It’s a beautifully made play made into a film with exceptional acting. But it focuses on style rather than the story. Almost as if it was made to get people nominated for award shows.