The Interview

What’s it about?

Cheesy TV host Dave Skylark (James Franco) and his producer (Seth Rogen) are coerced by the CIA to kill Kim Jong-Un during an interview.

What did we think?
Elizabeth Best says: If you ban it, they will come. In terms of finding a following, the Sony hack was probably the best thing to happen to this film. The Interview is dumb. It’s irreverent. It has Franco mugging his ass off like… well, like Franco. But it still manages to squeeze more than a giggle or two from an audience probably too ashamed to admit it. So take that, North Korea.

 

Foxcatcher

What’s it about?
Mark Schultz, under tutelage from wrestling fanatic and all around creeper John duPont, finds himself caught striving for perfection while training athletes in a bid to sweep Seoul Olympics and maintaining a weird bond with his sponsor.

What did we think?
Nick Bleeker says: Pacing issues aside, this is a rather disturbing affair with grand performances from Steve Carrell, Channing Tatum and Mark Ruffalo, but doesn’t give Ruffalo’s character enough time to develop. It’s a very muted film, that relies on less on its dialogue and more on the physical performances from everyone. Bennett Miller shoots it extremely well and precisely, but you can’t help but walk out feeling like it’s missing a soul.

Wild

What is it about?
Damaged woman Cheryl (Reese Witherspoon), braves the long hike along the Pacific Crest Trail to reconcile her past, and change her future.

What do we think?
Alistair says: I left this movie wanting to start hiking immediately. It is based on the real life adventures of Cheryl Strayed, played convincingly by Witherspoon. It’s never boring watching Cheryl walk from southern California to the edge of Canada, across deserts and snowy mountains, transforming from determined novice to seasoned hiker. The scenery is often epic, and frequent encounters with the passers-by along the way range from the sinister to the sentimental. But the stand out is a roadside encounter with an expert on all things hobo. There’s also a kid who is so sickly sweet, you’ll want to throw away your birth control. Flashbacks slowly reveal the events that got her here, including the pivotal relationship with her mother and troubles with her ex-husband. It’s a road movie, except it’s about walking (so let’s call it a walk-movie). Go see it and then take a hike.

American Sniper

What’s it about?
Bradley Cooper plays Chris Kyle, the most lethal sniper in US history. American Sniper follows his four tours of duty while weaving in his personal struggles adjusting to home life.

What did we think?
Nick Bleeker says: Cooper carries this film. American Sniper might be better if it focused squarely and only on Kyle’s tours or his struggle adjusting to civilian life. The short gaps for his civilian life serve more as a means to an end rather than a significant shift of circumstance for his character, and in doing that the film sacrifices Kyle’s humanity. Director Clint Eastwood captures the tension of tours really nicely, though, and Cooper’s performance is excellent; it’s just a shame that the rest of the film doesn’t quite reach the same heights.

Paper Planes

What’s it about?

Dylan and his father are both stuck in a rut, searching for some sort of escape from their demons. When Dylan discovers a flair for paper plane construction he’s encouraged to participate in the national paper plane heats.

What we thought

Dan says: You’ve seen this film before with ice hockey (Mighty Ducks), lawn bowls (Crackerjack), golf (Tin Cup), karate (Karate Kid), the list goes on and on. I’m a sucker for this tale no matter how many times it’s told and so it was that I was disappointing to find myself checking my watch only thirty minutes in. The writing and the filmmaking is below par and feels like the very worst episodes of Secret Valley. The actors flail through the woeful dialogue as best they can but there’s little chance of saving it. Deborah Mailman and David Wenham are criminally underused.

You’ll find yourself rolling your eyes more than once and the worst part is that there’s some really nice moments hidden away here. Ed Oxbould and Sam Worthington do a beautiful job and a few more rewrites could have picked this up and out of the mud.

Appropriately, his film has wings, but no steering.

Unbroken

What’s it about?
Unbroken follows the life of Louis “Louie” Zamperini, from running at the 1936 Olympic games at Berlin to being interned at a Japanese prison camp during  World War 2.

What did we think?
Unbroken opens strong with a thrilling dogfight. The speed of the plane, the sudden sprays of bullets and the massive drop to the ocean below are almost palpable. It’s a shame that the rest of the film doesn’t follow this lead. Hamstrung by an uninspired script (despite being co-written by the Coen Brothers) director Angelina Jolie focuses on Zamperini’s physical torment, namely his being punched in the head many, many times. It makes for a grueling film that fails to reward the viewer. Any attempt at exploring Zamperini’s internal life or the moral complexities of war are studiously avoided. The prison warden, for example, is an offensive cliché of the inscrutable and effeminate Asian man.  Unbroken may be Jolie’s love song to Zamperini, who died this year, but in its reluctance to describe the mental and spiritual tolls of war, the film’s messages about self-belief and forgiveness lack impact.  

What’s Popular

The Sense of an Ending

What’s it about? 
Tony (Jim Broadbent) leads a reclusive, curmudgeonly existence until a letter from his past resurfaces and forces him to confront his flawed recollections of his past in the film adaptation of Julian Barnes’ Man Booker Prize-winning novel.

What did we think?
Elizabeth Best says: It’s ironic that a film about missing memories seems to be missing a crucial “ah-hah” moment for a satisfying conclusion. I kept waiting for a payoff to justify the slow burning, mysterious atmosphere and when it came, it proved too ambiguous and open-ended to provide any closure. Perhaps that’s the point; that in life we may never know the full story. It’s a fine point to make philosophically but proves for a less than satisfying experience for film-goers. Not even captivating performances from all, especially Broadbent, weren’t enough to shake the feeling that something was lost in translation from page to screen.

King Arthur: Legend of the Sword

What’s it all about then?

From the beginnin’. Well, there’s this roguish lad see, an’ ‘e an’ his mates are plannin’ a heist …
‘Old on, ‘old on. Yer sure nothin’ ‘appened before the beginnin’? Aw yeah, that’s right. Ye see (flashback) the kid’s not the bastard son of a prostitute, but actually heir to ye olde Englaland’s throne.
That’s more like it my son. Go on … There’s this magical scimitar an’ rooftop parkour an’ a kind-but-fair oriental fight instructor, y’know, everything you’d expect in 6th century Londinium …

What did we think?

Stephen Scott says: in a gloriously raucous post-Roman-occupied Britanniae, trouble is brewing in a cockney lad’s-own adventure that’s bleedingly obviously directed by Guy Ritchie without having all the promos blaring it at a million decibels. Fast, romance-free, with a (fantastic) soundtrack that makes you go “yeah – that’s what action movie music must’ve sounded like in 629AD”, it’s Lock Stock and One Smoking Excalibur. Exactly what you expect.

Snatched

What’s it about?
A girl who’s just been dumped takes her mum on her romantic trip to Equador after she realises the tickets are non-refundable. They get kidnapped.

What did we think?
Elizabeth Best says: It’s funny how Amy Schumer’s latest feature film is no Trainwreck at the same time as being a total trainwreck. It straddles the line of gross-out comedy and high-stakes kidnap flick without ever truly landing either. Accidental violent murders are followed up with fart and dick jokes and the whole thing feels awkward; much like the girls, it’s a little bit lost. The laugh-out-loud jokes that DID land (a few courtesy of a hilarious cameo by Joan Cusack) feel like they’ve been snatched from a much better film.

Alien: Covenant

What it’s about?
A crew of colonists find themselves tracking an alien signal only to find… well, an alien.
What did we think?
Nick Bleeker says: Putting aside the fact that there’s not a lot “new” in Covenant, Michael Fassbender delivers an electrifying performance, the action and gore is insane, and the film looks wonderful. Even shorter review? It’s better than Prometheus.

Editor's Choice

The Sense of an Ending

What’s it about? 
Tony (Jim Broadbent) leads a reclusive, curmudgeonly existence until a letter from his past resurfaces and forces him to confront his flawed recollections of his past in the film adaptation of Julian Barnes’ Man Booker Prize-winning novel.

What did we think?
Elizabeth Best says: It’s ironic that a film about missing memories seems to be missing a crucial “ah-hah” moment for a satisfying conclusion. I kept waiting for a payoff to justify the slow burning, mysterious atmosphere and when it came, it proved too ambiguous and open-ended to provide any closure. Perhaps that’s the point; that in life we may never know the full story. It’s a fine point to make philosophically but proves for a less than satisfying experience for film-goers. Not even captivating performances from all, especially Broadbent, weren’t enough to shake the feeling that something was lost in translation from page to screen.

King Arthur: Legend of the Sword

What’s it all about then?

From the beginnin’. Well, there’s this roguish lad see, an’ ‘e an’ his mates are plannin’ a heist …
‘Old on, ‘old on. Yer sure nothin’ ‘appened before the beginnin’? Aw yeah, that’s right. Ye see (flashback) the kid’s not the bastard son of a prostitute, but actually heir to ye olde Englaland’s throne.
That’s more like it my son. Go on … There’s this magical scimitar an’ rooftop parkour an’ a kind-but-fair oriental fight instructor, y’know, everything you’d expect in 6th century Londinium …

What did we think?

Stephen Scott says: in a gloriously raucous post-Roman-occupied Britanniae, trouble is brewing in a cockney lad’s-own adventure that’s bleedingly obviously directed by Guy Ritchie without having all the promos blaring it at a million decibels. Fast, romance-free, with a (fantastic) soundtrack that makes you go “yeah – that’s what action movie music must’ve sounded like in 629AD”, it’s Lock Stock and One Smoking Excalibur. Exactly what you expect.

Snatched

What’s it about?
A girl who’s just been dumped takes her mum on her romantic trip to Equador after she realises the tickets are non-refundable. They get kidnapped.

What did we think?
Elizabeth Best says: It’s funny how Amy Schumer’s latest feature film is no Trainwreck at the same time as being a total trainwreck. It straddles the line of gross-out comedy and high-stakes kidnap flick without ever truly landing either. Accidental violent murders are followed up with fart and dick jokes and the whole thing feels awkward; much like the girls, it’s a little bit lost. The laugh-out-loud jokes that DID land (a few courtesy of a hilarious cameo by Joan Cusack) feel like they’ve been snatched from a much better film.

Alien: Covenant

What it’s about?
A crew of colonists find themselves tracking an alien signal only to find… well, an alien.
What did we think?
Nick Bleeker says: Putting aside the fact that there’s not a lot “new” in Covenant, Michael Fassbender delivers an electrifying performance, the action and gore is insane, and the film looks wonderful. Even shorter review? It’s better than Prometheus.
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