Risen

What’s it about?
A body has been stolen from the morgue. Tribune Clavius is the hard-boiled Italian detective put on the case. A left-wing revolutionary faction is the prime suspect, but the truth will have Clavius questioning everything he ever knew about life … and the afterlife.

What did we think?
Dan says: Imagine Sergeant Smith from The Bill was cast back in time and tasked to find the disappeared body of Jesus Christ. A police procedural into one of the most unbelievable get-a-ways of all time. The tone of the film flip-flops as much as the accents, but Joseph Fiennes grounds it and keeps it on track.

Room

What’s it about?
Based on Emma Donoghue’s best-selling book, this is the story of a Joseph Fritzl-style kidnapping, with a 24-year-old (Brie Larson) trapped inside a pervert’s shed with the five-year-old son she conceived with her captor. We learn about the world of Room through a child’s eyes, and follow them as they make to escape.
What did we think?
Angela Young says: Donoghue’s book is an absolute corker (should have won the Booker in my not so humble opinion) and, thanks to her scripting of the film, this is a corker too. Jacob Tremblay is a dream as the adorable Jack, whose bond with the only person in his whole world, Ma, is palpable. Ambitiously covering a period beyond the book, this beautifully understated film (minus any Hollywood hyperbole and dramatic bullshit) nails it. Take some tissues and enjoy the ride as Jack and his Ma encounter the real world, with all the confusion and heartbreak that entails.

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The Hateful Eight

A gritty and bloody western. but is three hours too long?

Goosebumps

What’s it about?
When teenage Zach (Dylan Minnette) moves to a small town, he soon discovers that his new neighbour Hannah (Odeya Rush) and her father, novelist R.L. Stine (Jack Black) are keeping a spooky secret.

What did we think?
Amy Currie says: This adaptation of the popular Goosebumps series starts promisingly enough. The opening scenes are quite self-aware and genuinely funny in a family-friendly sort of way, and Jillian Bell’s Aunt Lorraine character is a standout. Sadly, it soon starts to turn into a Buzzfeed listicle of 15 Crazy Monsters You Might Remember From Goosebumps (Number Nine Will Shock You!). Nostalgia can’t keep it from lagging, Jack Black’s usual intense-eyes-wacky-voice shtick is as grating as ever and by the inevitable final confrontation I was bored. It’s worth pointing out that I’m not ten, though, and the kids in the audience seemed pretty into it. It’s not brilliant, but there are worse family films.

 

Sisters

What’s it about?
Two adult sisters return to their family home to clean out their room when they find out their parents have sold up. But instead of cleaning, they decide to have the party to end all parties. As you do.

What did we think?
Elizabeth Best says: Sisters is like a massive bender: it starts out strong, full of promise of an electrifying night ahead. The kegs are full, the punch is spiked, your crazy friend Tiffany has already started dancing on the tables and someone has just found your old game of Twister under the couch; how could this night NOT be awesome? But by the end of the night, the party has run out of steam. There’s no more booze, Tiffany is passed out on said table sprawled over some random, and a guy just threw up over the Twister mat. But who cares? The party was still rad while it lasted.

The who’s-who of Saturday Night Live cast all bring some chuckles to the table, but were it not for the presence of my spirit animals aka Tina Fey and Amy Poehler, this could have been a lot less funny.

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Paddington 2

What’s it about?
Aunt Lucy is turning 100 and Paddington has his eye on the perfect present: a meticulously beautiful pop-up book of London … but so has a thief with a taste for the theatrical.

What did we think?
Stephen Scott says: With the classic Paddington stories montaged out of the way in the first movie, a cohesive tale can now be told, making a much more enjoyable experience. So enjoyable, I can safely say that Paddington 2 is, paws down, the best movie of 2017.

“But it’s not a serious movie!” I hear the purists scream. Let me explain: it doesn’t have to be. The charm and happiness it creates from classic slapstick and a heart-warming narrative ensures it is hilarious, uplifting and utterly delightful.

All The Money In The World

What’s it about?
Despite having “all the money in the world”, JP Getty (Kevin Spacey Christopher Plummer) refuses to pay a ransom when his grandson is kidnapped.

What did we think?
Elizabeth Best says: When editing someone out of a film and still insisting you can stick to your release date, you better make damn sure you do a good job of it. And what a job director Ridley Scott, Plummer and the cast have done, rallying to erase Spacey post #MeToo scandal. Plummer’s performance, shot in just 10 days, is masterful (and with a much larger part than I assumed). Controversy aside, Scott has created a film that remains gripping, even if you know the history behind this “based on true events” tale. I dare you to try and stop yourself muttering “you motherf–ker” every time the penny-pinching Getty sinks lower than you think he could possibly ever go.

Replacing Spacey was the best decision Scott ever made, as having someone with compromised moral character play this asshole would have been film-killing.

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Paddington 2

What’s it about?
Aunt Lucy is turning 100 and Paddington has his eye on the perfect present: a meticulously beautiful pop-up book of London … but so has a thief with a taste for the theatrical.

What did we think?
Stephen Scott says: With the classic Paddington stories montaged out of the way in the first movie, a cohesive tale can now be told, making a much more enjoyable experience. So enjoyable, I can safely say that Paddington 2 is, paws down, the best movie of 2017.

“But it’s not a serious movie!” I hear the purists scream. Let me explain: it doesn’t have to be. The charm and happiness it creates from classic slapstick and a heart-warming narrative ensures it is hilarious, uplifting and utterly delightful.

All The Money In The World

What’s it about?
Despite having “all the money in the world”, JP Getty (Kevin Spacey Christopher Plummer) refuses to pay a ransom when his grandson is kidnapped.

What did we think?
Elizabeth Best says: When editing someone out of a film and still insisting you can stick to your release date, you better make damn sure you do a good job of it. And what a job director Ridley Scott, Plummer and the cast have done, rallying to erase Spacey post #MeToo scandal. Plummer’s performance, shot in just 10 days, is masterful (and with a much larger part than I assumed). Controversy aside, Scott has created a film that remains gripping, even if you know the history behind this “based on true events” tale. I dare you to try and stop yourself muttering “you motherf–ker” every time the penny-pinching Getty sinks lower than you think he could possibly ever go.

Replacing Spacey was the best decision Scott ever made, as having someone with compromised moral character play this asshole would have been film-killing.

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