By The Sea
What’s it about?
Angelina Jolie Pitt directs herself and her real-life betrothed (Brad Pitt) as they play a disenchanted husband and wife, holidaying by the French coast as he tries to write a new book and she languishes in large hats, resenting the local culture and generally being miserable.
What did we think?
Angela Young says: This film has been prey to a lot of speculation, most of it predicting a big bunch of pretentious self-indulgent wank. Bizarrely, despite the fact that it is indeed, basically a big bunch of pretentious, self-indulgent wank, I rather enjoyed it. The cinematic colour and styling suits its mid-‘70s setting like a glove, and the titillating twist to the story adds a little frisson of excitement, albeit not the greatest of crescendoes. Prepare for lots of moody pouting and sideways glances, and you could just get something out of it too.
Scout’s Guide to the zombie Apocalypse
What’s it about?
Three teenage scouts struggle with unpopularity but when a zombie outbreak occurs they realise that their carefully honed survival skills are just what’s required.
What we thought
Dan says: This “sexy” horror “comedy” starts well. Twenty minutes of character creation and tense moments suddenly unravels as soon as the zombies turn up. A bag full of zombie jokes is plucked from every five minutes throughout the film and who cares what’s been established so far.
This film doesn’t just fail the Bechdel test, it then spends a week sending assault threats to it via Twitter. If I was a 14 year old boy at a slumber party in the late eighties I probably would have loved it but make no mistake, this film is bad. Bad enough to hate watch.
The Hunger Games: Mockingjay Part 2
What’s it About?
Katniss continues in her fight against the Capitol.
What Did We Think?
Elizabeth says: It was never a good idea to split the weakest of the book trilogy into two movies. There’s simply not enough plot to sustain the two films in a way feels in any way energetic. Significant deaths that had me sobbing in the book were so rushed that I wasn’t sure if they actually occurred or if Katniss (Jennifer Lawrence) was hallucinating. Moreover, I’m not sure what happened in the direction department, but all the chemistry between the three leads (Gale, Katniss and Peeta) has melted away. Lawrence, Liam Hemsworth and Josh Hutcherson all turn in great individual performances but the love triangle vibe has gone limp; honestly it felt like Katniss was more affectionate towards Peeta when she hated him. On the heels of copycat concept films such as Divergent and The Maze Runner, Mockingjay Part Two feels tired and done and is at least 30 minutes too long.
Spectre
What’s It About?
Bond, James Bond. (No spoilers here!)
What Did We Think?
Liz says: Mission Impossible: Rogue Nation, shaken not stirred, starring James Bond and Hans Lander. Seriously, if you saw MI5, and Inglorious Basterds, then you’ve already seen this movie. Still an enjoyable romp, Spectre is on par with Skyfall, leagues ahead of Quantum of Solace (that’s not hard) but falls far short of the high-rolling brilliance of Casino Royale.
Secret In Their Eyes
What’s it about?
Julia Roberts, Chiwetel Ejiofor and Nicole Kidman star as investigators whose lives are turned upside down when one of their children is brutally murdered.
What did we think?
I can’t remember if Kidman was a good actress back when her face could move, but she certainly isn’t now. Luckily Roberts and Ejiofor are outstanding in this gripping thriller, which keeps you guessing and makes you feel pretty damned good about yourself when/if you work out the plot twists before they happen (er, yes, that would be me). A tale of obsession, revenge and, of course, secrets, it’s well told and expertly directed by Billy Ray, though confusion between past and presence could have been avoided if they’d just removed the beard on Ejiofor’s younger self.
Mistress America
What’s it about?
What is it About : An anxious and lonely young college student gets caught up in the glamourous, exciting yet deluded plans of her older, soon-to-be step sister (Greta Gerwig).
What did we think?
Alice Barbery says: A slick and polished script sweeps the audience along in a whirlwind adventure between two women. The plot gathers pace and keeps unfolding with vigour, driving home the themes of growing up, fitting in and accepting that dreams require hard work and perseverance not just rich friends. This film, set in NYC, is pure delight filled with witty dialogue, likeable characters and relatable themes. By the end you’re compelled to cheer on each character and wish them all well. Intriguing and captivating.
What’s Popular
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Goodbye Christopher Robin
What’s it about?
Returning from The Great War, Blue (AA Milne) finds it hard to readjust to ‘proper’ society and moves his family to the country where he plans to write a protest book against war. When his wife flees back to the social lifestyle of the city and their nanny abandons him, a bonding with his son Billie (Christopher Robin) changes not only his objectives, but his perspective.
What did we think?
Stephen Scott says: like a swan, there’s a deceptive volume of activity in Goodbye Christopher Robin: aside from the obvious origins of the classic stories on the surface, there are reflections on the brutality and futility of war, the loss of self brought on by fame, the impersonal relationships caused by the rigid class society of early 20th century Britain, and the brutal consequences that PTSD and post-natal depression have on families.
Like a swan, all of these subplots weave together seamlessly into a charming, heartfelt narrative that paints a picture of a family trying to find the happiness they gifted to the world.
Charming, beautiful and heartbreaking.
Justice League
What’s it about?
The heroes of the (DC) world have to unite to stop an alien invasion.
What did we think?
It’s not great but it’s a lot of fun. I think it’s time Warner Bros/DC call time on the Zack Snyder experiment. His ability to take characters of hope and drag them into a darkness is one thing but it’s time to admit that while he presents nice aesthetics, his ability to tell a story is actually poor. I wanted to like Justice League. Heck, I wanted to love it. And while there was enough to keep me hopeful, it has to be said this movie just didn’t deliver.
After a slow, almost mandatory introduction of the characters it builds to an expected fight scene that remind them of the need to work together. All too predictable but ok. But it then leads to another all-to-similar fight scene that, if anything, was anti-climactic and had no real feel of danger or consequence.
And while they finally showed signs of capturing the essence of one character they’ve constantly missed in recent films, it comes at the expense of Batman who is relegated to little more than a bystander in the fights.
Don’t get me wrong – as I said before there’s some fun here. There’s even some good banter and dialogue (though also some painful stuff too). But what should have been a celebration of the finest collection of heroes comes off as a little flat. Neither comedy or drama, Justice League just doesn’t build up to anything.
Still, at least it’s better than the atrocious Man Of Steel and poor Batman v Superman.
Wonder
What’s it about?
A young boy born with facial genetic defects finally goes to a mainstream school where he and his family face a gamut of reaction.
What did we think?
Anthony Sherratt says: Thankfully this wasn’t as tear-inducing as the trailer suggested though it does tug at the heart strings. Wonderfully this isn’t just about Auggie – the boy whose face inspires heartbreaking reactions. It focuses heavily on family and new friends and their actions and motivations. What could have been a semi-light feel-good flick actually becomes something much more with some interesting explorations of human reactions and the reasons behind it. The whys of how we treat each other are possibly even more important than the actual treatment.
This is a story younger people should be made to see.
Unfortunately an unnecessarily saccharine moment at the end threatens to sugarcoat things but it nonetheless remains a movie that will inspire thought and conversation about the very real failings and strengths of human beings.
Editor's Choice
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Goodbye Christopher Robin
What’s it about?
Returning from The Great War, Blue (AA Milne) finds it hard to readjust to ‘proper’ society and moves his family to the country where he plans to write a protest book against war. When his wife flees back to the social lifestyle of the city and their nanny abandons him, a bonding with his son Billie (Christopher Robin) changes not only his objectives, but his perspective.
What did we think?
Stephen Scott says: like a swan, there’s a deceptive volume of activity in Goodbye Christopher Robin: aside from the obvious origins of the classic stories on the surface, there are reflections on the brutality and futility of war, the loss of self brought on by fame, the impersonal relationships caused by the rigid class society of early 20th century Britain, and the brutal consequences that PTSD and post-natal depression have on families.
Like a swan, all of these subplots weave together seamlessly into a charming, heartfelt narrative that paints a picture of a family trying to find the happiness they gifted to the world.
Charming, beautiful and heartbreaking.
Justice League
What’s it about?
The heroes of the (DC) world have to unite to stop an alien invasion.
What did we think?
It’s not great but it’s a lot of fun. I think it’s time Warner Bros/DC call time on the Zack Snyder experiment. His ability to take characters of hope and drag them into a darkness is one thing but it’s time to admit that while he presents nice aesthetics, his ability to tell a story is actually poor. I wanted to like Justice League. Heck, I wanted to love it. And while there was enough to keep me hopeful, it has to be said this movie just didn’t deliver.
After a slow, almost mandatory introduction of the characters it builds to an expected fight scene that remind them of the need to work together. All too predictable but ok. But it then leads to another all-to-similar fight scene that, if anything, was anti-climactic and had no real feel of danger or consequence.
And while they finally showed signs of capturing the essence of one character they’ve constantly missed in recent films, it comes at the expense of Batman who is relegated to little more than a bystander in the fights.
Don’t get me wrong – as I said before there’s some fun here. There’s even some good banter and dialogue (though also some painful stuff too). But what should have been a celebration of the finest collection of heroes comes off as a little flat. Neither comedy or drama, Justice League just doesn’t build up to anything.
Still, at least it’s better than the atrocious Man Of Steel and poor Batman v Superman.
Wonder
What’s it about?
A young boy born with facial genetic defects finally goes to a mainstream school where he and his family face a gamut of reaction.
What did we think?
Anthony Sherratt says: Thankfully this wasn’t as tear-inducing as the trailer suggested though it does tug at the heart strings. Wonderfully this isn’t just about Auggie – the boy whose face inspires heartbreaking reactions. It focuses heavily on family and new friends and their actions and motivations. What could have been a semi-light feel-good flick actually becomes something much more with some interesting explorations of human reactions and the reasons behind it. The whys of how we treat each other are possibly even more important than the actual treatment.
This is a story younger people should be made to see.
Unfortunately an unnecessarily saccharine moment at the end threatens to sugarcoat things but it nonetheless remains a movie that will inspire thought and conversation about the very real failings and strengths of human beings.