In The Heart of the Sea
- By Stephen Scott
- 11 years ago
What’s it about?
Moby-Dick is lauded as one of America’s greatest romantic novels. Herman Melville took his own experiences as a whaler to bring the tragic true story of the Essex to life. This is an interpretation of Melville meeting the sole survivor of the shipwreck, and the dramatic recreation of the fateful voyage.
Segue
Dear Chris Hemsworth fangirls, you keep pining for this film, I do not think it contains what you think it contains*
What did we think?
Ishmael^ says: An epic retelling of one man’s monomania that led to the destruction of a great whaling vessel, and the deaths of most of its crew. The brutality and beauty of whaling is told in vivid realism, with impeccable execution: the broad 1820’s Nantucket accents; the graphic harpooning and gutting of a whale; the impending sense of madness and doom. It just feels a tad bloated – a ye olde saga in an age of 15 second attention-spans.
*It says quite clearly on the poster … “Based on the incredible true story that inspired Moby-Dick”. Not “Chris Hemsworth takes his shirt off and reveals his rock-hard abs”.
^Not really, it’s actually me – Stephen Scott – I just thought, for a lark, that for this one review, you could, you know, call me Ishmael?
By The Sea
- By Stephen Scott
- 11 years ago
What’s it about?
Angelina Jolie Pitt directs herself and her real-life betrothed (Brad Pitt) as they play a disenchanted husband and wife, holidaying by the French coast as he tries to write a new book and she languishes in large hats, resenting the local culture and generally being miserable.
What did we think?
Angela Young says: This film has been prey to a lot of speculation, most of it predicting a big bunch of pretentious self-indulgent wank. Bizarrely, despite the fact that it is indeed, basically a big bunch of pretentious, self-indulgent wank, I rather enjoyed it. The cinematic colour and styling suits its mid-‘70s setting like a glove, and the titillating twist to the story adds a little frisson of excitement, albeit not the greatest of crescendoes. Prepare for lots of moody pouting and sideways glances, and you could just get something out of it too.
Scout’s Guide to the zombie Apocalypse
- By Anthony Sherratt
- 11 years ago
What’s it about?
Three teenage scouts struggle with unpopularity but when a zombie outbreak occurs they realise that their carefully honed survival skills are just what’s required.
What we thought
Dan says: This “sexy” horror “comedy” starts well. Twenty minutes of character creation and tense moments suddenly unravels as soon as the zombies turn up. A bag full of zombie jokes is plucked from every five minutes throughout the film and who cares what’s been established so far.
This film doesn’t just fail the Bechdel test, it then spends a week sending assault threats to it via Twitter. If I was a 14 year old boy at a slumber party in the late eighties I probably would have loved it but make no mistake, this film is bad. Bad enough to hate watch.
The Hunger Games: Mockingjay Part 2
- By Elizabeth Best
- 11 years ago
What’s it About?
Katniss continues in her fight against the Capitol.
What Did We Think?
Elizabeth says: It was never a good idea to split the weakest of the book trilogy into two movies. There’s simply not enough plot to sustain the two films in a way feels in any way energetic. Significant deaths that had me sobbing in the book were so rushed that I wasn’t sure if they actually occurred or if Katniss (Jennifer Lawrence) was hallucinating. Moreover, I’m not sure what happened in the direction department, but all the chemistry between the three leads (Gale, Katniss and Peeta) has melted away. Lawrence, Liam Hemsworth and Josh Hutcherson all turn in great individual performances but the love triangle vibe has gone limp; honestly it felt like Katniss was more affectionate towards Peeta when she hated him. On the heels of copycat concept films such as Divergent and The Maze Runner, Mockingjay Part Two feels tired and done and is at least 30 minutes too long.
Spectre
- By Elizabeth Best
- 11 years ago
What’s It About?
Bond, James Bond. (No spoilers here!)
What Did We Think?
Liz says: Mission Impossible: Rogue Nation, shaken not stirred, starring James Bond and Hans Lander. Seriously, if you saw MI5, and Inglorious Basterds, then you’ve already seen this movie. Still an enjoyable romp, Spectre is on par with Skyfall, leagues ahead of Quantum of Solace (that’s not hard) but falls far short of the high-rolling brilliance of Casino Royale.
Secret In Their Eyes
- By Anthony Sherratt
- 11 years ago
What’s it about?
Julia Roberts, Chiwetel Ejiofor and Nicole Kidman star as investigators whose lives are turned upside down when one of their children is brutally murdered.
What did we think?
I can’t remember if Kidman was a good actress back when her face could move, but she certainly isn’t now. Luckily Roberts and Ejiofor are outstanding in this gripping thriller, which keeps you guessing and makes you feel pretty damned good about yourself when/if you work out the plot twists before they happen (er, yes, that would be me). A tale of obsession, revenge and, of course, secrets, it’s well told and expertly directed by Billy Ray, though confusion between past and presence could have been avoided if they’d just removed the beard on Ejiofor’s younger self.
What’s Popular
Star Wars: The Last Jedi
What’s it about?
Jedi – Sith / Rebellion – Empire / Resistance – First Order / Good – Evil / Vader – Luke / Rey – Kylo … everything is black and white, right?
Not anymore. Not when “The First Order Strikes Back” and the final trilogy in the Skywalker saga hits the darker, middle episode.
What did we think?
Stephen Scott says: Sure there’s some darker material here (dark for a family movie) but there’s also comedy (a little too jovial for my taste, but it’s aimed at a younger audience), with the added bonus of some terrific social commentary on capitalism and war profiteering to make the kids think about how the world works.
Where The Last Jedi improves on Episode VII is that it’s captured the original movie’s soul: a super-fun, high-octane fantasy space opera with effects to make your jaw drop, heart-pumping action sequences, and a couple of tear-jerking moments.
The kids are dysfunctional and jaded about the universe and their place in it, the parents bicker and try to find meaning, while the passionate go to extremes.
It’s classic Star Wars and bodes well for the Rian trilogy recently greenlit by Disney.
Jumanji: Welcome to the Jungle
What’s it about?
The original board game that sucked Alan Parrish into the wilderness has evolved to a video cartridge to capture the imaginations of a new generation. Four kids from different social circles get trapped in the game and must play through its levels to survive and escape.
What did we think?
Elizabeth Best says: Guys, it’s actually pretty damn good. Jumanji next gen manages to pay homage to the original film without crapping on its legacy, and advance the game’s abilities staying true to video gaming conventions in really cute ways. The first two thirds of the film were missing some of the emotional heart of its predecessor, instead relying on hyper-quippy dialogue. But I forgave it, since there was enough heart shoehorned in the last third to make up for it. A genuinely surprising, enjoyable film.
Three Billboards Outside Ebbing, Missouri
What’s it about?
Seven months after her daughter’s brutal murder, Mildred Hayes (Frances McDormand) rents a trio of disused billboards to express her anger at the case remaining unsolved.
What did we think?
Amy Currie says: Three Billboards is an instant classic packed with dark humour, unexpected character arcs and some damn good acting. See it as soon as you can.
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Editor's Choice
Star Wars: The Last Jedi
What’s it about?
Jedi – Sith / Rebellion – Empire / Resistance – First Order / Good – Evil / Vader – Luke / Rey – Kylo … everything is black and white, right?
Not anymore. Not when “The First Order Strikes Back” and the final trilogy in the Skywalker saga hits the darker, middle episode.
What did we think?
Stephen Scott says: Sure there’s some darker material here (dark for a family movie) but there’s also comedy (a little too jovial for my taste, but it’s aimed at a younger audience), with the added bonus of some terrific social commentary on capitalism and war profiteering to make the kids think about how the world works.
Where The Last Jedi improves on Episode VII is that it’s captured the original movie’s soul: a super-fun, high-octane fantasy space opera with effects to make your jaw drop, heart-pumping action sequences, and a couple of tear-jerking moments.
The kids are dysfunctional and jaded about the universe and their place in it, the parents bicker and try to find meaning, while the passionate go to extremes.
It’s classic Star Wars and bodes well for the Rian trilogy recently greenlit by Disney.
Jumanji: Welcome to the Jungle
What’s it about?
The original board game that sucked Alan Parrish into the wilderness has evolved to a video cartridge to capture the imaginations of a new generation. Four kids from different social circles get trapped in the game and must play through its levels to survive and escape.
What did we think?
Elizabeth Best says: Guys, it’s actually pretty damn good. Jumanji next gen manages to pay homage to the original film without crapping on its legacy, and advance the game’s abilities staying true to video gaming conventions in really cute ways. The first two thirds of the film were missing some of the emotional heart of its predecessor, instead relying on hyper-quippy dialogue. But I forgave it, since there was enough heart shoehorned in the last third to make up for it. A genuinely surprising, enjoyable film.
Three Billboards Outside Ebbing, Missouri
What’s it about?
Seven months after her daughter’s brutal murder, Mildred Hayes (Frances McDormand) rents a trio of disused billboards to express her anger at the case remaining unsolved.
What did we think?
Amy Currie says: Three Billboards is an instant classic packed with dark humour, unexpected character arcs and some damn good acting. See it as soon as you can.
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?