A Street Cat Named Bob
- By Stephen Scott
- 10 years ago
What’s it about?
A recovering heroin addict uses up five of his nine lives when he survives an overdose, gets a leg-up from a case-worker/guardian angel, meets a girl who might help him straighten out his life, tries to reconnect with his father, and is adopted by a street cat.
What did we think?
Stephen Scott says: Homelessness and drug addiction go hand in hand; and this story opens your eyes to what happens on the other side of the tracks, and just how incredibly hard it is to get a second chance. Whilst a little clunky in its telling, the emotional connection of this harrowing, yet heartwarming story will leave you with a tear in your eye, and the knowledge that cats are indeed the best people.
Fifty Shades Darker
- By Anthony Sherratt
- 10 years ago
What’s it about?
The sequel to Fifty Shades of Grey sees sexually dominant Christian Grey beg his lady love, Anastasia Steel to come (snigger) back into his life, but not without women from his past shaking things up.
What did we think?
Andrew Danyals says: I have to admit that while watching this, I had the urge to be tied up and licked. Or spanked. Pretty much anything to get my mind off this dreadful movie. While it has slightly better eroticism than the first one (not necessarily saying much), the sequel suffers from a discordant narrative that drove me nuts. It’s all over the place. I like seeing the exploration of erotic themes and empowering situations on the big screen but this barely qualifies as the former and still confuses as the latter. I still can’t get over how a film about this sort of sex is somehow so very vanilla.
DISSENTING SQR REVIEW BELOW
Patriots Day
- By Stephen Scott
- 10 years ago
What’s it about?
A retelling of the horrific Boston Marathon bombing in 2013, and the dramatic four-day chase of the Tsarnaev brothers.
What did we think?
Angela Young says: Hollywood dramatising recent tragic events makes me uneasy, so I can’t say I find this film anything other than distasteful and unnecessary. That said, it’s reasonably well told (not too much high-drama BS thrown in with the facts) and a lot of the actors do a pretty good job, including Kevin Bacon and a strangely deflated-looking John Goodman, though Mark Wahlberg’s made-up hero character designed to neatly tie things up is pretty overdone. I’d much rather see a well-made documentary.
Live By Night
- By Stephen Scott
- 10 years ago
What’s it about?
It’s the 1920s, and Ben Affleck is a zoot suit-wearing, machine gun-toting gangster. Sometimes he has feelings, but you can’t really tell.
What we thought
Amy Currie says: Live by Night is overstuffed with plot and takes itself far too seriously. I’m sure the book on which it was based is quite interesting, and that it would have made a decent Netflix series. As it is, it’s not so much a saga as an edited highlights package. It certainly looks pretty, and some of the subplots and characters are genuinely intriguing. They’re gone in a flash, though, and we’re back to more of Affleck not moving his face.
Don’t bother.
Manchester By The Sea
- By Elizabeth Best
- 10 years ago
A sombre examination of mourning as a withdrawn and troubled man is unexpectedly left guardianship of his dead brother’s 16-year-old son.
Angela Young says: This film will split audiences. For me, I was seared in two by its utterly real depiction of a pain so awful as to kill a man’s soul. An eccentric soundtrack (from orchestral to choral to swing) and extremely slow pace fits this artistic masterpiece like a glove. Casey Affleck’s portrayal of Lee – now guardian of his late brother’s kid – deserves the Oscar. Michelle Williams’ brief appearances are perfect, and Lucas Hedges is spot on as the kid. A profoundly moving piece on the vast variances of mourning, superbly written and directed.
Split
- By Elizabeth Best
- 10 years ago
What’s it about?
A trio of teenagers are kidnapped and imprisoned by a brilliant but strange man with ambiguous motives. Also, it’s an M. Night Shyamalan film, so, you know, take that as you will.
What we thought
Dan Beeston says:If there’s one thing M. Night does well, it is suspense. The problem is that there is always a sword of Damocles distracting you from being in the moment. That notion that you’re waiting for ‘The Twist™’. Ignore that. Split is not ‘The 6th Sense’. It’s just a scary and interesting story told well.
It’s also one where you can’t trust the reviewer’s experience. I can tell that some people will get a lot more out of this than I did and some people will be left frustrated. Ironically, I expect ‘Split’ to be divisive.
What’s Popular
Kin
What’s it about?
An ex-con (Jack Reynor) and his adopted young brother (Myles Truitt) find themselves fleeing a vengeful crime boss (James Franco), the cops, and two strange unearthly figures in this sci-fi, crime drama, road trip, action movie mashup.
What did we think?
Elizabeth Best says: It’s super engaging but this flick left me feeling like there were two different movies duking it out for screen time. Unfortunately the sci-fi part, which was ultimately the more interesting part, took a back seat to family drama. Bring on a TV series where they could explore both sides of the coin in a more thorough manner. A kick-ass final act left me immediately Googling if there’s going to be a sequel because shit, you can’t just leave it there. I need more!
The Merger
What’s it about?
Bodgy Creek’s footy club has no players, no coach, and (unless they merge with a just-as-shitty club) no future … could prodigal son, former AFL rising star and “town killer” Troy Carrington find redemption by saving the Roosters with a motley crew of refugees?
What did we think?
Stephen Scott says: it’s been a long time between drinks for heart-warming Australian comedies, but The Merger is here to shout a round (beer or cordial), rouse a cheer, and yes, coax a tear. There’s romance without being gushy, there’s a morality tale without being preachy, there’s a bratty kid who’s actually pretty damn cool (Raffety Grierson is a revelation), and there’s lots of down-to-earth swearing to remind you of this country’s heart. Shit yeah.
Based on Damian Callinan’s stage play (which is now on my must-see list), The Merger is destined to join other Aussie favourites like The Castle, Red Dog andThe Adventures of Priscilla, Queen of the Desert in shining a light on who we are as a people through topical and controversial issues that actually date back over 200 years.
#GoRoosters
Mile 22
What’s it about?
Mark Wahlberg and other angry friends try and transport a guy 22 miles while avoiding death by terrorists.
What did we think?
Nick says: Mile 22 offers nothing but epileptic action, an insanely poor editing job and poorly written, asshole characters. It gets a star because Iko Uwais is solid and at least it’s around 90 minutes long.
The Happytime Murders
What’s it about?
To clear his name of the brutal (yet strangely hilarious) Happytime murders, disgraced ex-cop turned private dick Phil Philips must overcome the bad blood between him and his old LAPD partner. But Phil’s a puppet living in a human world, and we all know puppets are only good for singing and dancing. Not being racist, just telling it like it is.
What did we think?
Stephen Scott says: believe it or not, there is a story thread running throughout this flick that comments on the racial tensions in Western society, but you can easily ignore that and take Happytime Murders for what it is: a blend of every b-grade buddy cop movie with Who Framed Roger Rabbit and Meet the Feebles.
It’s puerile, clichéd and predictable – in a good way. You know what to expect, it’s done well, and the jokes are more hit than miss.
I hope it moooooooves you in the same way it mooooooved me.
Editor's Choice
Kin
What’s it about?
An ex-con (Jack Reynor) and his adopted young brother (Myles Truitt) find themselves fleeing a vengeful crime boss (James Franco), the cops, and two strange unearthly figures in this sci-fi, crime drama, road trip, action movie mashup.
What did we think?
Elizabeth Best says: It’s super engaging but this flick left me feeling like there were two different movies duking it out for screen time. Unfortunately the sci-fi part, which was ultimately the more interesting part, took a back seat to family drama. Bring on a TV series where they could explore both sides of the coin in a more thorough manner. A kick-ass final act left me immediately Googling if there’s going to be a sequel because shit, you can’t just leave it there. I need more!
The Merger
What’s it about?
Bodgy Creek’s footy club has no players, no coach, and (unless they merge with a just-as-shitty club) no future … could prodigal son, former AFL rising star and “town killer” Troy Carrington find redemption by saving the Roosters with a motley crew of refugees?
What did we think?
Stephen Scott says: it’s been a long time between drinks for heart-warming Australian comedies, but The Merger is here to shout a round (beer or cordial), rouse a cheer, and yes, coax a tear. There’s romance without being gushy, there’s a morality tale without being preachy, there’s a bratty kid who’s actually pretty damn cool (Raffety Grierson is a revelation), and there’s lots of down-to-earth swearing to remind you of this country’s heart. Shit yeah.
Based on Damian Callinan’s stage play (which is now on my must-see list), The Merger is destined to join other Aussie favourites like The Castle, Red Dog andThe Adventures of Priscilla, Queen of the Desert in shining a light on who we are as a people through topical and controversial issues that actually date back over 200 years.
#GoRoosters
Mile 22
What’s it about?
Mark Wahlberg and other angry friends try and transport a guy 22 miles while avoiding death by terrorists.
What did we think?
Nick says: Mile 22 offers nothing but epileptic action, an insanely poor editing job and poorly written, asshole characters. It gets a star because Iko Uwais is solid and at least it’s around 90 minutes long.
The Happytime Murders
What’s it about?
To clear his name of the brutal (yet strangely hilarious) Happytime murders, disgraced ex-cop turned private dick Phil Philips must overcome the bad blood between him and his old LAPD partner. But Phil’s a puppet living in a human world, and we all know puppets are only good for singing and dancing. Not being racist, just telling it like it is.
What did we think?
Stephen Scott says: believe it or not, there is a story thread running throughout this flick that comments on the racial tensions in Western society, but you can easily ignore that and take Happytime Murders for what it is: a blend of every b-grade buddy cop movie with Who Framed Roger Rabbit and Meet the Feebles.
It’s puerile, clichéd and predictable – in a good way. You know what to expect, it’s done well, and the jokes are more hit than miss.
I hope it moooooooves you in the same way it mooooooved me.