Grown-Ups 2
What’s it about?
Most of the characters from the first film do stuff as they ‘grow up’. None of it is anything other than puerile and immature.
What did we think?
Anthony Sherratt says: If you made ‘fingernails on a blackboard’ into a film, this would be that movie.
Blue Jasmine
What’s it about?
A New York socialite (Cate Blanchett), deeply troubled and in denial, arrives in San Francisco to impose upon her sister. She looks a million, but isn’t bringing money, peace, or love…
What did we think?
Blue Jasmine is proof that you can appreciate a movie while simultaneously disliking it. There are very strong performances (despite being mostly unlikeable characters) and the plot is good on paper but it simply doesn’t translate to the screen. There’s very little to relate to and even the ‘twist’ (note air quotes) is predictable and robs you of what little character sympathy you have left at the end of this torturous film.
Abrupt endings normally annoy me but this one simply came as a relief.
Thanks For Sharing
What’s it about?
A number of people (including Mark Ruffalo and Tim Robbins) are learning to face a challenging and often confusing world as they struggle together against a common demon: sex addiction.
What did we think?
Anthony Sherratt says: Thanks For Sharing is a truly earnest movie that neither glorifies or condemns sex addiction. Instead it explores the ‘disease’ through various shades of grey and development. It’s engaging, thought-provoking and, although flawed in some respects, its raw honesty overcomes the shortcomings.
Strong performances from Robbins and Ruffalo combined with some sex that is sad rather than erotic take it to a more cerebral – and entertaining – level.
One Direction: This Is Us
What’s it about?
Five young men from various socio-economic backgrounds are employed by a faceless corporation on the same day. They discover that the service they have been hired for, when intelligently manipulated and directed, allows them godlike powers over the weak minded.
Planes
What’s it about?
[ Dusty ] is a [ crop dusting plane ] who longs to be [ a racing plane ]. With the help of his friends and [ a cranky old war plane ] he tries to achieve his dreams, but will the dastardly [ Ripslinger ] foil his plans? And will [ Dusty ] manage to overcome his greatest weakness?
RIPD
What’s it about?
A recently slain cop joins a team of undead police officers working for the Rest in Peace Department and tries to find the man who murdered him.
What did we think?
Anthony Sherratt says: It’s simply Men In Black with ghosts instead of aliens. And without as many laughs. Jeff Bridges has and is great fun while Ryan Reynolds and Kevin Bacon simply play the characters they normally play.
It’s actually not deserving of the scorn it received in the US as it’s not too bad a popcorn flick. It’s entertaining enough but to be frank, at the end of it there’s very little that will stick in your mind. Except Mary Louise-Parker and her boots. Mmmmmmm.
What’s Popular
Black Mass
What’s it about?
A dramatic retelling of Whitey Bulger and his rather rocky “alliance” with the FBI.
What did we think?
Nick says: Depp delivers a terrific performance that I’d count as Oscar nomination worthy and the ensemble shines when they’re given room to breathe, but there are a few questionable narrative choices and a lack of striking imagery that would have made this something special.
The Intern
What’s it about?
A 70 year-old retiree (Robert De Niro) gains an internship at an online fashion store run by a harried young woman (Anne Hathaway). Hijinks and life lessons ensue.
What did we think?
Lisa says: On paper, The Intern sounds like simple, inoffensive fun. It’s a cute concept, helmed by an accomplished (in this genre) director and has a great cast.
Disappointingly the end result is far less than the sum of its parts. The tone is incredibly uneven, varying from sweetly sad, to zany, to hackneyed and borderline offensive.
The second half of the film is especially a drag, weighed down by preachy dialogue and plot points that seem both improbable and clichéd at the same time.
Only tolerable if you’re home alone with nothing better to watch.
The Martian
What’s it about?
During a fierce storm on a mission to Mars, Astronaut Mark Watney is impaled by debris and left behind by his crew, assumed dead. When Watney wakes up, his mission becomes one of survival, where he must think out of the box and “science the shit” out of his limited supplies to contact NASA and let them know he is alive.
What did we think?
Francesca Percy says: First things first: unlike the vast majority of movies, this is absolutely worth seeing in 3D. Every detail is stunning and utterly convincing – 99 per cent of the time I forgot I was watching a film – I was completely immersed in the story unfolding. This was also due to the pitch perfect direction from Ridley Scott, central performance from Matt Damon as Watney and the wonderfully-cast supporting actors.
The story really never lost my attention – I was on the edge of my seat for much of it, but that was balanced by the ingenuity and enthusiasm of Watney and the people trying to find a way to bring him home, the surprising moments of humour, and the genuine moments of joy that must come from being a pioneer on another planet.
Pan
What’s it about?
When Harry Potter met Neverland. An orphan is spirited away to the magical Neverland where he meets Han Solo James Hook and embarks on an adventure of flight, fantasy and fairies.
What did we think?
Pan is oozing with over-the-top charm and is actually a good fun film but you’re left feeling it could – and should – have been so much more.
It’s whimsically wonderful, a visual feast that boasts an amazing cast and effects, using colour and contrast delightfully. But while the individual facets are impressive, it falls a little short in the story. Normally a slow-build is balanced by depth of character – but this doesn’t quite eventuate.
Take James Hook, who IS Han Solo (down to the American accent) with a bit of Indy thrown in. One of the dangers of the dreaded prequel is the unexplained tangents and here it feels particularly discordant.
Editor's Choice
Black Mass
What’s it about?
A dramatic retelling of Whitey Bulger and his rather rocky “alliance” with the FBI.
What did we think?
Nick says: Depp delivers a terrific performance that I’d count as Oscar nomination worthy and the ensemble shines when they’re given room to breathe, but there are a few questionable narrative choices and a lack of striking imagery that would have made this something special.
The Intern
What’s it about?
A 70 year-old retiree (Robert De Niro) gains an internship at an online fashion store run by a harried young woman (Anne Hathaway). Hijinks and life lessons ensue.
What did we think?
Lisa says: On paper, The Intern sounds like simple, inoffensive fun. It’s a cute concept, helmed by an accomplished (in this genre) director and has a great cast.
Disappointingly the end result is far less than the sum of its parts. The tone is incredibly uneven, varying from sweetly sad, to zany, to hackneyed and borderline offensive.
The second half of the film is especially a drag, weighed down by preachy dialogue and plot points that seem both improbable and clichéd at the same time.
Only tolerable if you’re home alone with nothing better to watch.
The Martian
What’s it about?
During a fierce storm on a mission to Mars, Astronaut Mark Watney is impaled by debris and left behind by his crew, assumed dead. When Watney wakes up, his mission becomes one of survival, where he must think out of the box and “science the shit” out of his limited supplies to contact NASA and let them know he is alive.
What did we think?
Francesca Percy says: First things first: unlike the vast majority of movies, this is absolutely worth seeing in 3D. Every detail is stunning and utterly convincing – 99 per cent of the time I forgot I was watching a film – I was completely immersed in the story unfolding. This was also due to the pitch perfect direction from Ridley Scott, central performance from Matt Damon as Watney and the wonderfully-cast supporting actors.
The story really never lost my attention – I was on the edge of my seat for much of it, but that was balanced by the ingenuity and enthusiasm of Watney and the people trying to find a way to bring him home, the surprising moments of humour, and the genuine moments of joy that must come from being a pioneer on another planet.
Pan
What’s it about?
When Harry Potter met Neverland. An orphan is spirited away to the magical Neverland where he meets Han Solo James Hook and embarks on an adventure of flight, fantasy and fairies.
What did we think?
Pan is oozing with over-the-top charm and is actually a good fun film but you’re left feeling it could – and should – have been so much more.
It’s whimsically wonderful, a visual feast that boasts an amazing cast and effects, using colour and contrast delightfully. But while the individual facets are impressive, it falls a little short in the story. Normally a slow-build is balanced by depth of character – but this doesn’t quite eventuate.
Take James Hook, who IS Han Solo (down to the American accent) with a bit of Indy thrown in. One of the dangers of the dreaded prequel is the unexplained tangents and here it feels particularly discordant.