Godzilla
- By Anthony Sherratt
- 12 years ago
I’m not a fan of remakes and I have been singly unconvinced about a good US remake of the classic monster movie. But I got to see some extra extended preview footage recently and I’m actually now really intrigued. Not quite excited but it’s much better than my previous feeling of ‘meh’.
They Came Together
- By Anthony Sherratt
- 12 years ago
I’m not convinced this is actually a movie. It feels like a parody of a romantic comedy trailer. These few minutes made me laugh but despite so many of my favourite actors being present I’m struggling to see how this could be funny over 90 minutes.
But to complete it here’s the obligatory happy frolic.
Bad Neighbours
- By Anthony Sherratt
- 12 years ago
What’s it about?
A couple with a newborn are forced to suck it up when a fraternity moves in next door. The family man (Seth Rogan) squares off against the frat guy (Zac Efron).
What did we think?
It’s often juvenile, not subtle and oddly paced – and yet Bad Neighbours sort of works. Maybe it’s the improv feel or the fact that Efron, Rogan and Rose Byrne are all very good. Or maybe it’s just Efron’s topless scene.
There are things people will hate. There are gross bits. There are the obligatory penis/dildo/phallic jokes. It’s not a classic but it will probably make you laugh. In the US it’s simply called Neighbors – I’m assuming it’s been renamed in Australia to avoid comparisons with the TV show. Rest assured there’s no danger anyone will confuse this for Ramsey Street. If nothing else, yay for the Zac six-pack.
Fading Gigolo
- By Anthony Sherratt
- 12 years ago
What’s it about?
A guy that gets talked into becoming a professional male escort by his cash-strapped friend.
What did we think?
Anthony Sherratt says: The plot sounded dubious and the inclusion of Woody Allen left me extra concerned but I walked out of Fading Gigolo pleasantly surprised. It’s a light but intelligent comedy that I actually found delightfully charming.
John Turturro (Transformers) wrote, directed and stars in a pic whose star power reflects the strength of a quirky but interesting script. Sharon Stone and Sofia Vergara play almost predatory females who are looking for attention and a selfish satisfaction that makes their interactions with Virgil fascinating. Not only what they want from him, but also the way they treat him. And then we meet a quiet widow who I think we all fall in love with a bit including our hero but can he have her? Especially given her devotion to the Jewish faith.
One of the criticisms of this film is that Turturro is not an attractive man, especially odd given the profession he’s supposed to portray but I think that actualy adds to this film. It’s about his quiet confidence and his attentiveness to the women’s needs, rather than a cheeky smile and six packs. He’s an unlikely but likable hero.
Warm-fuzzy feelings and no, not THOSE kind – there’s actually very little in the way of nudity and sex scenes. But see it anyway. 😉
Malificent
- By Anthony Sherratt
- 12 years ago
Okay so it looks like Disney ripping off the concept of Wicked but man Angelina Jolie (an actor of whom I’m NOT usually fond) really looks to bring it. I’m curious.
Apparently Jolie also insisted upon the canonical ‘horns’ despite the studio execs being concerned they would diminish the star’s attractiveness and pulling power. Good for her.
A Million Ways To Die In The West
- By Anthony Sherratt
- 12 years ago
I normally HATE anachronistic moments in movies but perhaps I can suspend that rule for this comedy. Because it looks bloody funny. I’m already laughing.
What’s Popular
Pete’s Dragon
What’s it about?
Disney orphan a young boy (because Disney) and strand him in the woods. There he’s befriended by a furry dragon (because magic).
What did we think?
An interesting choice to continue Disney’s turning animation-to-live-action project, Pete’s Dragons actually offers up some entertaining surprises. While the obvious surprise might appear to be the choice to make the dragon furry, it’s actually the performance of Oakes Fegley which is the outstanding centrepiece. His charismatic Pete is heartbreakingly authentic and will drag you into belief so strongly you will overlook a story that is by the numbers: it’s not a bad story but it’s predictable. But the emotion is dragged forth regardless. Kids will love it and it’s not too scary even for little ones.
Blair Witch
What’s it about?
A bunch of twenty-somethings go exploring in a forest that’s apparently haunted by the Blair Witch.
What did we think?
If you’ve seen the original you’ve seen this, but don’t let that scare you away because, despite that, it’s still a really tautly directed and entertaining 85 minutes. The story is extremely light, but the jump scares are almost omnipresent as the film races towards the big conclusion. It’s intensity will be loved by most horror fans though the familiarity of the journey does detract a bit.
Bridget Jones’s Baby
What’s it about?
Helen Fielding’s down-to-earth 20/30/40-something creation is back, still struggling with life, and about to embark on her most extravagant adventure yet – a baby, whose paternal genes she’s not quite sure.
What did we think?
Angela Young says: Let me start with a disclaimer – I hate Renee Zellweger in this role. I loved the books, and always thought the casting was deeply offensive to legions of great British actresses – her ridiculously twitching terribly-accented Bridget did nothing for me. Surprising, then, that I found this sequel to be rather good. Zellweger’s now utterly-toxin-ravaged face is difficult to watch, and she still overplays Jones obscenely, but there are some seriously funny – proper “pah!” LOL moments – and some brilliant turns from Colin Firth, Patrick Dempsey and, particularly, Emma Thompson as the obstetrician who, god bless her, is ageing beautifully (i.e. naturally).
It drags a bit – two hours?? – but it’s got just enough of the good stuff to keep you going, thanks in no small part to Fielding’s work on the screenplay and Shazzer picking up the director’s reins once again. I’m shocking myself by saying this, but it’s worth a watch!
Captain Fantastic
What’s it about?
A father raising his family of six children in the American wilderness, using a strict regime of training and learning, finds his life – and parenting – turned upside down when’s he forced to return to the real world.
What did we think?
Angela Young says: This beautifully imagined film is a joy to behold, confidently tackling topics as diverse as socialism, survivalism, mental illness, social justice and what constitutes the ‘right’ way to bring up your children in our muddled modern world. A great tale of familial love and loss, it brilliantly documents nature crashing headfirst into contemporary America. Viggo Mortensen’s performance as rugged, determined father Ben is brilliant, his authority and stern morals never enough to stop the viewer vouching for him every step of the way. Eldest son Bo, played with raw emotion by George Mackay, provides some great moments, of gripping drama as well as twinkling comedy, and the rest of the kids provide star turns.
Editor's Choice
Pete’s Dragon
What’s it about?
Disney orphan a young boy (because Disney) and strand him in the woods. There he’s befriended by a furry dragon (because magic).
What did we think?
An interesting choice to continue Disney’s turning animation-to-live-action project, Pete’s Dragons actually offers up some entertaining surprises. While the obvious surprise might appear to be the choice to make the dragon furry, it’s actually the performance of Oakes Fegley which is the outstanding centrepiece. His charismatic Pete is heartbreakingly authentic and will drag you into belief so strongly you will overlook a story that is by the numbers: it’s not a bad story but it’s predictable. But the emotion is dragged forth regardless. Kids will love it and it’s not too scary even for little ones.
Blair Witch
What’s it about?
A bunch of twenty-somethings go exploring in a forest that’s apparently haunted by the Blair Witch.
What did we think?
If you’ve seen the original you’ve seen this, but don’t let that scare you away because, despite that, it’s still a really tautly directed and entertaining 85 minutes. The story is extremely light, but the jump scares are almost omnipresent as the film races towards the big conclusion. It’s intensity will be loved by most horror fans though the familiarity of the journey does detract a bit.
Bridget Jones’s Baby
What’s it about?
Helen Fielding’s down-to-earth 20/30/40-something creation is back, still struggling with life, and about to embark on her most extravagant adventure yet – a baby, whose paternal genes she’s not quite sure.
What did we think?
Angela Young says: Let me start with a disclaimer – I hate Renee Zellweger in this role. I loved the books, and always thought the casting was deeply offensive to legions of great British actresses – her ridiculously twitching terribly-accented Bridget did nothing for me. Surprising, then, that I found this sequel to be rather good. Zellweger’s now utterly-toxin-ravaged face is difficult to watch, and she still overplays Jones obscenely, but there are some seriously funny – proper “pah!” LOL moments – and some brilliant turns from Colin Firth, Patrick Dempsey and, particularly, Emma Thompson as the obstetrician who, god bless her, is ageing beautifully (i.e. naturally).
It drags a bit – two hours?? – but it’s got just enough of the good stuff to keep you going, thanks in no small part to Fielding’s work on the screenplay and Shazzer picking up the director’s reins once again. I’m shocking myself by saying this, but it’s worth a watch!
Captain Fantastic
What’s it about?
A father raising his family of six children in the American wilderness, using a strict regime of training and learning, finds his life – and parenting – turned upside down when’s he forced to return to the real world.
What did we think?
Angela Young says: This beautifully imagined film is a joy to behold, confidently tackling topics as diverse as socialism, survivalism, mental illness, social justice and what constitutes the ‘right’ way to bring up your children in our muddled modern world. A great tale of familial love and loss, it brilliantly documents nature crashing headfirst into contemporary America. Viggo Mortensen’s performance as rugged, determined father Ben is brilliant, his authority and stern morals never enough to stop the viewer vouching for him every step of the way. Eldest son Bo, played with raw emotion by George Mackay, provides some great moments, of gripping drama as well as twinkling comedy, and the rest of the kids provide star turns.
