The Lego Movie
What’s it about?
Quite simply, LEGO! Lord Business (Will Ferrell) has taken over Lego City and effectively built a cult of instruction-abiding do-gooders. Emmett, a socially invisible, ordinary Joe-Schmo is mistaken for “the special”, a totally NOT ordinary master builder destined to lead the Lego minions to creative freedom.
What did we think?
Casey and Elizabeth say: BEST. LEGO. AD. EVER. Any movie that opens with Morgan Freeman and Will Ferrell duking it out is going to do it for us. People always say movies have something for everyone but this one really does. It’s full of Lego wonder for the kiddies and has more adult pop-culture references than you can poke a limited-edition Lego Star Wars Millennium Falcon construction kit at (“Come with me if you want to not die”). Lord Business’ quest for the perfect world is admirable, but the underlying message of this film is that sometimes it’s best just to let your imagination run wild. Oh and sing Everything is Awesome.
Grand Budapest Hotel
What’s it about?
Zero Moustafa (Tony Revolori) a young lobby boy and Gustave H. (Ralph Fiennes) the legendary concierge of The Grand Budapest Hotel go on a series of adventures, as told by the Mr Moustafa (F. Murray Abraham).
What did we think?
The colour and quirkiness of this film won me over from the get go. The cast of familiar faces (way too many to name) doesn’t distract from this film; in fact it adds to the wonderful chaos that combines to be a truly enjoyable story of one man’s now very lonely, yet complete, life. The story, cast and production design combine to create on the screen an unreal world that sucks you in and holds you there, and at just the right moments slaps you in the face to remind you that it’s all just a bit of fun.
Captain America: The Winter Soldier
What’s it about?
What happens when a superhero dedicated to American ideals starts questioning the government organisation he works for?
What did we think?
Anthony Sherratt says: The Captain America sequel is a rollicking comic book adventure with a nice modern twist: How does an all-american hero with 1940s ideals fit into a world of black-ops and clandestine government strategies? It’s a refreshing angle though turns out to be a little simplistic in delivery.
Thankfully there’s a barrage of action, stunts and fighting to distract you from the occasional clunkiness and predictable moments. Good character development further establishes this as not only a fun movie but a very important touchstone for future Marvel franchise flicks. Chris Evans brings out the conflict of Steve Rogers Man Out Of Time and his interaction with seemingly heartless super spy Natasha Romanov (Scarlett Johanssen) is a delight. Entertaining and one both comic lovers and casuals will appreciate.
I, Frankenstein
What’s it about?
I, Frankenstein picks up where the graphic novel by Kevin Grevioux left off, after Franky’s creator Victor is killed. The Gargoyle queen finds him, the demons are after him and all Franky wants to do is defend himself from the woes of modern day.
What did we think?
Adam says: I suppose the film should get some points for shooting in Australia and for director-writer Stuart Beattie putting up with 11 (that’s right, ELEVEN) producers. Had it not have been for the illusion of high production values and the fact that it will be popular amongst vampy teenagers looking for their next hit of comic book gore, this movie might have brought about the second death of ol’ Frankenstein. Not even the steamy “don’t worry I’ll stitch the monster up after battle” scene with Franky and blonde bombshell Terra (Yvonne Strahovski) can save the gargoyles, special effects and bad boy Bill Nighy’s excruciatingly awkward one liners. Franky needs a stein of lager, I think, and a good lie down.
Pompeii
What’s it about?
A slave-turned-invincible gladiator struggles to save his love in the shadow of an angry volcano.
What did we think?
Anthony Sherratt says: I’ll save you a lot of time and frustration and remind you the volcano erupts killing nearly everyone. And if you’re sitting watching this in a cinema it can’t come quickly enough.
Director Paul W.S. Anderson chooses an odd time to be restrained but, to be frank, nothing could have saved Pompeii.
Annie
I’m going to file this under WTF… though it doesn’t look as bad as I first thought it would.
We shall see.
What’s Popular
Now You See Me 2
What’s it about?
Your favourite vigilante illusionists are back out of hiding but they’re quickly leveraged into pulling off a big heist.
What did we think?
Dan says: Disclaimer: I enjoyed Highlander 2 when I first saw it because I’d never seen the first and didn’t realise what it was destroying. This could also be the case with this sequel.
Heist films have had to become more and more fanciful since Simon Dermott activated an alarm with a boomerang in ‘How to steal a million’. Now they seem to require back-flipping samurai or driving Mini Coopers down hallways. Ed Solomon (Bill and Ted) pens absurd levels of silliness in this caper. It’s delightful and joyous, but try not to work out how they did the tricks… or in fact anything… during their escapades. Best to allow them to make your brain disappear, then reappear after the credits roll.
Ta DA!
Angry Birds
What’s it about?
When an island populated by happy, flightless birds is visited by mysterious green piggies, it’s up to three unlikely outcasts with anger problems – Red, Chuck and Bomb – to figure out what the pigs are up to.
What did we think?
The thought of a movie based on an app filled me with dread but this movie had more charm than it had a right to. It’s hardly going to be remembered as a classic but there are enough gags – both relating to the game and life in general – to keep most attentions on the screen. Certainly the kids will laugh at the over the top antics of the characters and at the end of the day that’s what this film is about.
X-Men Apocalypse
What’s it about?
The X-Men must reunite to face a nearly immortal and super powerful mutant who plans to bring on the apocalypse.
What did we think?
Anthony Sherratt says: At one point one of the characters in the film comments that the third movie is never as good. It’s as if director Brian Singer was signalling his surrender. Certainly this instalment doesn’t fail because of it’s lack of ambition; it’s just that there’s very little new or even exciting. The same aspirational tone of Xavier having the same argument with grief-stricken Magneto? Check. Cameos for the fanboys? Check. Impressive fx? Check. Unveiling new fan favourites of the ensemble? Check (though we hardly explore them at all). A cliched story hinging on hoping for the better? Check.
It’s what it’s missing that lets it down. A coherent, flowing story for a start, and while movies don’t automatically need a twist this one sure needed something. The clever layers that set the previous movies in the franchise apart are well and truly missing.
Perhaps the expanding cast and easter egg nods to comic book fans will be enough for some but in my opinion this could be the apocalypse for the mutant franchise. To be fair there’s a degree of comic book movie fatigue around at the moment but it doesn’t change the fact this flick is simply not fresh or even very smart.
Green Room
What’s it about?
Teen angst, neo-nazis and punk rock. What could go wrong?
What did we think?
Stephen Scott says: “Pretentious twaddle” was all I thought for the first half hour: a meandering tale following a punk band that’s rejected the internet because music is “in the now”. Then they get a paying gig. Character backstory is over. Now everyone is going to die by bite, blade or bullet cartridge.
Patrick Stewart is the creepiest neo-nazi you’re going to see in a long, long time.
Editor's Choice
Now You See Me 2
What’s it about?
Your favourite vigilante illusionists are back out of hiding but they’re quickly leveraged into pulling off a big heist.
What did we think?
Dan says: Disclaimer: I enjoyed Highlander 2 when I first saw it because I’d never seen the first and didn’t realise what it was destroying. This could also be the case with this sequel.
Heist films have had to become more and more fanciful since Simon Dermott activated an alarm with a boomerang in ‘How to steal a million’. Now they seem to require back-flipping samurai or driving Mini Coopers down hallways. Ed Solomon (Bill and Ted) pens absurd levels of silliness in this caper. It’s delightful and joyous, but try not to work out how they did the tricks… or in fact anything… during their escapades. Best to allow them to make your brain disappear, then reappear after the credits roll.
Ta DA!
Angry Birds
What’s it about?
When an island populated by happy, flightless birds is visited by mysterious green piggies, it’s up to three unlikely outcasts with anger problems – Red, Chuck and Bomb – to figure out what the pigs are up to.
What did we think?
The thought of a movie based on an app filled me with dread but this movie had more charm than it had a right to. It’s hardly going to be remembered as a classic but there are enough gags – both relating to the game and life in general – to keep most attentions on the screen. Certainly the kids will laugh at the over the top antics of the characters and at the end of the day that’s what this film is about.
X-Men Apocalypse
What’s it about?
The X-Men must reunite to face a nearly immortal and super powerful mutant who plans to bring on the apocalypse.
What did we think?
Anthony Sherratt says: At one point one of the characters in the film comments that the third movie is never as good. It’s as if director Brian Singer was signalling his surrender. Certainly this instalment doesn’t fail because of it’s lack of ambition; it’s just that there’s very little new or even exciting. The same aspirational tone of Xavier having the same argument with grief-stricken Magneto? Check. Cameos for the fanboys? Check. Impressive fx? Check. Unveiling new fan favourites of the ensemble? Check (though we hardly explore them at all). A cliched story hinging on hoping for the better? Check.
It’s what it’s missing that lets it down. A coherent, flowing story for a start, and while movies don’t automatically need a twist this one sure needed something. The clever layers that set the previous movies in the franchise apart are well and truly missing.
Perhaps the expanding cast and easter egg nods to comic book fans will be enough for some but in my opinion this could be the apocalypse for the mutant franchise. To be fair there’s a degree of comic book movie fatigue around at the moment but it doesn’t change the fact this flick is simply not fresh or even very smart.
Green Room
What’s it about?
Teen angst, neo-nazis and punk rock. What could go wrong?
What did we think?
Stephen Scott says: “Pretentious twaddle” was all I thought for the first half hour: a meandering tale following a punk band that’s rejected the internet because music is “in the now”. Then they get a paying gig. Character backstory is over. Now everyone is going to die by bite, blade or bullet cartridge.
Patrick Stewart is the creepiest neo-nazi you’re going to see in a long, long time.