Movies

Grab your popcorn, you’re in for a wild ride!

3

Bob Marley: One Love – Movie Review

What’s it about?

It’s a Bob Marley biopic. I genuinely tried to think of more for this, but yeah that’s about it.

What’d we think?

The movie begins in 1976 with Bob Marley at the peak of his fame, some stuff happens, and then the movie ends in 1978 with Bob still at the peak of his fame. This period covers an attempt on Marley’s life, the band recording an album in London, then a return to Jamaica for a peace concert, and all of this is portrayed in the least interesting way possible. We’re made aware that Political Stuff is happening in Jamaica, but there’s no attempt at explaining the conflict or characterising either side. The band comes up with an idea for their new album, and then they record the new album. They discuss returning to Jamaica for a concert, then return to Jamaica for the concert. There’s no conflict, no interesting relationships, and ultimately no point.

Kingsley Ben-Adir does a fine evocation of Marley in the lead role, but doesn’t have any opportunity to imbue the role with any depth (the Marley family’s involvement likely sanitised anything that might have been interesting), and Lashana Lynch sleepwalks her way through an underwritten role as Rita Marley. While I can’t speak for the authenticity of the cast’s Jamaican accents, I can testify to the regular incomprehensibility of the dialogue as a result of their commitment to the bit, although I don’t believe that understanding the actors would have made the movie any more interesting.

Bob Marley: One Love (the movie doesn’t even have the balls to trust the audience could figure out who the movie is about unless you whack his name in there) is a meandering exercise in paint-by-numbers biopic filmmaking that completely lacks any charm or energy.

7

Mean Girls – Movie Review

What’s it about?

The Mean Girls we know and love get a musical makeover. (And if you don’t know and love it, it’s about a teen girl who was homeschooled in Kenya learning to navigate the bitchiness of American high school.)

What’d we think?

The original Mean Girls movie (written by Tina Fey) was given the musical treatment on Broadway, and now the Broadway version has made it to the small screen… sort of.

Hollywood has a complicated relationship with musicals and Mean Girls is no exception: in fact, most of the marketing actually hides the fact that this redux is a musical at all. Mean Girls 2.0 feels like it’s half the movie and half the musical but not quite a whole of either. And, since we already have a movie version that doesn’t feel that dated, I think this iteration needed to go hard on the musical twist. Sadly, several of the show’s best and funniest songs have been cut (is it a coincidence they’re the really musical theatre-y songs? We’ll never know. But probably yes). Newcomers to the source material won’t notice this of course, but musical lovers may be a touch disappointed.

There are some excellent moments: Aulii Cravalho’s I’d Rather Be Me kicks some serious ass, and Renee Rapp is savage and talented as hell as this generation’s Regina George.

Ultimately Mean Girls is super enjoyable, but if it had leaned harder into its musical side (aka what makes it new and necessary) it could have been great. The Broadway show felt like an all-out party and this new movie feels like pre-drinks, you know?

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