Boyhood
- By Elizabeth Best
- 11 years ago
What’s it about?
A boy called Mason literally grows up before our eyes. No, seriously… This film uses the same cast over 12 years.
What did we think?
Elizabeth says: The sheer scope of this film is reason enough to make it compulsory viewing. IT’S 12 YEARS. WITH THE SAME CAST. Apparently not even their contracts could legally cover the whole span of the filming. Boyhood is the closest thing you’ll get to seeing real-life on the big screen without it being a documentary. It doesn’t feel scripted, and yet it is. It doesn’t feel directed, and yet it is – meticulously. Not a lot happens in Hollywood terms… there’s no big climax, no massive turning point, no soaring violin strings or life-altering decisions to make… Here is a film with next to no plot, and yet it’s one of the most compelling offerings to grace our screens in years.
Rock the Casbah
- By Elizabeth Best
- 11 years ago
What’s it about?
A French/Arabian co-production in which a family gather after the patriarch dies and secrets are revealed that threaten relationships.
What did we think?
Elizabeth says: Come on guys. Death as a precursor for forced disclosure of dysfunctional secrets has been done. Having the dead guy (a magical Omar Shariff) narrate the funereal action is a gimmick not used frequently enough to differentiate this from any other film of its ilk. It’s all been done – and been done better – before.
Magic in the Moonlight
- By Elizabeth Best
- 11 years ago
What’s is about?
A romantic comedy about an Englishman brought in to help unmask a possible swindle. Personal and professional complications ensue.
What did we think?
Cindy says: I confess I’m a Woody Allen tragic, but as a rule, even I can admit only every second film he makes is a real winner. Blue Jasmine was a hard act to follow, and Magic In The Moonlight IS lovely; just not amazing. Lovely scenery, lovely cast, lovely performances, lovely art direction, but something’s missing. For die hard fans and those looking for something, well, lovely.
Locke
- By Elizabeth Best
- 11 years ago
What’s it about?
Ivan Locke takes a phone call behind the wheel that will put events in motion to unravel his carefully crafted life.
What did we think?
A man. A car. A phone. A life-changing night.
The audience literally rides shotgun in this tale of Locke’s journey towards personal redemption through his own destruction. Tom Hardy is the only person on-screen for the whole movie and he’s mesmerising. We watch in real-time for 85 minutes as he struggles to rebuild his life while the foundations crumble around him, confined to the driver’s seat and at the mercy of his relentlessly ringing phone. It’s close, it’s personal, it’s intimate and we dare you to try and look away.
Predestination
- By Elizabeth Best
- 11 years ago
What’s it about?
A time-travelling temporal agent must hunt down a criminal that’s eluded him his whole life.
What did we think?
The less you know about this film the better. Just know that it’s an Aussie film that looks like an American film, that it has excellent performances from Ethan Hawke and Sarah Snook, that it involves time travel and that your brain may be doing loop-de-loops after it’s over. Don’t think about it too hard – the joy of Predestination is the watching, and the more you ponder the hows and what ifs, the more times you’ll find yourself asking “how?” and “what if…?” Which may send you mad.
The Inbetweeners 2
- By Anthony Sherratt
- 11 years ago
What’s it about?
The four bumbling English lads you know and love from the series and first film undertake an ambitious Australian holiday resulting in a rollicking (and often disgusting) adventure filled with laughs.
What did we think?
Donna Roberts says: Will, Simon, Jay and Neil are back with another politically incorrect, cringe-inducing escapade involving numerous bodily fluids while wandering around Australia. Reportedly the last instalment of the popular series, the movie is superficial, shallow and vulgar resulting in a hysterically funny sequel in which the boys attempt to replicate an authentic ‘travelling’ experience. If none of the above adjectives bother you then you’ll see this as uproarious – though occasionally grotesque – fun.
What’s Popular
Assassin’s Creed
What’s it about?
A condemned man is rescued to take part in an experiment that allows him to connect to his ancestor’s memories using science… What? Really? How on Earth does that even…? Okay, Fine. That’s the story.
What we thought
Dan Beeston says:
I’m not sure if it was a problem with the mix but the film was SO LOUD that I felt flattened. The images flash by like they’re trying to cure Malcolm McDowell of his violent tendencies. No character seems sympathetic or even interesting. The story makes no sense. This film made me feel like a grandfather trying to program a VCR at a rave concert. The experience was a physical torture and I had to walk out after an hour.
Fuck this film
Red Dog: True Blue
What’s it about?
We learn about the early days of iconic outback canine Red Dog, and follow his adventures with his first ever BFF in this Aussie prequel.
What did we think?
Angela Young says: If you’re a softie, a dog lover, or you just don’t have a heart of stone, you probably loved the original Red Dog film. That loyal streak of red fluff who stole an outback town’s heart and gave a much-needed boost to the Australian film industry. Well, now we’re learning all about how he came to be out bush in the first place, and while it’s not quite such a heart-tugger as the first one, you’re probably going to still need some tissues if you go, and I recommend you do. Sterling effort from lead teenager Levi Miller (though Bryan Brown’s a bit iffy, sadly), but it’s the gorgeous Phoenix that steals the show as a four-legged star in the making.
Batman: Return of the Caped Crusaders
What’s it about?
Holy nostalgic cash-in! Adam West’s Batman returns in all his camp glory! Facing more villainous villainy than Aunt Harriet can begin to imagine!
What did we think?
Stephen Scott says: If you love 60s Batman, this will wipe away the pain of having to endure the histrionic horror of Batman V Superman forever. With three original cast; winks to the classic beyond-bad staging techniques; decent impressions of Penguin & Joker; and a storyline as lame as the originals; it’s a blast that matches, and occasionally exceeds expectations. It’s brave, bold, stupid fun.
Why him?
What’s it about?
Wholesome Stanford student Stephanie (Zoey Deutch) has a new eccentric (and utterly loaded) boyfriend (James Franco), and super-close Daddy (Bryan Cranston) is struggling to come to terms with the latest development in his little girl’s life.
What did we think?
Angela Young says: I went in with very low expectations, and was actually pleasantly surprised by this crass comedy. The basis for the story has been done to death, sure, but it’s been given a 2016 edge, and the performances, even from Franco, are really good. Special nod to little brother Scotty (played by Griffin Gluck) who is a scream, and to Keegan-Michael Key’s outrageous but loveable Gustave. Watch out, too, for some class lines from Megan Mullally as mum Barb. It’s a frankly hilarious script, as long as you don’t mind the f-word. And I don’t. I love it. Not something to watch with your own ma and pa, though, I’d wager.
Editor's Choice
Assassin’s Creed
What’s it about?
A condemned man is rescued to take part in an experiment that allows him to connect to his ancestor’s memories using science… What? Really? How on Earth does that even…? Okay, Fine. That’s the story.
What we thought
Dan Beeston says:
I’m not sure if it was a problem with the mix but the film was SO LOUD that I felt flattened. The images flash by like they’re trying to cure Malcolm McDowell of his violent tendencies. No character seems sympathetic or even interesting. The story makes no sense. This film made me feel like a grandfather trying to program a VCR at a rave concert. The experience was a physical torture and I had to walk out after an hour.
Fuck this film
Red Dog: True Blue
What’s it about?
We learn about the early days of iconic outback canine Red Dog, and follow his adventures with his first ever BFF in this Aussie prequel.
What did we think?
Angela Young says: If you’re a softie, a dog lover, or you just don’t have a heart of stone, you probably loved the original Red Dog film. That loyal streak of red fluff who stole an outback town’s heart and gave a much-needed boost to the Australian film industry. Well, now we’re learning all about how he came to be out bush in the first place, and while it’s not quite such a heart-tugger as the first one, you’re probably going to still need some tissues if you go, and I recommend you do. Sterling effort from lead teenager Levi Miller (though Bryan Brown’s a bit iffy, sadly), but it’s the gorgeous Phoenix that steals the show as a four-legged star in the making.
Batman: Return of the Caped Crusaders
What’s it about?
Holy nostalgic cash-in! Adam West’s Batman returns in all his camp glory! Facing more villainous villainy than Aunt Harriet can begin to imagine!
What did we think?
Stephen Scott says: If you love 60s Batman, this will wipe away the pain of having to endure the histrionic horror of Batman V Superman forever. With three original cast; winks to the classic beyond-bad staging techniques; decent impressions of Penguin & Joker; and a storyline as lame as the originals; it’s a blast that matches, and occasionally exceeds expectations. It’s brave, bold, stupid fun.
Why him?
What’s it about?
Wholesome Stanford student Stephanie (Zoey Deutch) has a new eccentric (and utterly loaded) boyfriend (James Franco), and super-close Daddy (Bryan Cranston) is struggling to come to terms with the latest development in his little girl’s life.
What did we think?
Angela Young says: I went in with very low expectations, and was actually pleasantly surprised by this crass comedy. The basis for the story has been done to death, sure, but it’s been given a 2016 edge, and the performances, even from Franco, are really good. Special nod to little brother Scotty (played by Griffin Gluck) who is a scream, and to Keegan-Michael Key’s outrageous but loveable Gustave. Watch out, too, for some class lines from Megan Mullally as mum Barb. It’s a frankly hilarious script, as long as you don’t mind the f-word. And I don’t. I love it. Not something to watch with your own ma and pa, though, I’d wager.