Amy

What’s it about?
Amy Winehouse created one of the greatest albums of our time, thrusting herself into the spotlight of public judgement: exactly the life she wanted to avoid.

What we thought
Stephen Scott says: There are train wrecks and there is Amy Winehouse. The opening of this documentary introduces us to a stella talent, a cheeky young lass with an old soul and the voice of a blues legend. Then the train wreck begins and doesn’t stop. Amy fell in love with a gold-digging drug addict and surrounded herself with “yes” men (including her father). It’s sad, it’s depressing, but how else could she have written such amazing music?

Is there any way I can use weeping emoticons instead of stars?

😢😭😰

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Love and Mercy

Wouldn’t it be nice?

Far From the Madding Crowd

What’s it about?
Intelligent, independent and beautiful Bathsheba Everdene (Carey Mulligan) inherits her uncle’s farm and is determined to “astonish” everyone by making it prosper. As she pursues her goals, she also navigates the courtship of three men: a shepherd, a soldier and her wealthy, mature neighbour.

What did we think?
Francesca Percy says: I haven’t read Thomas Hardy’s novel, on which this is based, so I came to the story fresh. And it was excellent. It reminded me of a Merchant Ivory production, but it was grounded by the many hardships of the time and didn’t stray into sentimentality. It’s worth the price of the ticket just for the lush scenes of rural English life, but I was also entirely caught up in the story. The characters, particularly Bathsheba’s suitors, might have easily been one-dimensional stereotypes, but they were fully-realised and beautifully performed, and the subplots were just as affecting as the central focus on Bathsheba’s pursuit of a life of integrity and purpose, without compromise. I think I may have to read the book!

Strangerland

What’s It About?
When two teenage children vanish into the outback, their parents’ already troubled marriage unravels further.

What Did We Think?
Amy Currie says: This home-grown drama doesn’t quite know what it wants to be. Psychological drama? Whodunit? Neither? Parents Nicole Kidman and Joseph Finnes go for gritty, but look disconcertingly groomed and shiny for residents of an outback town (new arrivals, it’s true – but new arrivals from ANOTHER outback town).  Our Nicole’s performance is surprisingly good for a while, but ends up veering into samey melodrama, while local cop Hugo Weaving is as solid as ever. The beautifully shot film is obviously trying for a sense of mysterious uncertainty, but it’s one thing to leave questions unanswered and another to leave them frustratingly ignored.

Jurassic World

aka Jurassic Parks and Recreation

What’s it about?

A theme park filled with living dinosaurs has put its chaotic past behind it and has been trading for years but their newest creation may be more than they can safely contain.

What we thought

Dan says: It’s impossible to measure up to the original Jurassic Park. It showed us movie monsters that we’d never seen before that reignited interest in the field of palaeontology. This script tries to out-do its predecessor with some truly absurd conceits. The strangest thing is that they all manage to work. The characters make some dumb decisions but the universe logic is tight and the action thick and visceral. People who love dinosaurs made this film and people who love dinosaurs will gobble it up.

Inside Out

What’s it about?
After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions – Joy, Fear, Anger, Disgust and Sadness – conflict on how best to navigate a new city, house and school.

What did we think?
Anthony Sherratt says: Delightfully clever, Inside Out actually takes the Pixar formula of creating a kids movie with enough in it for the adults and flips it around. The intelligent writing and (simplified) subject matter is the core of the story and most of it flies over the heads of the younger audience but it’s wonderfully engaging on so many levels that it doesn’t matter.

It’s rare you can say ‘fun for the whole family’ and truly mean it but Inside Out fits the bill. This is a gloriously emotional film that – for me – ranks among Pixar’s very best. Whether it has the replayability factor for kids remains to be seen but the underlying message that our joy needs our sadness is one that should resonate for years to come.

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Logan Lucky

What’s it about?
Down-on-their-luck siblings join forces with bomb-addict siblings for a heist that will become legendary: the home of NASCAR.

What did we think?
Stephen Scott says: Logan Lucky (3¾★) wins the heist battle of 2017 over Baby Driver (3½★) thanks to a stronger storyline and beguiling characters – interestingly both films use the transition of musical styles to further tension, in this case from country to bluegrass. Soderbergh cleverly mirrors the same story of a fight-against-the-odds for redemption across three encampments without you realising by using sleight of hand, country music, a couple of clever twists, and some good laughs.

BEWARE: the odds are high you’ll end up singing a John Denver classic. Yep. That one.

An Inconvenient Sequel

What’s it about?
Ten years after An Inconvenient Truth, Al Gore is still at it – and with good reason.

What did we think?
Amy Currie says: This is certainly an important film, and its (terrifying) statements about climate change are clearly explained and backed up by solid data. However, the movie itself is blatantly manipulative and spends a lot – like, a lot – of time talking about what a great guy Al Gore is. So great. Wow.

It’s pure propaganda – but when it’s propaganda for good, does it really matter? It’s not a brilliant film, but that’s not the point.

The Big Sick

What’s it about?
Writer and star Kumail Nanjiani brings the story of his burgeoning relationship with his now wife to the big screen, illustrating the ups and downs they faced with their cross-cultural connection, not least of which was Emily being in a coma.

What we thought
Angela Young says: This film is brilliant, go see it. It’s properly funny and properly real. Kumail plays himself, so we know we we’re getting the truth there, but Zoe Kazan is fantastic as down-to-earth and bubbly Emily. You will love all the characters in this film, literally – there’s not a baddie (or bad acting) among them. Even Ray Romano as Dad! You’ll laugh, you’ll cry (but only a little bit), and you’ll only just notice the subtle lessons you’re learning about cultural integration and the hilarious nuances at play within a Pakistani muslim family in modern America.

A Monster Calls

What’s it about?
A troubled young boy (Lewis MacDougall) is visited by a storytelling monster (Liam Neeson). Emotional growth ensues.

What did we think?
Amy Currie says: At first glance, this tale featuring an enchanted tree, a stern grandmother and fantastical revenge on a schoolyard bully seems a Dahl-esque children’s story. However, in an interesting twist on the genre, A Monster Calls takes place in the real world of divorce, chemotherapy and lawsuits, where good and evil aren’t clear-cut and endings are often imperfect. It’s not a subtle film, but the performances are decent, the animation in the storytelling sequences is gorgeous and the ending will make you cry.

Editor's Choice

Logan Lucky

What’s it about?
Down-on-their-luck siblings join forces with bomb-addict siblings for a heist that will become legendary: the home of NASCAR.

What did we think?
Stephen Scott says: Logan Lucky (3¾★) wins the heist battle of 2017 over Baby Driver (3½★) thanks to a stronger storyline and beguiling characters – interestingly both films use the transition of musical styles to further tension, in this case from country to bluegrass. Soderbergh cleverly mirrors the same story of a fight-against-the-odds for redemption across three encampments without you realising by using sleight of hand, country music, a couple of clever twists, and some good laughs.

BEWARE: the odds are high you’ll end up singing a John Denver classic. Yep. That one.

An Inconvenient Sequel

What’s it about?
Ten years after An Inconvenient Truth, Al Gore is still at it – and with good reason.

What did we think?
Amy Currie says: This is certainly an important film, and its (terrifying) statements about climate change are clearly explained and backed up by solid data. However, the movie itself is blatantly manipulative and spends a lot – like, a lot – of time talking about what a great guy Al Gore is. So great. Wow.

It’s pure propaganda – but when it’s propaganda for good, does it really matter? It’s not a brilliant film, but that’s not the point.

The Big Sick

What’s it about?
Writer and star Kumail Nanjiani brings the story of his burgeoning relationship with his now wife to the big screen, illustrating the ups and downs they faced with their cross-cultural connection, not least of which was Emily being in a coma.

What we thought
Angela Young says: This film is brilliant, go see it. It’s properly funny and properly real. Kumail plays himself, so we know we we’re getting the truth there, but Zoe Kazan is fantastic as down-to-earth and bubbly Emily. You will love all the characters in this film, literally – there’s not a baddie (or bad acting) among them. Even Ray Romano as Dad! You’ll laugh, you’ll cry (but only a little bit), and you’ll only just notice the subtle lessons you’re learning about cultural integration and the hilarious nuances at play within a Pakistani muslim family in modern America.

A Monster Calls

What’s it about?
A troubled young boy (Lewis MacDougall) is visited by a storytelling monster (Liam Neeson). Emotional growth ensues.

What did we think?
Amy Currie says: At first glance, this tale featuring an enchanted tree, a stern grandmother and fantastical revenge on a schoolyard bully seems a Dahl-esque children’s story. However, in an interesting twist on the genre, A Monster Calls takes place in the real world of divorce, chemotherapy and lawsuits, where good and evil aren’t clear-cut and endings are often imperfect. It’s not a subtle film, but the performances are decent, the animation in the storytelling sequences is gorgeous and the ending will make you cry.

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