Bridget Jones’s Baby
- By Stephen Scott
- 9 years ago
What’s it about?
Helen Fielding’s down-to-earth 20/30/40-something creation is back, still struggling with life, and about to embark on her most extravagant adventure yet – a baby, whose paternal genes she’s not quite sure.
What did we think?
Angela Young says: Let me start with a disclaimer – I hate Renee Zellweger in this role. I loved the books, and always thought the casting was deeply offensive to legions of great British actresses – her ridiculously twitching terribly-accented Bridget did nothing for me. Surprising, then, that I found this sequel to be rather good. Zellweger’s now utterly-toxin-ravaged face is difficult to watch, and she still overplays Jones obscenely, but there are some seriously funny – proper “pah!” LOL moments – and some brilliant turns from Colin Firth, Patrick Dempsey and, particularly, Emma Thompson as the obstetrician who, god bless her, is ageing beautifully (i.e. naturally).
It drags a bit – two hours?? – but it’s got just enough of the good stuff to keep you going, thanks in no small part to Fielding’s work on the screenplay and Shazzer picking up the director’s reins once again. I’m shocking myself by saying this, but it’s worth a watch!
Captain Fantastic
- By Stephen Scott
- 9 years ago
What’s it about?
A father raising his family of six children in the American wilderness, using a strict regime of training and learning, finds his life – and parenting – turned upside down when’s he forced to return to the real world.
What did we think?
Angela Young says: This beautifully imagined film is a joy to behold, confidently tackling topics as diverse as socialism, survivalism, mental illness, social justice and what constitutes the ‘right’ way to bring up your children in our muddled modern world. A great tale of familial love and loss, it brilliantly documents nature crashing headfirst into contemporary America. Viggo Mortensen’s performance as rugged, determined father Ben is brilliant, his authority and stern morals never enough to stop the viewer vouching for him every step of the way. Eldest son Bo, played with raw emotion by George Mackay, provides some great moments, of gripping drama as well as twinkling comedy, and the rest of the kids provide star turns.
David Brent: Life On The Road
- By Stephen Scott
- 9 years ago
What’s it about?
A camera crew catches up with David Brent, the former star of the fictional British TV series The Office, as he now fancies himself a rockstar on the road.
What did we think?
Cindy Nelson says: Ricky Gervais has once again mastered the art of delivering an excruciatingly funny, awkward and tragic tale of the sad clown. If you love the way Gervais can offend, make you laugh, AND make you think at the same time, do not miss this catch up/Christmas special on the big screen, featuring genuinely catchy tunes.
War Dogs
- By Stephen Scott
- 9 years ago
What’s it about?
Two childhood friends exploit a loophole to win a US military contract, and eventually find themselves rich … and in way over their heads.
What did we think?
Angela Bowen says: Jonah Hill steals the show in this watered down concoction of The Big Short, Wolf of Wall Street, and Good Fellas. It’s not as boobs-in-your-face, cocaine-on-the-ceiling as you might expect, but War Dogs delivers a gritty take on true events with some decent chuckles.
Kubo and the Two Strings
- By Stephen Scott
- 9 years ago
What’s it about?
A retelling of the classic hero story: a boy’s magical powers grow as he embarks on a mystical quest – all while playing beautiful shamisen music and creating incredible origami creatures.
What did we think?
Dan Beeston says: Read off the page Kubo is a simple fable: a basic hero’s journey with the requisite sword, armour and helm picked up along the way. The true magic is just how visually splendid the whole piece is. The film is a triumph of stop motion animation. To see these puppets come to life is jaw dropping. Children and lovers of art should immediately rush out and see it. For everyone else? It’s just another okay story. Three stars.
Stephen Scott says: The use of clay animation is a dying art and helps set this film apart. The plot lines exposing youngsters to alternative religious views, cultural practices, and the importance of heritage are the other major selling points. If you have a kids, take them and enjoy a family bonding. Three and a half stars.
Bad Moms
- By Elizabeth Best
- 9 years ago
What’s it about?
Frazzled mums (Mila Kunis, Kristen Bell, Kathryn Hahn) get pushed to breaking point and decide to start being shitty mothers instead. But when a perfect mum (Christina Applegate) pushes their buttons, they decide they need to hit her where it hurts, and challenge her for presidency of the PTA.
What did we think?
Elizabeth Best says: Aside from some slightly problematic messaging (if you ever do anything for just you, your whole life will go down the toilet), this is a fun jaunt exploring what happens when stressed out mums cut loose. Hilarious comic timing from Kunis, Hahn and Bell elevates this from shameless chick flick to worthy comedy. I can’t help but feel, though, that Jada Pinkett Smith was a heartbeat away from the token racially diverse character, only hanging around to say things like “dayum” and “that shit is whack.”.
What’s Popular
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?
Molly’s Game
What’s it about?
After an injury derails her Olympic skiing career, pre-law student Molly Bloom (Jessica Chastain) finds her way into the world of underground, high -takes poker. As business grows, Molly soon finds herself in dangerous waters, attracting the attention of both the Mafia and the FBI.
What did we think?
James Tinniswood says: I dug this. That dialogue is unmistakably Sorkin; it’s like jazz – may not always get what’s going on, but damn it’s got a rhythm. His first time as director, Sorkin’s rapid editing style sometimes matches his dialogue style: more cuts than a game of cards. Chastain is great as Molly – a strong, smart and glamorous woman who takes no BS and (mostly) sticks to her principles in the face of very real danger. Idris Elba is solid as Molly’s reluctant lawyer, as is Kevin Costner as Tough Love Dad. Worth going all in on, and other poker puns.
I, Tonya
What’s it about?
The true story of a poor but gifted ice skater who became embroiled in an assault charge on a competitor.
What we thought
Dan says: I expected this film to be ‘My Best Friend’s Wedding’ but with skating and knee bludgeoning. Instead, the two dimensional villain from the 24/7 news cycle turns out to be a nuanced and tragic, actual human being. The tale is a poem of violence and bullying.
I’ve seen films with unreliable narrators before but the charm in this film comes from each of them wilfully fighting each other for narrative control. This film’s character work is intimately shot but will then “double axle” into the ice skating scenes that are so well crafted they actually make ice skating routines watchable.
Editor's Choice
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?
Molly’s Game
What’s it about?
After an injury derails her Olympic skiing career, pre-law student Molly Bloom (Jessica Chastain) finds her way into the world of underground, high -takes poker. As business grows, Molly soon finds herself in dangerous waters, attracting the attention of both the Mafia and the FBI.
What did we think?
James Tinniswood says: I dug this. That dialogue is unmistakably Sorkin; it’s like jazz – may not always get what’s going on, but damn it’s got a rhythm. His first time as director, Sorkin’s rapid editing style sometimes matches his dialogue style: more cuts than a game of cards. Chastain is great as Molly – a strong, smart and glamorous woman who takes no BS and (mostly) sticks to her principles in the face of very real danger. Idris Elba is solid as Molly’s reluctant lawyer, as is Kevin Costner as Tough Love Dad. Worth going all in on, and other poker puns.
I, Tonya
What’s it about?
The true story of a poor but gifted ice skater who became embroiled in an assault charge on a competitor.
What we thought
Dan says: I expected this film to be ‘My Best Friend’s Wedding’ but with skating and knee bludgeoning. Instead, the two dimensional villain from the 24/7 news cycle turns out to be a nuanced and tragic, actual human being. The tale is a poem of violence and bullying.
I’ve seen films with unreliable narrators before but the charm in this film comes from each of them wilfully fighting each other for narrative control. This film’s character work is intimately shot but will then “double axle” into the ice skating scenes that are so well crafted they actually make ice skating routines watchable.