Free Fire
What’s it about?
A bunch of people meet in a warehouse for a weapons deal. Shots are fired and shit gets real in real time.
What did we think?
Elizabeth Best says: Ever wanted to skip the beginning boring part of a movie and get right to the climax? Free Fire is ALL CLIMAX; an hour and a half of gangsters shooting the shit out of each other, on a claustrophobic set. It’s tense, it’s exciting, it’s even gross in bits. It has a touch of the Reservoir Dogs about it except without the flashbacks. Only thing is, the flashbacks (ironically) are what move the story forwards and without them, the bullet fatigue eventually sets in. The concept is truly kick-ass, it’s just a shame they didn’t do a bit more with it.
My Pet Dinosaur
What’s it about?
A town is plunged into chaos when a boy accidentally makes a new friend. And by make, we mean literally and figuratively. The title probably gives that away though.
What did we think?
While it doesn’t exactly tread new ground, My Pet Dinosaur is a delightful throwback to kid’s movies of the 80s. It’s a positively endearing reminder of youth, imagination and love. It would be easy to lump in with a post-Spielbergian genre, but great acting and good characterisation more than overcome the cliches. It’s good solid fun and wonderful to see a movie for all ages that doesn’t talk down to kids or get too caught up in itself.
Get Out
What’s it about?
A young black man visits his girlfriend’s wealthy white family at their mansion in the woods for the first time, but when he gets there, things seem seriously weird.
What did we think?
True horror is not monsters or ghosts – it’s humanity. And nowhere is this more evident than in Jordan Peele’s Get Out. An incredibly intelligent look at racism, the insidiousness of political correctness and modern America, it’s a movie that defies easy categorisation though it slips into a revenge flick. The true strength is that it will make you uncomfortable mentally long after the credits have rolled. Insightful and witty, it’s a must see not only for film lovers but anyone interested in equality or racial dynamics. Superb.
GET OUT opens in Australian cinemas on May 4.
CHiPS
What’s it about?Michael Peña and Dax Shepard reprise the roles made famous in the 1970s/80s by Erik Estrada and Larry Wilcox, with the California Highway Patrol officers this time hunting down a mob of motorcycle thugs making a killing from security vans, with suspicions of an inside job.What did we think?Angela says: “Chip happens” is the tagline: an implied sentiment so synonymoys with modern remakes. But surprisingly, this cheesy little comedy is actually not light on laughs. Peña’s Frank Poncherello is a likeable little git, and despite being the writer, director and star, Shepard’s washed-up ex biker makes a great partner. It’s no Oscar-winner, but there’s some serious chortles to be had. It’s a bit like watching a film your douchey friends have made in their spare time – pretty clumsy, but you can’t help feeling happy with it.
Going in Style
What’s it about?
Morgan Freeman, Alan Arkin and Michael Caine turn to a bank robbery in order to save their stolen pension funds.
What did we think?
Nick John Bleeker says: Despite being a bit light on the comedy, Going in Style delivers nothing new, but is still driven by a grand chemistry between its three leads.
Fate of the Furious
What’s it about?
Family. But also a buttload of action scenes with cars somehow still being the main attraction. If we’re being real? Cipher (Charlize Theron) makes Dom (Vin Diesel) turn on the crew for mysterious reasons.
What did we think?
Nick John Bleeker says: F8 shows the Fast franchise starting to lose its creative edge, but you just can’t shake the fact that hanging out with the crew is still tonnes of fun. The addition of Theron as a nutcase villain adds to the mix nicely and, at the end of the day, the action is, as always, wonderfully explosive and utterly ridiculous. Exhausting but still a damn good time.
What’s Popular
Johnny English Strikes Again
What’s it about?
Johnny English is called back into the field after MI7 is compromised by a really intelligent hacker.
What did we think?
Nick Bleeker says: It feels a bit out of touch and the story and most of the jokes are predictable, but Johnny English Strikes Again is an incredibly harmless and, surprisingly, fun film. Star Rating: 2.5/5
Stephen Scott says: Predictability can be a blessing and a curse: for fans of Rowan Atkinson and the silly spy genre, in this case it’s a blessing of papal proportions. Johnny English Strikes Again is exactly what you expect: a talking Mr Bean bumbling through an Austen Powersesque adventure. Star Rating: 3.5/5
Ladies in Black
What’s it about?
A coming-of-age story in which Lesley (who desperately wants to be called Lisa) takes a job in a tres chic department store while waiting for her exam results. Based on a book, Ladies in Black takes a peek behind the dressing room curtain of the impossibly glamorous women who dressed the well-heeled women of Sydney.
What did we think?
Elizabeth Best says: This is such an enjoyable Aussie film but man it was hard for me to pay attention to anything else but the fashion. Because OH MY GOD THE FASHION. A visually sumptuous film about an innocent time in Australia’s history when department stores were all about providing first class service, and every immigrant was considered a “reffo” (refugee) no matter how bloody fabulous they were. I found myself taking turns sighing with love for the dresses and smiling from ear to ear for the story.
Searching
What’s it about?
A father (John Cho) has to search through his daughter’s online life to connect the dots when she goes missing one night.
What did we think?
Elizabeth Best says: Part thriller, part drama, part advertisement for what a Mac can do, Searching is a masterclass in inventive storytelling. The movie unfolds solely through a series of chat windows, tumblr posts, tweets and live streams, and navigates the line between heartache and heart attack deftly. It’s clever with its “show don’t tell” storytelling, and damn it’s nice to see Cho kicking ass in the lead role he deserves
A Simple Favor
What’s it about?
A somewhat intense mommy blogger is befriended by a worldly but blunt fellow mother. When her new best friend goes missing it sets events into motion that will forveer change their lives (cue dramatic music).
What did we think?
Anthony Sherratt (who has NOT read the book) says: It would be simplistic to describe this as Gone Girl Gone Wild but it’s hard to escape some comparisons with the 2014 thriller. The major difference is the tone. Director Paul Feig interjects humour at unexpected moments which prevents you from fully engaging with anger at the characters – all of whom you dislike at some point. Even the ending has a touch of slapstick that robs the film of some gravitas. Quite simply there aren’t enough laughs for it be called a comedy but enough where it detracts slightly from the thriller tag. Despite all this, it’s actually a pretty good flick that keeps you guessing and off balance. Great performances from Anna Kendrick and Blake Lively keep you focused and wanting them to be innocent and, more importantly, ensuring you leave with a smile on your face. 3.5
Editor's Choice
Johnny English Strikes Again
What’s it about?
Johnny English is called back into the field after MI7 is compromised by a really intelligent hacker.
What did we think?
Nick Bleeker says: It feels a bit out of touch and the story and most of the jokes are predictable, but Johnny English Strikes Again is an incredibly harmless and, surprisingly, fun film. Star Rating: 2.5/5
Stephen Scott says: Predictability can be a blessing and a curse: for fans of Rowan Atkinson and the silly spy genre, in this case it’s a blessing of papal proportions. Johnny English Strikes Again is exactly what you expect: a talking Mr Bean bumbling through an Austen Powersesque adventure. Star Rating: 3.5/5
Ladies in Black
What’s it about?
A coming-of-age story in which Lesley (who desperately wants to be called Lisa) takes a job in a tres chic department store while waiting for her exam results. Based on a book, Ladies in Black takes a peek behind the dressing room curtain of the impossibly glamorous women who dressed the well-heeled women of Sydney.
What did we think?
Elizabeth Best says: This is such an enjoyable Aussie film but man it was hard for me to pay attention to anything else but the fashion. Because OH MY GOD THE FASHION. A visually sumptuous film about an innocent time in Australia’s history when department stores were all about providing first class service, and every immigrant was considered a “reffo” (refugee) no matter how bloody fabulous they were. I found myself taking turns sighing with love for the dresses and smiling from ear to ear for the story.
Searching
What’s it about?
A father (John Cho) has to search through his daughter’s online life to connect the dots when she goes missing one night.
What did we think?
Elizabeth Best says: Part thriller, part drama, part advertisement for what a Mac can do, Searching is a masterclass in inventive storytelling. The movie unfolds solely through a series of chat windows, tumblr posts, tweets and live streams, and navigates the line between heartache and heart attack deftly. It’s clever with its “show don’t tell” storytelling, and damn it’s nice to see Cho kicking ass in the lead role he deserves
A Simple Favor
What’s it about?
A somewhat intense mommy blogger is befriended by a worldly but blunt fellow mother. When her new best friend goes missing it sets events into motion that will forveer change their lives (cue dramatic music).
What did we think?
Anthony Sherratt (who has NOT read the book) says: It would be simplistic to describe this as Gone Girl Gone Wild but it’s hard to escape some comparisons with the 2014 thriller. The major difference is the tone. Director Paul Feig interjects humour at unexpected moments which prevents you from fully engaging with anger at the characters – all of whom you dislike at some point. Even the ending has a touch of slapstick that robs the film of some gravitas. Quite simply there aren’t enough laughs for it be called a comedy but enough where it detracts slightly from the thriller tag. Despite all this, it’s actually a pretty good flick that keeps you guessing and off balance. Great performances from Anna Kendrick and Blake Lively keep you focused and wanting them to be innocent and, more importantly, ensuring you leave with a smile on your face. 3.5