Baywatch

What’s it about?
Mitch Buchanan (Dwayne Johnson) is the ultimate boy scout of lifeguards. But when illegal drugs threaten the sanctity of his bay, he and his team take it upon themselves to expose the criminal plot.

What did we think?
Lisa Clifford says: I really wanted to like this one. I used to love watching the cheesy 90s original and I even appreciate the genial charms of Dwayne Johnson and Zac Efron. But by the mid-way mark, I was ready to raise an arm and call for somebody to ‘saaaaaaaaaaave me’ (*cue theme song*).

Despite a few laughs and a LOT of gratuitous (but equal opportunity!) body shots, Baywatch suffers a MAJOR identity crisis that causes a lack of cohesion. Is it a re-boot? A parody of the original? Or an awkward continuation of the original Baywatch universe, where the ‘new class’ of lifeguards have the have the exact same names as their predecessors for some bizarre reason? Good luck trying to figure it out, because I doubt anyone involved with the movie has yet.

The Sense of an Ending

What’s it about? 
Tony (Jim Broadbent) leads a reclusive, curmudgeonly existence until a letter from his past resurfaces and forces him to confront his flawed recollections of his past in the film adaptation of Julian Barnes’ Man Booker Prize-winning novel.

What did we think?
Elizabeth Best says: It’s ironic that a film about missing memories seems to be missing a crucial “ah-hah” moment for a satisfying conclusion. I kept waiting for a payoff to justify the slow burning, mysterious atmosphere and when it came, it proved too ambiguous and open-ended to provide any closure. Perhaps that’s the point; that in life we may never know the full story. It’s a fine point to make philosophically but proves for a less than satisfying experience for film-goers. Not even captivating performances from all, especially Broadbent, weren’t enough to shake the feeling that something was lost in translation from page to screen.

King Arthur: Legend of the Sword

What’s it all about then?

From the beginnin’. Well, there’s this roguish lad see, an’ ‘e an’ his mates are plannin’ a heist …
‘Old on, ‘old on. Yer sure nothin’ ‘appened before the beginnin’? Aw yeah, that’s right. Ye see (flashback) the kid’s not the bastard son of a prostitute, but actually heir to ye olde Englaland’s throne.
That’s more like it my son. Go on … There’s this magical scimitar an’ rooftop parkour an’ a kind-but-fair oriental fight instructor, y’know, everything you’d expect in 6th century Londinium …

What did we think?

Stephen Scott says: in a gloriously raucous post-Roman-occupied Britanniae, trouble is brewing in a cockney lad’s-own adventure that’s bleedingly obviously directed by Guy Ritchie without having all the promos blaring it at a million decibels. Fast, romance-free, with a (fantastic) soundtrack that makes you go “yeah – that’s what action movie music must’ve sounded like in 629AD”, it’s Lock Stock and One Smoking Excalibur. Exactly what you expect.

Snatched

What’s it about?
A girl who’s just been dumped takes her mum on her romantic trip to Equador after she realises the tickets are non-refundable. They get kidnapped.

What did we think?
Elizabeth Best says: It’s funny how Amy Schumer’s latest feature film is no Trainwreck at the same time as being a total trainwreck. It straddles the line of gross-out comedy and high-stakes kidnap flick without ever truly landing either. Accidental violent murders are followed up with fart and dick jokes and the whole thing feels awkward; much like the girls, it’s a little bit lost. The laugh-out-loud jokes that DID land (a few courtesy of a hilarious cameo by Joan Cusack) feel like they’ve been snatched from a much better film.

Alien: Covenant

What it’s about?
A crew of colonists find themselves tracking an alien signal only to find… well, an alien.
What did we think?
Nick Bleeker says: Putting aside the fact that there’s not a lot “new” in Covenant, Michael Fassbender delivers an electrifying performance, the action and gore is insane, and the film looks wonderful. Even shorter review? It’s better than Prometheus.

A Dog’s Purpose

What’s it about?

A dog searches for the meaning of his life by living many lives himself. Yes, there are multiple dog deaths.

What did we think?

Anthony Sherratt says: The trailer promised it would be a tear-jerker but A Dog’s Purpose surprisingly turned out to also be very funny and intelligent. Yes, it’s hard to not cry (it was a very dusty cinema dammit – stuff kept getting in my eyes) but you’re left seeing it as an incredibly sweet movie. As someone who has never really recovered from losing his childhood dog, I didn’t think I’d be able to enjoy this one, but I actually really liked it.

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Goosebumps 2: Haunted Halloween

What’s it about?

While cleaning junk out of an old, abandoned house just before Halloween, some kids come across an old book and a ventriloquist dummy named Slappy. Spooky chaos ensues. Jack Black eventually turns up.

What did we think?

James Tinniswood says: ERMAGERD, GERSBERMS TER

I HERF TER ADMERT *clears throat* I have to admit I liked this more than I thought I would. It does have a bit of a “made-for-Nickelodeon sequel” feel, but it zips along at a good pace and I was never bored. And I liked that it (mostly) plays like a standalone Goosebumps story to the point where it (almost) didn’t need to go back to the meta “RL Stine is a character” well … until it does and reminds you it’s a sequel.

The kind of movie I would have liked the first Goosebumps to be and the third Jumanji to be. “Goosemanji”. Sony, call me, let’s talk.

Bad Times At The El Royale

Criminals, cool kids and cults. Can it come together?

In Like Flynn

What’s it about?
Root-rat movie-star Errol Flynn’s legend began long before Hollywoodland beckoned, as these adventures recollected from his biographical Beams End illustrate.

What did we think?
Stephen Scott says: In Like Flynn is a boys own adventure gone bad. It has all the elements of a successful movie: the director of Highlander, up-and-coming acting superstars (one is “the next Chris Hemsworth” I read somewhere), a David Wenham cameo (then again, his appearances make up 80% of the movies highlights), and the “true” life story of Errol Flynn … what could go wrong?

Oh, it’s awful. I honestly thought I was watching a 3rd year film students homage to Indiana Jones until Quint from Jaws turned up on the Sirocco. To be fair, aside from a handful of roaming accents, the acting isn’t too bad (with Clive Standen’s Charlie / Quint doing what he can to raise the standard alongside Wenham’s brilliant Dastardly Whiplash), but the script is as wooden and rotten as the boat they sail in, and the whole endeavour just ends up a misogynist try-hard mess.

Rent Highlander or Errol’s Captain Blood instead. This deserves to rest on the floor of the ocean alongside the boat it sunk in.

A Star is Born

What’s it about?
Jackson Maine (Bradley Cooper) is a mega famous rock star, who is dealing with alcoholism. He discovers Ally (Lady Gaga), and makes her a star.

What did we think?
Imogen Chapman says: B-Coops can sing! And direct! We already knew about the acting thing. In A Star is Born he also manages to do an excellent younger Jeff Bridges impersonation.

This is the 3rd remake of the classic 1937 film, but don’t expect a jazzy Hollywood musical. It’s emotionally raw, which gives you some incredible moments, but very occasionally causes the movie to lag.

Honestly, this is a surprisingly great movie. The songs are powerful, the performances are awesome, and I was actually moved by the story.

I’m not crying, you’re crying.

4.5/5

Editor's Choice

Goosebumps 2: Haunted Halloween

What’s it about?

While cleaning junk out of an old, abandoned house just before Halloween, some kids come across an old book and a ventriloquist dummy named Slappy. Spooky chaos ensues. Jack Black eventually turns up.

What did we think?

James Tinniswood says: ERMAGERD, GERSBERMS TER

I HERF TER ADMERT *clears throat* I have to admit I liked this more than I thought I would. It does have a bit of a “made-for-Nickelodeon sequel” feel, but it zips along at a good pace and I was never bored. And I liked that it (mostly) plays like a standalone Goosebumps story to the point where it (almost) didn’t need to go back to the meta “RL Stine is a character” well … until it does and reminds you it’s a sequel.

The kind of movie I would have liked the first Goosebumps to be and the third Jumanji to be. “Goosemanji”. Sony, call me, let’s talk.

Bad Times At The El Royale

Criminals, cool kids and cults. Can it come together?

In Like Flynn

What’s it about?
Root-rat movie-star Errol Flynn’s legend began long before Hollywoodland beckoned, as these adventures recollected from his biographical Beams End illustrate.

What did we think?
Stephen Scott says: In Like Flynn is a boys own adventure gone bad. It has all the elements of a successful movie: the director of Highlander, up-and-coming acting superstars (one is “the next Chris Hemsworth” I read somewhere), a David Wenham cameo (then again, his appearances make up 80% of the movies highlights), and the “true” life story of Errol Flynn … what could go wrong?

Oh, it’s awful. I honestly thought I was watching a 3rd year film students homage to Indiana Jones until Quint from Jaws turned up on the Sirocco. To be fair, aside from a handful of roaming accents, the acting isn’t too bad (with Clive Standen’s Charlie / Quint doing what he can to raise the standard alongside Wenham’s brilliant Dastardly Whiplash), but the script is as wooden and rotten as the boat they sail in, and the whole endeavour just ends up a misogynist try-hard mess.

Rent Highlander or Errol’s Captain Blood instead. This deserves to rest on the floor of the ocean alongside the boat it sunk in.

A Star is Born

What’s it about?
Jackson Maine (Bradley Cooper) is a mega famous rock star, who is dealing with alcoholism. He discovers Ally (Lady Gaga), and makes her a star.

What did we think?
Imogen Chapman says: B-Coops can sing! And direct! We already knew about the acting thing. In A Star is Born he also manages to do an excellent younger Jeff Bridges impersonation.

This is the 3rd remake of the classic 1937 film, but don’t expect a jazzy Hollywood musical. It’s emotionally raw, which gives you some incredible moments, but very occasionally causes the movie to lag.

Honestly, this is a surprisingly great movie. The songs are powerful, the performances are awesome, and I was actually moved by the story.

I’m not crying, you’re crying.

4.5/5

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