The best of 2016 – Anthony edition
The highlights of 2016 according to Anthony
Rogue One: A Star Wars Story
What's it about?
It is a period of civil war.
Rebel spaceships, striking from a
hidden base, have won their first victory
against the evil Galactic Empire.
During the battle, Rebel spies managed to steal secret
plans to the Empire's ultimate weapon, the DEATH STAR, an
armored space station with enough power to destroy an entire planet.
What did we think? Stephen Scott says: Where Return of the Jedi was let-down due to 'alleged' toy company requirements, Rogue One seems let down by a meddling committee. Too many cooks dilutes a terrific premise (4 stars) and muddies great characters (3½ stars) thanks to an overly-convoluted introduction (minus 2 stars) and dollops of unnecessary spoon-feeding (minus 7 stars).
But make sure you see it on the big screen for the final battle sequence - it's basically a 21st Century version of the ROTJ final act (5 stars in all its glory - wow it's good).
Epilogue: If you recall, we all loved Star Wars for George's ground-breaking "used universe" and the mythical unanswered questions (Jedi, Clone Wars, why there is no underwear in space). Edwards delivers a gloriously dirty reality, but the committee let the movie down by interrupting him, and providing us with too many answers to questions we didn't ask. A Star Wars movie doesn't require title cards to tell the audience where we are, that's part of the charm. Drop us in and let us swim!
Passengers
What’s it about?
When a spaceship malfunctions, two passengers on a 120-year voyage to a new home planet wake up from their sleep state 90 years too early.
What did we think?
Elizabeth Best says: Take a sci-fi flick, throw in some romance, a few major (and kind of messed up) ethical dilemmas, and a healthy dose of tension and you have a movie that will almost certainly promote robust discussion of that “what would you do?” variety after the credits roll. In what seems to be a trend in movies these days, the trailer for Passengers is a little misleading. Without spoiling things, the premise of this movie is a LOT darker than we are led to believe.
La La Land
What’s it about?
An aspiring actress (Emma Stone) and a jazz musician (Ryan Gosling) meet and fall in love in Los Angeles, musical style.
What did we think?
Elizabeth Best says: La La Land is simultaneously a loving homage to the golden age of cinema and completely uncharted filmic territory; nostalgic and new all at once. It delivers the feelings of falling in love in a heady, melodic rush that’s absolutely captivating. It channels films such as Singin’ in the Rain and An American in Paris while navigating the modern pitfalls of romance. But it’s so caught up in the quirky and magical “newness” of its concept that towards the middle it seems to rely solely on that. Unfortunately, this means the pacing feels at odds with the gloriousness of the rest of the film. But the magic returns for a finale guaranteed to take your breath away.
Collateral Beauty
What’s it about?
An advertising executive (Will Smith) totally shuts down when tragedy strikes. His “concerned” friends (Kate Winslet, Edward Norton, Michael Pena) try to help when he starts questioning the universe and writing letters to the concept of Time, Death and Love.
What did we think?
Elizabeth Best says: The intriguing trailer for this film is a lie. The concept, so artfully set up in the preview, is destroyed minutes into the film, creating a jarring effect that leaves a bitter, mean-spirited aftertaste. Collateral Beauty is emotionally manipulative, and seems to be created specifically to tug so fucking hard on heartstrings that it makes some kind of discordant non-musical cacophony of awfulness. It’s a movie purely about emotions that feels like it was made by someone who doesn’t understand how to human AT ALL. It gets two stars for what I thought the concept was, and the rest of the three taken off for what the actual movie robbed me of.
Assassin’s Creed
What’s it about?
A condemned man is rescued to take part in an experiment that allows him to connect to his ancestor’s memories using science… What? Really? How on Earth does that even…? Okay, Fine. That’s the story.
What we thought
Dan Beeston says:
I’m not sure if it was a problem with the mix but the film was SO LOUD that I felt flattened. The images flash by like they’re trying to cure Malcolm McDowell of his violent tendencies. No character seems sympathetic or even interesting. The story makes no sense. This film made me feel like a grandfather trying to program a VCR at a rave concert. The experience was a physical torture and I had to walk out after an hour.
Fuck this film
What’s Popular
Gringo
What’s it about?
Downtrodden businessman Harold (David Oyelowo) is caught up in cartels, kidnapping and corporate conspiracies during a business trip to Mexico.
What did we think?
Amy Currie says: I would be perfectly happy watching this on hour six of a long-haul flight. I would then never think about it again in my whole life.
Gringo is a pleasant enough darkly comic caper, but an admittedly impressive cast can’t quite save it from a meandering plot.
Deadpool 2
What’s it about?
An anti-hero tries to protect a young boy from a time-travelling half-robot… wait, isn’t that the Terminator? #RipOff
What did we think?
Anthony says: It was always going to be difficult to follow up such a successful and original first movie, and it has to be said Deadpool 2 doesn’t have the same impact as its predecessor. However, the jokes are funnier – both in intelligence and irreverence – and there’s a little more pathos. Unfortunately, there are a few pacing issues with an odd lull or two breaking up the quips, but to be frank they’re soon forgotten. It truly excels with its music choice; not only in the cool-song-I-loved-this-one way, but the subtleties that add another layer of humour (I can’t go into detail without spoiling it so I won’t). And the early-credit scene is not only hilarious but has upped the stakes on how stories could be told. <redacted-spoiler-redacted>
At the end of the day it’s a great movie and I’m not just saying that because Ryan Reynolds has a gun and apparently knows my address.
Tully
What’s it about?
GAH! Charlize Theron and Ron Livingston have a third baby! It’s awful. The other two children are bad enough. So many children! Nappies! Sore nipples! Sleep Deprivation! Dear Lord! It’s like one of those educational health films from high school except this time they’re using a more persuasive technique to get you to use condoms. At any rate, a savant babysitter turns up and everything settles down a bit.
What we thought
Dan says: This paints the portrait of parenthood, warts and all, and when Tully finally turns up to get things in order it’s with a sigh of relief from the audience as well. Great moments of cinematography, charming performances and some decently funny jokes allow this film to stick the landing.
If you’re single, watch this film and pat yourself on the back for good decisions made. If you’ve had kids, enjoy watching what you’ve already survived. And if you’ve got a newborn…
God help you.
Breath
What’s it about?
Two young boys growing up in 70s Australia are befriended by a stranger who lures them out of their comfort zone as they struggle with their identity.
What did we think?
This simply delightful coming-of-age film is incredibly intimate and wonderfully genuine. It’s unapologetically Australian and that rawness only adds to the emotions of the characterisation. Simon Baker’s directorial debut is ridiculously impressive especially given the constraints of weather dependence and an inexperienced cast. However the cast are magnificent from the two young boys – Ben Spence and Samson Coulter – to the understated Richard Roxburgh.
I grew up in the 70s but in the desert hundreds of kilometres from the surf which sets the background and culture for this flick. The fact it still spoke to me so strongly just shows what an impressive film this is. Slow-paced and stronger for it, this is not a surfing movie as such, but one where surfing is merely important.
Editor's Choice
Gringo
What’s it about?
Downtrodden businessman Harold (David Oyelowo) is caught up in cartels, kidnapping and corporate conspiracies during a business trip to Mexico.
What did we think?
Amy Currie says: I would be perfectly happy watching this on hour six of a long-haul flight. I would then never think about it again in my whole life.
Gringo is a pleasant enough darkly comic caper, but an admittedly impressive cast can’t quite save it from a meandering plot.
Deadpool 2
What’s it about?
An anti-hero tries to protect a young boy from a time-travelling half-robot… wait, isn’t that the Terminator? #RipOff
What did we think?
Anthony says: It was always going to be difficult to follow up such a successful and original first movie, and it has to be said Deadpool 2 doesn’t have the same impact as its predecessor. However, the jokes are funnier – both in intelligence and irreverence – and there’s a little more pathos. Unfortunately, there are a few pacing issues with an odd lull or two breaking up the quips, but to be frank they’re soon forgotten. It truly excels with its music choice; not only in the cool-song-I-loved-this-one way, but the subtleties that add another layer of humour (I can’t go into detail without spoiling it so I won’t). And the early-credit scene is not only hilarious but has upped the stakes on how stories could be told. <redacted-spoiler-redacted>
At the end of the day it’s a great movie and I’m not just saying that because Ryan Reynolds has a gun and apparently knows my address.
Tully
What’s it about?
GAH! Charlize Theron and Ron Livingston have a third baby! It’s awful. The other two children are bad enough. So many children! Nappies! Sore nipples! Sleep Deprivation! Dear Lord! It’s like one of those educational health films from high school except this time they’re using a more persuasive technique to get you to use condoms. At any rate, a savant babysitter turns up and everything settles down a bit.
What we thought
Dan says: This paints the portrait of parenthood, warts and all, and when Tully finally turns up to get things in order it’s with a sigh of relief from the audience as well. Great moments of cinematography, charming performances and some decently funny jokes allow this film to stick the landing.
If you’re single, watch this film and pat yourself on the back for good decisions made. If you’ve had kids, enjoy watching what you’ve already survived. And if you’ve got a newborn…
God help you.
Breath
What’s it about?
Two young boys growing up in 70s Australia are befriended by a stranger who lures them out of their comfort zone as they struggle with their identity.
What did we think?
This simply delightful coming-of-age film is incredibly intimate and wonderfully genuine. It’s unapologetically Australian and that rawness only adds to the emotions of the characterisation. Simon Baker’s directorial debut is ridiculously impressive especially given the constraints of weather dependence and an inexperienced cast. However the cast are magnificent from the two young boys – Ben Spence and Samson Coulter – to the understated Richard Roxburgh.
I grew up in the 70s but in the desert hundreds of kilometres from the surf which sets the background and culture for this flick. The fact it still spoke to me so strongly just shows what an impressive film this is. Slow-paced and stronger for it, this is not a surfing movie as such, but one where surfing is merely important.