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Eh… not sold…

Edge of Tomorrow

What’s it about?
A non-combat officer finds himself caught in a time loop during a war with an alien race. He combines with a special forces officer but will it be enough to save the world?

What did we think?
Anthony Sherratt says: Yes, it’s Groundhog Day mashed with Independence Day. And it works. With more laughs than I would have expected, the latest Tom Cruise sci-fi offering has a great balance of action, good characterisation and interesting plot. Emily Blunt is amazing and it has to be said Cruise plays the unlikeable Major/Private Cage really well. The story is well-told so the repetition doesn’t (quite) grate and you’re not actually not quite sure how it’s going to end which is a nice change.

Even anti-Tom Cruise fans should enjoy it as they at least get to watch him die a hundred or so times.

The Fault In Our Stars

What it’s about?
Hazel Grace is 17, smart and obsessive. She’s also taking an experimental drug that gives her the ability to resist the build up of tumors in her lungs and to breathe. She falls for dreamy cancer survivor Augustus Waters, but wrestles with the guilt of the damage she will cause when she leaves.
What did we think?
Dan says: It may lack the explosions of a ‘summer blockbuster’ but Hazel and Augustus are so beautifully portrayed it doesn’t matter. A film about cancer will always have that sword of Damocles hanging over the characters’ heads. It is impressive that knowing this going in, you still can’t help yourself falling for them both, knowing full well that every moment there’s a medical discovery to be revealed, your heart will screw itself up into a knot.

If you are, or even have been, a 17-year-old girl you should definitely see this gripping love story (remove half a star from the review if you’ve never been a 17-year-old girl, but it’s still pretty good).

Grace of Monaco

What’s it about?
Grace Kelly becomes a princess, frets about losing her Hollywood career. Meanwhile really interesting world crises are happening.

What did we think?
This poor film looks as confused as Nicole Kidman does acting in it.  On the one hand, its a genuinely interesting story about a political stand-off in Monaco over taxes, the impending threat of war with France, and the kind of eye-watering Mad Men-esque style we’ve come to admire from the early 1960’s.

On the other hand, the film is a midday melodrama about why Grace Kelly wants to do another Hollywood movie, can’t do another movie, learns French and saves the day with an overreaching speech at a ball.

For the VERY curious only – I’m off to acquaint myself with Alfred Hitchcock’s To Catch A Thief, the REAL Grace Kelly and a convertible car load of proper Riviera style.

Maleficent

What’s it about?
Disney steal the concept of Wicked by telling the story of Sleeping Beauty from the perspective of the villain Maleficent.

What did we think?
Definitely not for kids and with a story not strong enough for most adults it’s unclear who the target audience for Maleficent really is. Die-hard Disney and Angelina Jolie fans will certainly flock to it but the many faults balance out the majesty of the effects and performances. The failure to commit to making Maleficent actually evil really robs the movie of any gravitas as does the bizarre decision to make the three ‘good fairies’ bumbling idiots. An adversarial relationship there alone would have strengthened a film sadly lacking real backbone.

Jolie – a performer I don’t really like or usually enjoy – is incredible but we’re so sympathetic to her throughout the movie that the original premise is almost pointless. When you shrug at someone putting a curse on an innocent baby then perhaps it’s evidence debutant director Robert Stromberg has missed the mark. The failure to commit is further seen in what is changed from the original story.  Giving the ‘wicked witch’ more detail and background is okay but doing so at the expense of the characters on the other side of the spectrum – who are all two-dimensional morons here – just makes this a star-driven film rather than a good story.

It’s not actually a bad movie (I did enjoy it) but those who haven’t seen the original Sleeping Beauty would love it much more.

A Million Ways To Die In The West

What’s it about?
There are a million ways to die in the West, and a cowardly Seth MacFarlane has to navigate them all.

What did we think?
Elizabeth says: Family Guy, Back to the Future 3, Blazing Saddles and Barney Stinson walk into a bar… and stumble out two hours later, drunk and slightly less funny than they went in.

What’s Popular

Blair Witch

What’s it about?
A bunch of twenty-somethings go exploring in a forest that’s apparently haunted by the Blair Witch.

What did we think?
If you’ve seen the original you’ve seen this, but don’t let that scare you away because, despite that, it’s still a really tautly directed and entertaining 85 minutes. The story is extremely light, but the jump scares are almost omnipresent as the film races towards the big conclusion. It’s intensity will be loved by most horror fans though the familiarity of the journey does detract a bit.

Bridget Jones’s Baby

What’s it about?
Helen Fielding’s down-to-earth 20/30/40-something creation is back, still struggling with life, and about to embark on her most extravagant adventure yet – a baby, whose paternal genes she’s not quite sure.

What did we think?
Angela Young says: Let me start with a disclaimer – I hate Renee Zellweger in this role. I loved the books, and always thought the casting was deeply offensive to legions of great British actresses – her ridiculously twitching terribly-accented Bridget did nothing for me. Surprising, then, that I found this sequel to be rather good. Zellweger’s now utterly-toxin-ravaged face is difficult to watch, and she still overplays Jones obscenely, but there are some seriously funny – proper “pah!” LOL moments – and some brilliant turns from Colin Firth, Patrick Dempsey and, particularly, Emma Thompson as the obstetrician who, god bless her, is ageing beautifully (i.e. naturally).

It drags a bit – two hours?? – but it’s got just enough of the good stuff to keep you going, thanks in no small part to Fielding’s work on the screenplay and Shazzer picking up the director’s reins once again. I’m shocking myself by saying this, but it’s worth a watch!

Captain Fantastic

What’s it about?
A father raising his family of six children in the American wilderness, using a strict regime of training and learning, finds his life – and parenting – turned upside down when’s he forced to return to the real world.

What did we think?
Angela Young says: This beautifully imagined film is a joy to behold, confidently tackling topics as diverse as socialism, survivalism, mental illness, social justice and what constitutes the ‘right’ way to bring up your children in our muddled modern world. A great tale of familial love and loss, it brilliantly documents nature crashing headfirst into contemporary America. Viggo Mortensen’s performance as rugged, determined father Ben is brilliant, his authority and stern morals never enough to stop the viewer vouching for him every step of the way. Eldest son Bo, played with raw emotion by George Mackay, provides some great moments, of gripping drama as well as twinkling comedy, and the rest of the kids provide star turns.

David Brent: Life On The Road

What’s it about?
A camera crew catches up with David Brent, the former star of the fictional British TV series The Office, as he now fancies himself a rockstar on the road.

What did we think?
Cindy Nelson says: Ricky Gervais has once again mastered the art of delivering an excruciatingly funny, awkward and tragic tale of the sad clown. If you love the way Gervais can offend, make you laugh, AND make you think at the same time, do not miss this catch up/Christmas special on the big screen, featuring genuinely catchy tunes.

Editor's Choice

Blair Witch

What’s it about?
A bunch of twenty-somethings go exploring in a forest that’s apparently haunted by the Blair Witch.

What did we think?
If you’ve seen the original you’ve seen this, but don’t let that scare you away because, despite that, it’s still a really tautly directed and entertaining 85 minutes. The story is extremely light, but the jump scares are almost omnipresent as the film races towards the big conclusion. It’s intensity will be loved by most horror fans though the familiarity of the journey does detract a bit.

Bridget Jones’s Baby

What’s it about?
Helen Fielding’s down-to-earth 20/30/40-something creation is back, still struggling with life, and about to embark on her most extravagant adventure yet – a baby, whose paternal genes she’s not quite sure.

What did we think?
Angela Young says: Let me start with a disclaimer – I hate Renee Zellweger in this role. I loved the books, and always thought the casting was deeply offensive to legions of great British actresses – her ridiculously twitching terribly-accented Bridget did nothing for me. Surprising, then, that I found this sequel to be rather good. Zellweger’s now utterly-toxin-ravaged face is difficult to watch, and she still overplays Jones obscenely, but there are some seriously funny – proper “pah!” LOL moments – and some brilliant turns from Colin Firth, Patrick Dempsey and, particularly, Emma Thompson as the obstetrician who, god bless her, is ageing beautifully (i.e. naturally).

It drags a bit – two hours?? – but it’s got just enough of the good stuff to keep you going, thanks in no small part to Fielding’s work on the screenplay and Shazzer picking up the director’s reins once again. I’m shocking myself by saying this, but it’s worth a watch!

Captain Fantastic

What’s it about?
A father raising his family of six children in the American wilderness, using a strict regime of training and learning, finds his life – and parenting – turned upside down when’s he forced to return to the real world.

What did we think?
Angela Young says: This beautifully imagined film is a joy to behold, confidently tackling topics as diverse as socialism, survivalism, mental illness, social justice and what constitutes the ‘right’ way to bring up your children in our muddled modern world. A great tale of familial love and loss, it brilliantly documents nature crashing headfirst into contemporary America. Viggo Mortensen’s performance as rugged, determined father Ben is brilliant, his authority and stern morals never enough to stop the viewer vouching for him every step of the way. Eldest son Bo, played with raw emotion by George Mackay, provides some great moments, of gripping drama as well as twinkling comedy, and the rest of the kids provide star turns.

David Brent: Life On The Road

What’s it about?
A camera crew catches up with David Brent, the former star of the fictional British TV series The Office, as he now fancies himself a rockstar on the road.

What did we think?
Cindy Nelson says: Ricky Gervais has once again mastered the art of delivering an excruciatingly funny, awkward and tragic tale of the sad clown. If you love the way Gervais can offend, make you laugh, AND make you think at the same time, do not miss this catch up/Christmas special on the big screen, featuring genuinely catchy tunes.

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