How To Train Your Dragon 2
What’s it about?
A small Viking Community has embraced their former nemesis’ into their lives but there are bigger dangers than just Dragons lurking in the unexplored seas.
What did we think? Dan says: HTTYD2 presents itself as a film with a moral compass but that compass is spinning like a roulette wheel. The characters empower strong women by letting men rescue them. They instill a sense of duty by showing the value of rebellion. They pursue the idea of non-violent conflict resolution by blowing characters into smaller pieces.
Despite this there are enough bold decisions made by the director to keep children amused and adults from ducking off to the bar. It could have done with some better jokes and less reliance of the power of love.
Or perhaps I’m just jaded.
No, I was right the first time. The power of love is just lazy storytelling.
22 Jump Street
What’s it about?
Remember they made a comedy movie based on that TV show, which launched Johnny Depp’s career, about undercover cops infiltrating a high school? This is the sequel paying homage to all sequels. Jonah Hill and Channing Tatum are back and they’re off to college to do “exactly the same mission” they had to do in the first movie.
What did we think?
Tom Harrison says: The movie plays to sequel tropes and works best with its self-aware humour. When it works it works but, with Hill and Tatum bickering about their friendship it quickly falls into the same rut every Judd Apatow “bro-love” styled movie seems to. The humour and pacing are solid and it’s much more enjoyable than the first outing. In the end it does what any good sequel should do, which is be bigger, funnier, and generally better than the first one.
Blended
What’s it about?
A series of highly implausible coincidences sees a widower (Adam Sandler) and his three daughters forced to share South African holiday accommodation with a divorcee (Drew Barrymore) who he went on a terrible blind date with and her two sons. Predictable hijinks and the titular “blending” of the families ensue.
What did we think?
It’s not often one thinks to use the term “poor man’s Brady Bunch” but that pretty much sums up this painfully unfunny vehicle. For some reason it seemed a good idea to pair Sandler – doing his wisecracking, sad-sack buffoon shtick yet again – with Barrymore for a third, worst outing. Racial stereotypes and way too many gender-based “jokes” abound. Best to avoid.
The Cherry Ripe I consumed during the screening was quite nice, though, so silver linings and all.
The Giver
Fascinating concept.
“In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the “real” world.”
If I Stay
Wow.
I can’t wait. This looks like an interesting little gem!
Are you here
Eh… not sold…
What’s Popular
Miss Peregrine’s Home For Peculiar Children
What’s it about?
Imagine if Tim Burton made an X-Men movie.
What did we think?
Anthony Sherratt says: A delightful flight of fancy that will tickle both the heart and imagination, Miss Peregrine’s Home For Peculiar Children is a welcome breath of fresh air. We’ve had a glut of children’s books becoming franchises but this one has the right mix of intelligence and whimsy that will leave people of all ages wanting more. Masterful performances from an all-star cast make it hard to single out individuals but special mention should be made of Eva Green whose sudden jerky movements mimic the peregrine flacon she transforms into wonderfully.
The few faults – the climax isn’t as big as one would hope and the concept of time is a bit ‘wibbly wobbly’ – are minor and easily overlooked once you lose yourself in a world of hidden secrets and incredible powers. It’s very understated for Tim Burton who seems more focused on the story than excessive quirk, but any movie that makes you want to immediately buy the books is doing something right.
Storks
What’s it about?
The storks have modernised and replaced their baby delivery service with an amazon-like corporation. The status quo is threatened however and the company’s heir apparent is tasked with making the final child delivery.
What did we think?
It’s an incredibly cute movie with genuine laugh-out-loud moments. The humour is unmistakably Andy Samberg’s so while the film lacks subtlety or real depth, it compensates with enough raw entertainment to overcome a predictable by-the-numbers plot. Good for all ages, it won’t go down as a classic but it’s fun enough.
Snowden
What’s it about?
From Snowden’s early days contracting for the US government, up until he becomes responsible for the largest leak in history.
What did we think?
Nick John Bleeker says: Oliver Stone’s interpretation of the most significant leak in history highlights its sheer magnitude by making the man behind it have less of an agenda and more of a personal obligation. Despite that, the film struggles to dive deep on the ethical questions …but you’ll still find yourself taping up your laptop’s camera afterwards.
Eight Days a Week: The Touring Years
What’s it about?
Beatlemania.
What did we think?
Elizabeth Best & Ben Bissett say: Four boys. Four years. That’s all it took to take the Beatles from the grimy basements of Liverpool to the centre of a claustrophobic global touring hurricane. This was the birth of teenagers losing their shit in epic proportions over the cult of celebrity, and the most revelatory moments are the screamed, sobbing reactions to the barely-out-of-their-teens-themselves Fab Four. The heady rush of the first tours quickly turn to jaded dissatisfaction: by the mid-’60s the mop-tops had become caged animals in the circus, and their final tour gig ends with them carted away in a literal meat locker. Beatles for sale, indeed. Cinema-goers (and only cinema-goers, we’re told) are treated to the previously unscreened ‘65 Shea Stadium concert after the credits, yet this film merely skirts the Beatles lore and footage available in the Anthology series. But then, that damn thing lasted nearly 12 hours. In limited cinemas, one week only.
Editor's Choice
Miss Peregrine’s Home For Peculiar Children
What’s it about?
Imagine if Tim Burton made an X-Men movie.
What did we think?
Anthony Sherratt says: A delightful flight of fancy that will tickle both the heart and imagination, Miss Peregrine’s Home For Peculiar Children is a welcome breath of fresh air. We’ve had a glut of children’s books becoming franchises but this one has the right mix of intelligence and whimsy that will leave people of all ages wanting more. Masterful performances from an all-star cast make it hard to single out individuals but special mention should be made of Eva Green whose sudden jerky movements mimic the peregrine flacon she transforms into wonderfully.
The few faults – the climax isn’t as big as one would hope and the concept of time is a bit ‘wibbly wobbly’ – are minor and easily overlooked once you lose yourself in a world of hidden secrets and incredible powers. It’s very understated for Tim Burton who seems more focused on the story than excessive quirk, but any movie that makes you want to immediately buy the books is doing something right.
Storks
What’s it about?
The storks have modernised and replaced their baby delivery service with an amazon-like corporation. The status quo is threatened however and the company’s heir apparent is tasked with making the final child delivery.
What did we think?
It’s an incredibly cute movie with genuine laugh-out-loud moments. The humour is unmistakably Andy Samberg’s so while the film lacks subtlety or real depth, it compensates with enough raw entertainment to overcome a predictable by-the-numbers plot. Good for all ages, it won’t go down as a classic but it’s fun enough.
Snowden
What’s it about?
From Snowden’s early days contracting for the US government, up until he becomes responsible for the largest leak in history.
What did we think?
Nick John Bleeker says: Oliver Stone’s interpretation of the most significant leak in history highlights its sheer magnitude by making the man behind it have less of an agenda and more of a personal obligation. Despite that, the film struggles to dive deep on the ethical questions …but you’ll still find yourself taping up your laptop’s camera afterwards.
Eight Days a Week: The Touring Years
What’s it about?
Beatlemania.
What did we think?
Elizabeth Best & Ben Bissett say: Four boys. Four years. That’s all it took to take the Beatles from the grimy basements of Liverpool to the centre of a claustrophobic global touring hurricane. This was the birth of teenagers losing their shit in epic proportions over the cult of celebrity, and the most revelatory moments are the screamed, sobbing reactions to the barely-out-of-their-teens-themselves Fab Four. The heady rush of the first tours quickly turn to jaded dissatisfaction: by the mid-’60s the mop-tops had become caged animals in the circus, and their final tour gig ends with them carted away in a literal meat locker. Beatles for sale, indeed. Cinema-goers (and only cinema-goers, we’re told) are treated to the previously unscreened ‘65 Shea Stadium concert after the credits, yet this film merely skirts the Beatles lore and footage available in the Anthology series. But then, that damn thing lasted nearly 12 hours. In limited cinemas, one week only.