What’s it about?
Finally! A movie that starts where most rom-coms leave off. We begin with a wedding between Rose Byrne and Rafe Spall and look at the pressures of their first year of marriage including exes, jobs and temptations.

What did we think?
Anthony says: British comedies on the whole walk the line between clever and cringing very well which is why this movie is such a let down. With such a wonderful premise, one would have hoped for more wit and less cringe but most of this movie will leave you squirming rather than laughing. It IS funny in its way, features an amazing cast and the final act probably does justify it but it’s a question of whether you would take the time to get to the end really.

What’s it about?
In the future, after zombies have waged a successful apocalypse, an unusually empathetic zombie named “R” falls in love with Julie (there’s a theme here. I just can’t …), the daughter of the leader of the surviving humans. Oh but that won’t work out at all! Surely!

What did we think?
Alex says:  What may have been intended as “Romeo & Juliet with Zombies” turns out to be more “Zombie Twilight” with an intentional sense of humour. But this zom-rom-com combo leaves you not really caring about the characters or the fate of the human race.

Jonathan Levine at least capably directs likeable leads Nicholas Hoult and our very own Teresa Palmer away from vapid Edward-and-Bella territory. But when it comes to the undead-related laughs, it’s no Shaun of the Dead.

What’s it about?
An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.

What did we think?
Anthony says: With a quality cast and an overly complicated plot, Trance tries hard to be seen as a clever, classy movie but a few things work against it. Firstly, they explain everything eventually in a way bordering on monosyllabic and secondly, none of the characters are actually likeable so you’re not sure who to cheer for. They all could have died and I wouldn’t have cared. In no way hypnotising – you’ll just end up feeling sleepy.

Liz says: Awesome stuff happened. Then less awesome stuff happened. Then some confusing and silly stuff happened. Then we saw Rosario Dawson’s vagina and it all went downhill from there.

What’s it about?
The fairy-tale adventure of a gullible farm boy thrust literally and horticulturally into circumstances where he must prove his worth or perish.

What did we think?
Dan says: Bryan Singer takes the quirky elements of a children’s fable and grittily reboots it. No longer restricted to water-colour illustrations, the giants and the bean stalk become monstrous entities. The action and violence is larger than life and occasionally pushes against the PG rating potentially upsetting some parents and few children. (They love it.)

Surprisingly satisfying for anyone who has ever enjoyed the age old tale and/or delighted in Ewan McGregor at his hammiest.

What’s it about?
John McClane (Bruce Willis) travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working to prevent a nuclear-weapons heist, causing the father and son to team up against underworld forces.

What did we think?
Anthony says: The opening seconds lift our spirits and hopes with a haunting bass version of Ode To Joy but then the black screen gives way to vision and it’s mostly downhill from there (impressive car chase aside).

Jack McClane is the Jar Jar of the Die Hard universe. He’s irritating, unnecessary and a walking cliche. Completely ignoring the complexities of the previous Die Hard movies, this time around the producers decided to keep the action and explosions but mix them with poor dialogue, bad editing and a simply ridiculous story.

I’m gutted.

What’s it about?
A jaded, once-successful Vegas magician and his sidekick (Steve Buscemi and Steve Carell) – former token schoolyard victims who used to believe in the magic of, well, magic – must change tack when an obnoxious street magician threatens their cheesy, tanned brand of trickery.

What did we think?
Alex says: Is THAT your card, sir? In what could have easily been a parody worse than the kitschy, dated magic scene it’s sending up, The Incredible Burt Wonderstone delivers handsome LOLs as well as an arbitrary saccharine tale of caring about what’s important – or something – which fortunately doesn’t get in the way of the humour too much.
Under the sharp direction of Don Scardino (30 Rock), the leading Steves, Carell and Buscemi, are stellar as the bickering, washed-up illusionists but Jim Carrey very nearly steals the show as the alternative – and, of course, entirely evil (hey, we came for laughs, not character depth!) – new face of extreme magic. No new heights of comedy but it does little wrong.