Mr Right
- By Anthony Sherratt
- 10 years ago
What’s it about?
A girl coming out of a breakup falls for the “perfect” guy, who happens to have a very fatal flaw: he’s a hitman. Well, former hitman who still kills people. And who is on the run from the mob. It’s complicated.
What did we think?
A delightfully quirky film that has most of the makings of a great cult movie, Mr Right just doesn’t quite get there. Anna Kendrick and Sam Rockwell’s chemistry is palpable and has you entranced whenever they share the screen. Unfortunately the over-the-top performances from the rest of the cast not only steal a lot of the impact of our lovers’ quirkiness they detract from the overall feel. More realistic bad guys and this is the best ever action-rom-com of all time. As it is it’s still a pleasure and worthy of re-watching. The premise behind Rockwell’s amazing abilities and Kendrick’s cuteness alone has me looking forward to a second go already.
Now You See Me 2
- By Anthony Sherratt
- 10 years ago
What’s it about?
Your favourite vigilante illusionists are back out of hiding but they’re quickly leveraged into pulling off a big heist.
What did we think?
Dan says: Disclaimer: I enjoyed Highlander 2 when I first saw it because I’d never seen the first and didn’t realise what it was destroying. This could also be the case with this sequel.
Heist films have had to become more and more fanciful since Simon Dermott activated an alarm with a boomerang in ‘How to steal a million’. Now they seem to require back-flipping samurai or driving Mini Coopers down hallways. Ed Solomon (Bill and Ted) pens absurd levels of silliness in this caper. It’s delightful and joyous, but try not to work out how they did the tricks… or in fact anything… during their escapades. Best to allow them to make your brain disappear, then reappear after the credits roll.
Ta DA!
Angry Birds
- By Anthony Sherratt
- 10 years ago
What’s it about?
When an island populated by happy, flightless birds is visited by mysterious green piggies, it’s up to three unlikely outcasts with anger problems – Red, Chuck and Bomb – to figure out what the pigs are up to.
What did we think?
The thought of a movie based on an app filled me with dread but this movie had more charm than it had a right to. It’s hardly going to be remembered as a classic but there are enough gags – both relating to the game and life in general – to keep most attentions on the screen. Certainly the kids will laugh at the over the top antics of the characters and at the end of the day that’s what this film is about.
X-Men Apocalypse
- By Anthony Sherratt
- 10 years ago
What’s it about?
The X-Men must reunite to face a nearly immortal and super powerful mutant who plans to bring on the apocalypse.
What did we think?
Anthony Sherratt says: At one point one of the characters in the film comments that the third movie is never as good. It’s as if director Brian Singer was signalling his surrender. Certainly this instalment doesn’t fail because of it’s lack of ambition; it’s just that there’s very little new or even exciting. The same aspirational tone of Xavier having the same argument with grief-stricken Magneto? Check. Cameos for the fanboys? Check. Impressive fx? Check. Unveiling new fan favourites of the ensemble? Check (though we hardly explore them at all). A cliched story hinging on hoping for the better? Check.
It’s what it’s missing that lets it down. A coherent, flowing story for a start, and while movies don’t automatically need a twist this one sure needed something. The clever layers that set the previous movies in the franchise apart are well and truly missing.
Perhaps the expanding cast and easter egg nods to comic book fans will be enough for some but in my opinion this could be the apocalypse for the mutant franchise. To be fair there’s a degree of comic book movie fatigue around at the moment but it doesn’t change the fact this flick is simply not fresh or even very smart.
Green Room
- By Stephen Scott
- 10 years ago
What’s it about?
Teen angst, neo-nazis and punk rock. What could go wrong?
What did we think?
Stephen Scott says: “Pretentious twaddle” was all I thought for the first half hour: a meandering tale following a punk band that’s rejected the internet because music is “in the now”. Then they get a paying gig. Character backstory is over. Now everyone is going to die by bite, blade or bullet cartridge.
Patrick Stewart is the creepiest neo-nazi you’re going to see in a long, long time.
The Boss
- By Elizabeth Best
- 10 years ago
What’s It About?
When rich CEO and motivational speaker Michelle Darnell (Melissa McCarthy) goes down for insider trading, all her assets are frozen. She vows to get back on top, using a little girl’s brownie selling business to do it.
What Did We Think?
Elizabeth says: A diabolically awful movie, somewhat saved by the fact that Tyler Labine is so damn likeable and Melissa McCarthy is one fucking funny woman to watch.
What’s Popular
12 Strong
What’s it about?
This true story describes the immediate aftermath of the September 11 attacks in America where an elite team of 12 American soldiers were sent into Afghanistan to bring American wrath to the anti-American Taliban. America!
What we thought
Dan says: If this were a work of fiction it would be scorned for being two dimensional and predictable. The good guys ride in like white knights, the bad guys are all in black and faceless – perfect for a good bullet to the face. The main villain looks a bit like Jaffar from Aladdin sans parrot.
True stories of war succeed when they cast light on the subtitles of both sides. This story is stripped of all its nuance and packaged up to be perfect wank fodder for the audience members who really hate terrorists (I guess that’s most people). It does leave me feeling unsettled to know that I’m being manipulated into feeling delight when a person’s head explodes.
Nice visuals, occasionally muddy sound and good performances especially from Trevante Rhodes and Michael Shannon.
Black Panther
What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.
What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).
Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.
There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?
Editor's Choice
12 Strong
What’s it about?
This true story describes the immediate aftermath of the September 11 attacks in America where an elite team of 12 American soldiers were sent into Afghanistan to bring American wrath to the anti-American Taliban. America!
What we thought
Dan says: If this were a work of fiction it would be scorned for being two dimensional and predictable. The good guys ride in like white knights, the bad guys are all in black and faceless – perfect for a good bullet to the face. The main villain looks a bit like Jaffar from Aladdin sans parrot.
True stories of war succeed when they cast light on the subtitles of both sides. This story is stripped of all its nuance and packaged up to be perfect wank fodder for the audience members who really hate terrorists (I guess that’s most people). It does leave me feeling unsettled to know that I’m being manipulated into feeling delight when a person’s head explodes.
Nice visuals, occasionally muddy sound and good performances especially from Trevante Rhodes and Michael Shannon.
Black Panther
What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.
What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).
Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.
There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?