What’s it about?
Two adult sisters return to their family home to clean out their room when they find out their parents have sold up. But instead of cleaning, they decide to have the party to end all parties. As you do.

What did we think?
Elizabeth Best says: Sisters is like a massive bender: it starts out strong, full of promise of an electrifying night ahead. The kegs are full, the punch is spiked, your crazy friend Tiffany has already started dancing on the tables and someone has just found your old game of Twister under the couch; how could this night NOT be awesome? But by the end of the night, the party has run out of steam. There’s no more booze, Tiffany is passed out on said table sprawled over some random, and a guy just threw up over the Twister mat. But who cares? The party was still rad while it lasted.

The who’s-who of Saturday Night Live cast all bring some chuckles to the table, but were it not for the presence of my spirit animals aka Tina Fey and Amy Poehler, this could have been a lot less funny.

What’s it about?
FBI rookie Johnny Utah (Luke Bracey) goes undercover to bring activist/criminal/extreme sportsman Bodhi (Édgar Ramírez) and his gang to justice in a loose remake of the original 1991 film.

What did we think?
Amy Currie says: JOHNNY UTAH is a COOL SPY. He is TROUBLED because EXTREME SPORT killed his BEST FRIEND. BODHI is a COOL GUY. He does EXTREME CRIMES but it’s KIND OF OKAY because he LOVES THE PLANET and is EXTREME. JOHNNY joins BODHI’S GANG to STOP the CRIMES. It is EXTREME and there is SNOWBOARDING and SURFING and PUNCHING and BASE JUMPING OR SOMETHING and EXPLOSIONS and PEOPLE DIE. JOHNNY is CONFLICTED but always EXTREME. Everyone is EXTREME. It is an EXTREME MOVIE and it is TERRIBLE.

What’s it about?
Two orphans meet in an unlikely series of events that see them fighting forces of evil in the company of a charming smuggler and his giant hairy pet friend.

What did we think?
In a triumphant return to a galaxy far, far away we revisit the fine tradition of a fun space opera. There are a few problems with the story but frankly few will care once the familiar theme song starts and finishes what is a well-polished and entertaining new entry. The performances of Harrison Ford and Daisy Ridley are simply captivating and, with more humour this time around, the future looks bright for this beloved franchise. There’s a fine line between homage, respect and being derivative and there are times it appears Abrams is going out of his way to repeat scenes from A New Hope (both charming and a little irritating) but it makes you feel like you’ve come home even as you immerse yourself in new politics and adventures. A great romp.

What’s it about?
An Apatosaurus named Arlo becomes lost and during his adventure home makes an unlikely human friend.

What did we think?
In itself  The Good Dinosaur is a wonderfully simple and heart-warming tale but it’s this simplicity that is both its strength and weakness. It suffers mainly because we have come to expect so much more from Pixar. Adults won’t enjoy it as much because there’s no intricate multi-layered story with jokes for different ages. Instead we have likeable characters without any real depth and only two emotional scenes to really connect with us. There’s nothing really wrong with the ‘find your way home’ story other than there’s nothing more to it. But the most important thing is that the children WILL enjoy it.

What’s it about?
Combining both real and fictional characters from the underground suffragette movement of 1912 Britain, Sarah Gavron directs this Abi Morgan-scripted foray into the dirty streets of London women’s harsh fight, depicting the sacrifices so many made to place the first brick in the as-yet unfinished road to equality.

What did we think?
Angela Young says: Carey Mulligan is brilliant as working-class mother Maud Watts, drawn into a fight that sees her lose her job, her family and her home. Other poignant performances from Anne-Marie Duff and Helena Bonham Carter ensure the grim reality of this brutal fight against the state hits you right where it hurts, with certain significant events depicted with powerful reservation. It’s not a perfect film, but it’s still a must-see for anyone that feels they owe so much to the women who gave so much.