Mr Right
What’s it about?
A girl coming out of a breakup falls for the “perfect” guy, who happens to have a very fatal flaw: he’s a hitman. Well, former hitman who still kills people. And who is on the run from the mob. It’s complicated.
What did we think?
A delightfully quirky film that has most of the makings of a great cult movie, Mr Right just doesn’t quite get there. Anna Kendrick and Sam Rockwell’s chemistry is palpable and has you entranced whenever they share the screen. Unfortunately the over-the-top performances from the rest of the cast not only steal a lot of the impact of our lovers’ quirkiness they detract from the overall feel. More realistic bad guys and this is the best ever action-rom-com of all time. As it is it’s still a pleasure and worthy of re-watching. The premise behind Rockwell’s amazing abilities and Kendrick’s cuteness alone has me looking forward to a second go already.
Now You See Me 2
What’s it about?
Your favourite vigilante illusionists are back out of hiding but they’re quickly leveraged into pulling off a big heist.
What did we think?
Dan says: Disclaimer: I enjoyed Highlander 2 when I first saw it because I’d never seen the first and didn’t realise what it was destroying. This could also be the case with this sequel.
Heist films have had to become more and more fanciful since Simon Dermott activated an alarm with a boomerang in ‘How to steal a million’. Now they seem to require back-flipping samurai or driving Mini Coopers down hallways. Ed Solomon (Bill and Ted) pens absurd levels of silliness in this caper. It’s delightful and joyous, but try not to work out how they did the tricks… or in fact anything… during their escapades. Best to allow them to make your brain disappear, then reappear after the credits roll.
Ta DA!
Angry Birds
What’s it about?
When an island populated by happy, flightless birds is visited by mysterious green piggies, it’s up to three unlikely outcasts with anger problems – Red, Chuck and Bomb – to figure out what the pigs are up to.
What did we think?
The thought of a movie based on an app filled me with dread but this movie had more charm than it had a right to. It’s hardly going to be remembered as a classic but there are enough gags – both relating to the game and life in general – to keep most attentions on the screen. Certainly the kids will laugh at the over the top antics of the characters and at the end of the day that’s what this film is about.
X-Men Apocalypse
What’s it about?
The X-Men must reunite to face a nearly immortal and super powerful mutant who plans to bring on the apocalypse.
What did we think?
Anthony Sherratt says: At one point one of the characters in the film comments that the third movie is never as good. It’s as if director Brian Singer was signalling his surrender. Certainly this instalment doesn’t fail because of it’s lack of ambition; it’s just that there’s very little new or even exciting. The same aspirational tone of Xavier having the same argument with grief-stricken Magneto? Check. Cameos for the fanboys? Check. Impressive fx? Check. Unveiling new fan favourites of the ensemble? Check (though we hardly explore them at all). A cliched story hinging on hoping for the better? Check.
It’s what it’s missing that lets it down. A coherent, flowing story for a start, and while movies don’t automatically need a twist this one sure needed something. The clever layers that set the previous movies in the franchise apart are well and truly missing.
Perhaps the expanding cast and easter egg nods to comic book fans will be enough for some but in my opinion this could be the apocalypse for the mutant franchise. To be fair there’s a degree of comic book movie fatigue around at the moment but it doesn’t change the fact this flick is simply not fresh or even very smart.
Green Room
What’s it about?
Teen angst, neo-nazis and punk rock. What could go wrong?
What did we think?
Stephen Scott says: “Pretentious twaddle” was all I thought for the first half hour: a meandering tale following a punk band that’s rejected the internet because music is “in the now”. Then they get a paying gig. Character backstory is over. Now everyone is going to die by bite, blade or bullet cartridge.
Patrick Stewart is the creepiest neo-nazi you’re going to see in a long, long time.
The Boss
What’s It About?
When rich CEO and motivational speaker Michelle Darnell (Melissa McCarthy) goes down for insider trading, all her assets are frozen. She vows to get back on top, using a little girl’s brownie selling business to do it.
What Did We Think?
Elizabeth says: A diabolically awful movie, somewhat saved by the fact that Tyler Labine is so damn likeable and Melissa McCarthy is one fucking funny woman to watch.
What’s Popular
Three Billboards Outside Ebbing, Missouri
What’s it about?
Seven months after her daughter’s brutal murder, Mildred Hayes (Frances McDormand) rents a trio of disused billboards to express her anger at the case remaining unsolved.
What did we think?
Amy Currie says: Three Billboards is an instant classic packed with dark humour, unexpected character arcs and some damn good acting. See it as soon as you can.
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Goodbye Christopher Robin
What’s it about?
Returning from The Great War, Blue (AA Milne) finds it hard to readjust to ‘proper’ society and moves his family to the country where he plans to write a protest book against war. When his wife flees back to the social lifestyle of the city and their nanny abandons him, a bonding with his son Billie (Christopher Robin) changes not only his objectives, but his perspective.
What did we think?
Stephen Scott says: like a swan, there’s a deceptive volume of activity in Goodbye Christopher Robin: aside from the obvious origins of the classic stories on the surface, there are reflections on the brutality and futility of war, the loss of self brought on by fame, the impersonal relationships caused by the rigid class society of early 20th century Britain, and the brutal consequences that PTSD and post-natal depression have on families.
Like a swan, all of these subplots weave together seamlessly into a charming, heartfelt narrative that paints a picture of a family trying to find the happiness they gifted to the world.
Charming, beautiful and heartbreaking.
Justice League
What’s it about?
The heroes of the (DC) world have to unite to stop an alien invasion.
What did we think?
It’s not great but it’s a lot of fun. I think it’s time Warner Bros/DC call time on the Zack Snyder experiment. His ability to take characters of hope and drag them into a darkness is one thing but it’s time to admit that while he presents nice aesthetics, his ability to tell a story is actually poor. I wanted to like Justice League. Heck, I wanted to love it. And while there was enough to keep me hopeful, it has to be said this movie just didn’t deliver.
After a slow, almost mandatory introduction of the characters it builds to an expected fight scene that remind them of the need to work together. All too predictable but ok. But it then leads to another all-to-similar fight scene that, if anything, was anti-climactic and had no real feel of danger or consequence.
And while they finally showed signs of capturing the essence of one character they’ve constantly missed in recent films, it comes at the expense of Batman who is relegated to little more than a bystander in the fights.
Don’t get me wrong – as I said before there’s some fun here. There’s even some good banter and dialogue (though also some painful stuff too). But what should have been a celebration of the finest collection of heroes comes off as a little flat. Neither comedy or drama, Justice League just doesn’t build up to anything.
Still, at least it’s better than the atrocious Man Of Steel and poor Batman v Superman.
Editor's Choice
Three Billboards Outside Ebbing, Missouri
What’s it about?
Seven months after her daughter’s brutal murder, Mildred Hayes (Frances McDormand) rents a trio of disused billboards to express her anger at the case remaining unsolved.
What did we think?
Amy Currie says: Three Billboards is an instant classic packed with dark humour, unexpected character arcs and some damn good acting. See it as soon as you can.
Darkest Hour
What’s it about?
Handed the poison chalice of leading a country facing imminent invasion by the undefeatable Nazis, the man responsible for the catastrophe at Gallipoli fights on all fronts: denigrators within his own government, Nazi forces amassing in France, and his own inner demons.
What did we think?
Stephen Scott says: A stirring portrayal of the first days of Winston Churchill rule in WWII, this is no dry history lesson: the script energetically spotlights the politics and perils of leadership and the immense influence of rhetoric. Gary Oldman’s acting masterclass (in his overdue Oscar-winning role) is equally supported by a quality cast (Ben Mendelsohn’s portrayal of King George VI is particularly noteworthy); the uneasy, claustrophobic atmosphere created by Wright’s clever direction, shot-framing and editing; and the niggling social commentary on the little people being toyed with by the power brokers from above.
If a movie is this finely crafted does it matter if its Oscar-bait?
Goodbye Christopher Robin
What’s it about?
Returning from The Great War, Blue (AA Milne) finds it hard to readjust to ‘proper’ society and moves his family to the country where he plans to write a protest book against war. When his wife flees back to the social lifestyle of the city and their nanny abandons him, a bonding with his son Billie (Christopher Robin) changes not only his objectives, but his perspective.
What did we think?
Stephen Scott says: like a swan, there’s a deceptive volume of activity in Goodbye Christopher Robin: aside from the obvious origins of the classic stories on the surface, there are reflections on the brutality and futility of war, the loss of self brought on by fame, the impersonal relationships caused by the rigid class society of early 20th century Britain, and the brutal consequences that PTSD and post-natal depression have on families.
Like a swan, all of these subplots weave together seamlessly into a charming, heartfelt narrative that paints a picture of a family trying to find the happiness they gifted to the world.
Charming, beautiful and heartbreaking.
Justice League
What’s it about?
The heroes of the (DC) world have to unite to stop an alien invasion.
What did we think?
It’s not great but it’s a lot of fun. I think it’s time Warner Bros/DC call time on the Zack Snyder experiment. His ability to take characters of hope and drag them into a darkness is one thing but it’s time to admit that while he presents nice aesthetics, his ability to tell a story is actually poor. I wanted to like Justice League. Heck, I wanted to love it. And while there was enough to keep me hopeful, it has to be said this movie just didn’t deliver.
After a slow, almost mandatory introduction of the characters it builds to an expected fight scene that remind them of the need to work together. All too predictable but ok. But it then leads to another all-to-similar fight scene that, if anything, was anti-climactic and had no real feel of danger or consequence.
And while they finally showed signs of capturing the essence of one character they’ve constantly missed in recent films, it comes at the expense of Batman who is relegated to little more than a bystander in the fights.
Don’t get me wrong – as I said before there’s some fun here. There’s even some good banter and dialogue (though also some painful stuff too). But what should have been a celebration of the finest collection of heroes comes off as a little flat. Neither comedy or drama, Justice League just doesn’t build up to anything.
Still, at least it’s better than the atrocious Man Of Steel and poor Batman v Superman.