Valerian and the City of a Thousand Planets
What’s it about?
50 years after their first adventure launched in comic strip form, spatio-temporal agents Valérian and Laureline finally hit the big screen. In their debut cinematic story, the pair uncover a sinister plot to take genocide to a new level by wiping all knowledge of a peaceful civilisation from galactic history.
What did we think?
Stephen Scott says: Strangely this reminds me of the original Star Wars AND the prequel trilogies at the same time. Like the 1977 classic, you are thrown head-first into a dirty universe, with no back stories to guide you. It’s an assault on your imagination, and a welcome one. Valerian’s universe is spectacular.
Contrariwise, like the flawed prequels, you have to use your imagination to get over the unforgivable plot holes, bordering-on-the-offensive character inconsistencies, and the atrocious miscasting of Dane DeHaan as the (supposedly) womanising tactical genius Valerian.
It’s still good enough to get four stars. Imagine how good it would have been with the appropriate swagger.
Logan Lucky
What’s it about?
Down-on-their-luck siblings join forces with bomb-addict siblings for a heist that will become legendary: the home of NASCAR.
What did we think?
Stephen Scott says: Logan Lucky (3¾★) wins the heist battle of 2017 over Baby Driver (3½★) thanks to a stronger storyline and beguiling characters – interestingly both films use the transition of musical styles to further tension, in this case from country to bluegrass. Soderbergh cleverly mirrors the same story of a fight-against-the-odds for redemption across three encampments without you realising by using sleight of hand, country music, a couple of clever twists, and some good laughs.
BEWARE: the odds are high you’ll end up singing a John Denver classic. Yep. That one.
An Inconvenient Sequel
What’s it about?
Ten years after An Inconvenient Truth, Al Gore is still at it – and with good reason.
What did we think?
Amy Currie says: This is certainly an important film, and its (terrifying) statements about climate change are clearly explained and backed up by solid data. However, the movie itself is blatantly manipulative and spends a lot – like, a lot – of time talking about what a great guy Al Gore is. So great. Wow.
It’s pure propaganda – but when it’s propaganda for good, does it really matter? It’s not a brilliant film, but that’s not the point.
The Big Sick
What’s it about?
Writer and star Kumail Nanjiani brings the story of his burgeoning relationship with his now wife to the big screen, illustrating the ups and downs they faced with their cross-cultural connection, not least of which was Emily being in a coma.
What we thought
Angela Young says: This film is brilliant, go see it. It’s properly funny and properly real. Kumail plays himself, so we know we we’re getting the truth there, but Zoe Kazan is fantastic as down-to-earth and bubbly Emily. You will love all the characters in this film, literally – there’s not a baddie (or bad acting) among them. Even Ray Romano as Dad! You’ll laugh, you’ll cry (but only a little bit), and you’ll only just notice the subtle lessons you’re learning about cultural integration and the hilarious nuances at play within a Pakistani muslim family in modern America.
A Monster Calls
What’s it about?
A troubled young boy (Lewis MacDougall) is visited by a storytelling monster (Liam Neeson). Emotional growth ensues.
What did we think?
Amy Currie says: At first glance, this tale featuring an enchanted tree, a stern grandmother and fantastical revenge on a schoolyard bully seems a Dahl-esque children’s story. However, in an interesting twist on the genre, A Monster Calls takes place in the real world of divorce, chemotherapy and lawsuits, where good and evil aren’t clear-cut and endings are often imperfect. It’s not a subtle film, but the performances are decent, the animation in the storytelling sequences is gorgeous and the ending will make you cry.
War for the Planet of the Apes
What’s it about?
An escalating war between Caesar’s (Andy Serkis) apes and a renegade army colonel (Woody Harrelson) forces Caesar to choose between his desire for revenge and his quest for a better world for ape-kind.
What did we think?
Lisa Clifford says: For the first time in the new series, apes are unapologetically placed front-and-centre as protagonists, and Serkis is utterly brilliant in his third turn as the messianic ape leader. A stark and arresting study of morality in war and how it influences our actions, War for the Planet of the Apes is visually stunning with great action sequences, and a satisfying conclusion to Caesar’s story – forming an interesting bridge between the modern reboot and the original films.
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Venom
What’s it about?
Reporter Eddie Brock (Tom Hardy) is infected by an alien parasite that gives him superpowers, but shares control of his body.
What Did We Think?
Peter Linning says: Desperately hoping that you’ll assume it’s part of Marvel’s cinematic universe (look, we have a Stan Lee cameo and everything!) Venom is occasionally fun, but not nearly enough to warrant your time. The movie’s best moments are the interactions between Tom Hardy’s Eddie and the “symbiote”, as he discovers the nature of their shared living situation. Sadly these scenes are few and far between, buried in a poorly-written and awkwardly paced mess.
McKellen: Playing the Part
What’s it about?
A documentary about the famous actor.
What did we think?
Oliver Hetherington-Page says: Ian McKellen’s name will be forever linked to his roles in Lord of The Rings and/or X men. While these topics are covered in the documentary, it isn’t what the film is about at its heart. From the opening words of the piece “All the world’s a stage, and all the men and women merely players” we are made to think about the tragedy that lies at the heart of Mckellen. By exploring his life both on and off the stage we see a portrait man who is constantly playing a part. In some ways this film is just McKellen talking about his career an hour and half but this film is more than that. It is a self-written (if a bit premature) obituary to the 79-year-old Academy Award nominee.
First Man
What’s it about?
What do you really know about the first man on the moon?
What did we think?
Oliver Hetherington-Page says: First Man is a fascinating character piece on a man who we all believe we know. Ryan Gosling’s performance as Armstrong is captivating as a man of few words. In his silences, we see a man who doesn’t know how to express his feeling but we as the audience can feel it all the same. Claire Foy fresh off her Emmy winning role as Queen Elizabeth shines as Armstrong’s wife. But the real star of the movie is not the performances but Damien Chazelle’s superb direction.
The controversy over the “missing” flag shows that the dissenting voices missed the one thing the title screamed. It is about the first man, not the moon mission.
First Man is First Class.
Editor's Choice
Venom
What’s it about?
Reporter Eddie Brock (Tom Hardy) is infected by an alien parasite that gives him superpowers, but shares control of his body.
What Did We Think?
Peter Linning says: Desperately hoping that you’ll assume it’s part of Marvel’s cinematic universe (look, we have a Stan Lee cameo and everything!) Venom is occasionally fun, but not nearly enough to warrant your time. The movie’s best moments are the interactions between Tom Hardy’s Eddie and the “symbiote”, as he discovers the nature of their shared living situation. Sadly these scenes are few and far between, buried in a poorly-written and awkwardly paced mess.
McKellen: Playing the Part
What’s it about?
A documentary about the famous actor.
What did we think?
Oliver Hetherington-Page says: Ian McKellen’s name will be forever linked to his roles in Lord of The Rings and/or X men. While these topics are covered in the documentary, it isn’t what the film is about at its heart. From the opening words of the piece “All the world’s a stage, and all the men and women merely players” we are made to think about the tragedy that lies at the heart of Mckellen. By exploring his life both on and off the stage we see a portrait man who is constantly playing a part. In some ways this film is just McKellen talking about his career an hour and half but this film is more than that. It is a self-written (if a bit premature) obituary to the 79-year-old Academy Award nominee.
First Man
What’s it about?
What do you really know about the first man on the moon?
What did we think?
Oliver Hetherington-Page says: First Man is a fascinating character piece on a man who we all believe we know. Ryan Gosling’s performance as Armstrong is captivating as a man of few words. In his silences, we see a man who doesn’t know how to express his feeling but we as the audience can feel it all the same. Claire Foy fresh off her Emmy winning role as Queen Elizabeth shines as Armstrong’s wife. But the real star of the movie is not the performances but Damien Chazelle’s superb direction.
The controversy over the “missing” flag shows that the dissenting voices missed the one thing the title screamed. It is about the first man, not the moon mission.
First Man is First Class.