What’s it about?
Mark O’Brien (John Hawkes, Deadwood) is a poet and journalist with a sweet, vibrant mind but a polio-ridden tomb of a body. After taking an assignment to write an article about sex and the disabled, he enlists the services of a sex surrogate (Helen Hunt) to help him shed his V-plates, seeking counsel from a priest with glorious hair (William H. Macy) along the way.

What did we think?
Mitch says: This is a beautifully made, thoughtfully told remarkable movie that teeters between being hilarious and unbelievably heart-wrenching. Hawkes is astonishing, effortlessly moving the audience while actually moving, like, two muscles the entire time. Hunt gives a physically and emotionally powerful performance – although her Massachusetts accent is a little wonky. Meanwhile, the always wonderful Macy is at risk of being upstaged by his hair. Fans of Deadwood will enjoy the mini-reunion among the expanded cast. A glorious piece of filmmaking.

What’s it about?
Three skinny cows, resentful that their fat friend is getting married before them, make fun of her behind her back and then have to fix it when stuff goes predictably pear shaped.

What did we think?
Liz says: Apart from a few (very few) amusing one liners, this film totally squanders its usually hilarious cast (Lizzie Caplan, Isla Fisher and Adam Scott, I am looking at YOU). The leads are so unlikeable and mean-spirited that I didn’t give a damn what happened to any of them. This film should have been called Bitchelorette.

What’s it about?
After he becomes a quadriplegic from a paragliding accident, an aristocrat hires a young man from the the wrong side of town (who only turned up to the interview to get a signature to get his benefits) to be his caretaker.

What did we think?
Lisa Campbell says:  A touching yet simple story of friendship and differences. The movie was full of laughs and surprisingly mostly at the expense of Philippe’s disability. Terrific casting for a warm and engaging film of how the relationship between two completely different people develops. I truly loved it and recommend it to everyone. One not to miss.

What’s it about?
Proof that truth is stranger than fiction, Argo is a dramatisation of the rescue of the “Canadian Six” from Iran during the revolutionary uprising of 1979. With radical alternatives to save the group dismissed, the best worst idea is employed: pretend the fugitives are shooting a science fiction movie.

What did we think?
Stephen says: This fast-paced thriller puts you, then keeps you, on the edge of your seat – a high accomplishment as we know how it ends. Affleck cleverly doesn’t identify a specific villain, instead focussing on the retributive predisposition of a people finally freed from their tyrannical ruler, only to inflict their own brand of terror. When faced with a nation of hatred, it makes the planning and execution of this escape even more nail biting. Some are upset the film wavers from the true story, but don’t worry about that. A highly enjoyable film that dramatises an already astonishing story.

What’s it about?
A heartwarming tale about a boy and his dog. His dead dog.

What did we think?
Liz says: A return to the terrifically twisted kookiness of vintage Tim Burton. Based on a live-action short from 1984, this delightfully dark flick pays homage to classic schlock horror movies using Burton’s iconic stop-motion animation and eerily cute designs. Not sure the 3D added much and the ending didn’t quite ring true but it’s an enjoyable ride fans will welcome. Restricting the film to black and white lends a macabre, attractively moldy atmosphere that almost erases some of Burton’s overly colourful missteps into the mainstream during the past few years. The Halloween partner to Burton’s The Nightmare Before Christmas, it’s sure to gently thrill the youngster in those old enough to remember comic-book ads for Sea Monkeys.

What’s it about?
A couple of Californian drug dealers and their shared girlfriend face a hostile takeover of their Laguna Beach drug business by a brutal Mexican cartel.

What did we think?
Lisa says: With an interesting-in-theory plotline and strong performances from supporting players, Savages could have been much better.
Instead, the film suffered from shallow performances from the three leads, an over-reliance on cringe-worthy narration, and a serious lack of decisive direction to the point where two alternate endings were included (and neither of them was much good).

Only bother if you’re in the mood to watch pretty people doing violent things.