Cinderella
What’s it about?
Disney raids its back catalogue to gives one of its most iconic tales a coat of live-action paint.
What did we think?
Amy Currie says: Director Kenneth Branagh’s take on Cinderella doesn’t stray too far from the source material, but plumps the story up enough to be interesting. It’s a beautiful chocolate box of a film that gives its familiar characters a bit more depth (but manages to resist the urge to update by simply cutting-and-pasting modern sass onto fairytale staples). Helena Bonham-Carter’s fairy godmother is a delight, but Cate Blanchett’s wicked stepmother steals the show. Oh, and the Prince (Game of Thrones‘ Richard Madden) wears some very, very tight breeches which can only be described as enchanting. See it before the clock strikes 12.
The SpongeBob Movie: Sponge Out of Water
What’s it about?
When a diabolical pirate above the sea steals the secret Krabby Patty formula, SpongeBob and his nemesis Plankton must team up in order to get it back.
What did we think?
NOTE: Our reviewer declined to comment as she couldn’t bear to spend one more second of her life thinking about this film.
Insurgent
What’s it about?
Part two in the Divergent trilogy sees our heroes, Tris (Shailene Woodley) and Four (Theo James) attempt to uncover the truth about their society’s rigid faction system and bring down its Machiavellian government.
What did we think?
Lisa Clifford says: Insurgent begins where Divergent left off – a little disorientating for those unfamiliar with the first installment or novels. For a dystopian teen drama, it’s a pretty bleak look at the lengths some will go to for power and pulls no punches when it comes to violence and death. The strong cast does their best with the at-times mediocre dialogue. The story moves along a reasonable pace, spurred on by some decent edge-of-your-seat action sequences. An improvement on its predecessor, Insurgent builds to a satisfying climax while effectively setting up the final installment in the trilogy. Fans of the books and the first film will enjoy.
Home
What’s it about?
Oh, an alien on the run from his own people, lands on Earth and makes friends with the adventurous Tip, who is on a quest of her own.
What did we think?
Erin Lane says: Not even the voices of Jim Parsons and Rihanna can save Home from a terrible blandness. Their presence might help the film’s popularity and, to be honest, it probably needs all the help it can get. The forced Boov dialogue – more Jar Jar than Yoda – grates and there are so many little morals coming at you that it’s hard to see what a child would go away with from the movie. A poor plot without a consistent theme just makes it difficult viewing for adults. It alternates between too cutesy and too clever for its own good (for example Tip is a nickname because her name is Gratuity). Kids might possibly like the cute aliens (who change colour with emotions) but let’s face it, cute aliens have been done before and much better.
Big Eyes
What’s it about?
It’s the early ’60s, and Walter Keane (Christoph Waltz) is famous for his kitsch, sentimental paintings of big-eyed children. But it’s all a con – the paintings were actually created by his wife Margaret (Amy Adams), and she’s had just about enough of living in his shadow.
What did we think?
Amy Currie says: Director Tim Burton dials down his trademark spooky-quirky to make a biopic, and there’s not a Depp or Bonham Carter in sight. Adams finds the sweet spot between downtrodden and determined, and Waltz manages to be both the comic relief and a genuinely menacing presence. There’s still enough Burton-ness to make the world seem just a little larger than life (and the gorgeous sets and costumes make the audience want to run away to the ’60s) but it trails off into a made-for-TV ending. Worth seeing, but cross your fingers it doesn’t start a big-eyed art revival.
Run All Night
What’s it about?
A former mob hitman gets caught in a web of conflicting loyalties and goes on the run trying to protect his estranged son from his good friend and boss.
What did we think?
Anthony Sherratt says: Run All Night is edgy, gritty, character driven and fun – everything you want in an action thriller. But despite a solid Liam Neeson performance he’s actually the biggest problem with it. His very presence robs the film of any unpredictability turning it into a by-the-numbers Neeson film (albeit an interesting one). The exploration of loyalty and the complexity of friendship and family is probably worth the price of admission but with someone else in Neeson’s role you’d truly be on the edge of your seat. Great performances and intriguing plot are let down by an eventual lack of tension.
What’s Popular
Cars 3
What’s it about?
Flash McQueen is back with his friends racing, learning and interacting with a world OBVIOUSLY made for characters who have hands despite the fact that NOBODY has any hands. I mean seriously! Doesn’t this bother anyone else?!
What we thought
Dan says: Nascar itself isn’t this boring. At least it’s supposed to go around and around without actually getting anywhere. Part of the story involves embracing the love of what you do and rejecting selling out. The irony was not lost on me.
All Eyez on Me
What’s it about?
The story of successful nineties gangster rapper Tupac Shakur before he became a hologram.
What did we think?
Dan Beeston says: The tale told here is so one-sided it feels like the other two sections of the Rashomon went missing. Tupac is portrayed as a cultural leader for whom butter wouldn’t melt in his mouth, and then justifying his abuse of the trappings of his success. Like that one kid who’d plead “I was hanging out with the bad kids sure, but I’ve never done anything bad myself”.
There’s a lot of information and swearing to get through. Tonally it often feels cartoonish. You could almost cast Samuel L. Jackson in every single part and it would only make it slightly more comical. But the viewers job isn’t to cast judgement. It’s to delight in the tale of this version of Tupac. To revel in his heroism. Add an extra star if you’re West Coast 4 EVR.
Rough Night
What’s it about?
A bachelorette weekend turns nasty when someone accidentally kills a stripper.
Elizabeth Best says: A female take on the bromance Hangover-style films that falls mostly flat as the talented actresses are relegated to playing stereotypes whose intelligence is seriously flawed. The saving grace is Kate McKinnon playing an Aussie expat whose accent is impeccable… 90 per cent of the time; the other 10 per cent is full of bung words but honestly, our accent is bloody difficult, so props to her. I’d love to see McKinnon lead a movie one day, but for now I’m content to see her steal it.
Despicable Me 3
What’s it about?
After losing his job, Gru meets his long-lost charming, cheerful, and more successful twin brother Dru who wants to team up with him for one last criminal heist.
What did we think?
Fans of the minions will be a bit disappointed in DM3 as the banana-loving yellow henchmen don’t feature as much as previous instalments. Most adults will also be disappointed as that means the weak storyline has to be carried by a two-dimensional version of Gru. The best parts of a movie (from an adult perspective) is 80s jokes and a wicked 80s soundtrack but there’s not much else to talk about. Perhaps having three directors is to blame for the lack of a central theme but there’s still mindless fun on show as the kids laughed and were left happy and that is the primary audience. The Minions sequel (due 2020) will need to be better than this for the franchise.
Editor's Choice
Cars 3
What’s it about?
Flash McQueen is back with his friends racing, learning and interacting with a world OBVIOUSLY made for characters who have hands despite the fact that NOBODY has any hands. I mean seriously! Doesn’t this bother anyone else?!
What we thought
Dan says: Nascar itself isn’t this boring. At least it’s supposed to go around and around without actually getting anywhere. Part of the story involves embracing the love of what you do and rejecting selling out. The irony was not lost on me.
All Eyez on Me
What’s it about?
The story of successful nineties gangster rapper Tupac Shakur before he became a hologram.
What did we think?
Dan Beeston says: The tale told here is so one-sided it feels like the other two sections of the Rashomon went missing. Tupac is portrayed as a cultural leader for whom butter wouldn’t melt in his mouth, and then justifying his abuse of the trappings of his success. Like that one kid who’d plead “I was hanging out with the bad kids sure, but I’ve never done anything bad myself”.
There’s a lot of information and swearing to get through. Tonally it often feels cartoonish. You could almost cast Samuel L. Jackson in every single part and it would only make it slightly more comical. But the viewers job isn’t to cast judgement. It’s to delight in the tale of this version of Tupac. To revel in his heroism. Add an extra star if you’re West Coast 4 EVR.
Rough Night
What’s it about?
A bachelorette weekend turns nasty when someone accidentally kills a stripper.
Elizabeth Best says: A female take on the bromance Hangover-style films that falls mostly flat as the talented actresses are relegated to playing stereotypes whose intelligence is seriously flawed. The saving grace is Kate McKinnon playing an Aussie expat whose accent is impeccable… 90 per cent of the time; the other 10 per cent is full of bung words but honestly, our accent is bloody difficult, so props to her. I’d love to see McKinnon lead a movie one day, but for now I’m content to see her steal it.
Despicable Me 3
What’s it about?
After losing his job, Gru meets his long-lost charming, cheerful, and more successful twin brother Dru who wants to team up with him for one last criminal heist.
What did we think?
Fans of the minions will be a bit disappointed in DM3 as the banana-loving yellow henchmen don’t feature as much as previous instalments. Most adults will also be disappointed as that means the weak storyline has to be carried by a two-dimensional version of Gru. The best parts of a movie (from an adult perspective) is 80s jokes and a wicked 80s soundtrack but there’s not much else to talk about. Perhaps having three directors is to blame for the lack of a central theme but there’s still mindless fun on show as the kids laughed and were left happy and that is the primary audience. The Minions sequel (due 2020) will need to be better than this for the franchise.