Pitch Perfect 2
What’s it about?
Our favourite plucky female a capella group is back! But are they looking to life after college or maintaining their now-established high standards? A suspension following a wardrobe malfunction may acca-lerate their fate…
What did we think?
Generally sequels develop the depth of characterisation but the follow-up to the delightful Pitch Perfect chooses to instead make the characters more two-dimensional. Oddly it works.What do we get? A dumbing down of Beca (the lovely Ana Kendrick) and Chloe (Brittany Snow). More Fat Amy and more Lilly (Hana Mae Lee’s kooky Korean). Political Incorrectness galore. More songs. A bigger (and better) riff-off. Over the top jokes that range from sly to outright sexist and racist. On paper it sounds a bad idea but in the cinema it was toe-tapping and almost non-stop LOLling. And I mean actually laughing out loud even as your mind is scolding you for laughing at the highly inappropriate one liners. With wonderful singing, genuine laughs and a savvy approach to directly appealing to its target demographic, PP2 will be met with acca-citement from the fanbase. As I left the preview screening dozens of teenage girls were already animatedely talking about plans to see it again when it is released later this week (May 7 in Australia).
Ex Machina
What’s it about?
Caleb is a bright young coder who wins a company wide lottery that has him spending a week at his celebrity boss’s mountain retreat. On arrival it is revealed that his role is to interview an Artificial Intelligence program in a beautiful body.
What we thought
Dan says: There is an almost immediate menace in this film that never stops. This slow burning thriller crept relentlessly forward, always keeping me delighted. The ‘car-chase brigade’ may find it plodding but for those with some patience they’ll be rewarded in spades.
The visuals are impressive. Imagine the Portal video-game come to life but GladOS is much, much cuter. Each carefully considered pause contains a screen full of delicate engineering ticking away at the seams of this flirtatious droid.
You won’t be able to look away, which is good training for the oncoming robot apocalypse.
Unfriended
What’s it about?
A group of high school friends are Skyping when a guest enters the conversation: Laura Barns, a classmate who committed suicide a year ago.
What did we think?
Dominic Barlow says: The entire movie takes place in real time on one of the character’s computer desktop screens, and it makes smart cinematic use of familiar images from that environment. Less smart is the story, whose characters become hard to like at all as they are forced to answer for their transgressions. Their constant screaming and crying feels like seeing the “Leave Britney Alone” video play in several open windows, but the film they’re in is enough of a fun novelty to be worth checking out.
Avengers: Age Of Ultron
What’s it about?
Marvel’s superhero team reunites to fight an AI determined to destroy the world. Did I mention they created it too?
What did we think?
Anthony Sherratt says: The Avengers sequel is a grand spectacle featuring amazing fight scenes and lots of adventure and for most people that will be enough. The CGI and one liners are strong enough to overshadow some poor characterisation (the inter-team tension is incredibly same-same and a smug sarcasm is way too prevalent) and a subplot featuring darkest fears that is both cliched and actually goes nowhere. Thankfully grater emphasis on the lesser characters and the delightful voicing of Ultron by James Spader help you gloss over the negatives and you can just enjoy this fast-paced action flick for the fun romp it is.
Testament of Youth
What’s it about?
An adaptation of the World War One memoir of Vera Brittain (Alicia Vikander), an Oxford student whose life is thrown into disarray upon the enlistment of her fiance Roland Leighton (Kit Harrington) and brother Edward (Taron Egerton).
What did we think?
Dominic Barlow says: The Theory of Everything might have gobbled up Oscar nominations earlier this year, but this is easily the superior historical British romance. It uses a tender love story to portray the personal damage done by a dark time in human history. With a fine cast and finer visuals, it’s a devastating, moving and inspiring piece of work.
It Follows
A college student (Maika Monroe) is pursued by a murderous shape-shifter after having sex, and works with her friends to stop it.
What’s Popular
Valerian and the City of a Thousand Planets
What’s it about?
50 years after their first adventure launched in comic strip form, spatio-temporal agents Valérian and Laureline finally hit the big screen. In their debut cinematic story, the pair uncover a sinister plot to take genocide to a new level by wiping all knowledge of a peaceful civilisation from galactic history.
What did we think?
Stephen Scott says: Strangely this reminds me of the original Star Wars AND the prequel trilogies at the same time. Like the 1977 classic, you are thrown head-first into a dirty universe, with no back stories to guide you. It’s an assault on your imagination, and a welcome one. Valerian’s universe is spectacular.
Contrariwise, like the flawed prequels, you have to use your imagination to get over the unforgivable plot holes, bordering-on-the-offensive character inconsistencies, and the atrocious miscasting of Dane DeHaan as the (supposedly) womanising tactical genius Valerian.
It’s still good enough to get four stars. Imagine how good it would have been with the appropriate swagger.
Logan Lucky
What’s it about?
Down-on-their-luck siblings join forces with bomb-addict siblings for a heist that will become legendary: the home of NASCAR.
What did we think?
Stephen Scott says: Logan Lucky (3¾★) wins the heist battle of 2017 over Baby Driver (3½★) thanks to a stronger storyline and beguiling characters – interestingly both films use the transition of musical styles to further tension, in this case from country to bluegrass. Soderbergh cleverly mirrors the same story of a fight-against-the-odds for redemption across three encampments without you realising by using sleight of hand, country music, a couple of clever twists, and some good laughs.
BEWARE: the odds are high you’ll end up singing a John Denver classic. Yep. That one.
An Inconvenient Sequel
What’s it about?
Ten years after An Inconvenient Truth, Al Gore is still at it – and with good reason.
What did we think?
Amy Currie says: This is certainly an important film, and its (terrifying) statements about climate change are clearly explained and backed up by solid data. However, the movie itself is blatantly manipulative and spends a lot – like, a lot – of time talking about what a great guy Al Gore is. So great. Wow.
It’s pure propaganda – but when it’s propaganda for good, does it really matter? It’s not a brilliant film, but that’s not the point.
The Big Sick
What’s it about?
Writer and star Kumail Nanjiani brings the story of his burgeoning relationship with his now wife to the big screen, illustrating the ups and downs they faced with their cross-cultural connection, not least of which was Emily being in a coma.
What we thought
Angela Young says: This film is brilliant, go see it. It’s properly funny and properly real. Kumail plays himself, so we know we we’re getting the truth there, but Zoe Kazan is fantastic as down-to-earth and bubbly Emily. You will love all the characters in this film, literally – there’s not a baddie (or bad acting) among them. Even Ray Romano as Dad! You’ll laugh, you’ll cry (but only a little bit), and you’ll only just notice the subtle lessons you’re learning about cultural integration and the hilarious nuances at play within a Pakistani muslim family in modern America.
Editor's Choice
Valerian and the City of a Thousand Planets
What’s it about?
50 years after their first adventure launched in comic strip form, spatio-temporal agents Valérian and Laureline finally hit the big screen. In their debut cinematic story, the pair uncover a sinister plot to take genocide to a new level by wiping all knowledge of a peaceful civilisation from galactic history.
What did we think?
Stephen Scott says: Strangely this reminds me of the original Star Wars AND the prequel trilogies at the same time. Like the 1977 classic, you are thrown head-first into a dirty universe, with no back stories to guide you. It’s an assault on your imagination, and a welcome one. Valerian’s universe is spectacular.
Contrariwise, like the flawed prequels, you have to use your imagination to get over the unforgivable plot holes, bordering-on-the-offensive character inconsistencies, and the atrocious miscasting of Dane DeHaan as the (supposedly) womanising tactical genius Valerian.
It’s still good enough to get four stars. Imagine how good it would have been with the appropriate swagger.
Logan Lucky
What’s it about?
Down-on-their-luck siblings join forces with bomb-addict siblings for a heist that will become legendary: the home of NASCAR.
What did we think?
Stephen Scott says: Logan Lucky (3¾★) wins the heist battle of 2017 over Baby Driver (3½★) thanks to a stronger storyline and beguiling characters – interestingly both films use the transition of musical styles to further tension, in this case from country to bluegrass. Soderbergh cleverly mirrors the same story of a fight-against-the-odds for redemption across three encampments without you realising by using sleight of hand, country music, a couple of clever twists, and some good laughs.
BEWARE: the odds are high you’ll end up singing a John Denver classic. Yep. That one.
An Inconvenient Sequel
What’s it about?
Ten years after An Inconvenient Truth, Al Gore is still at it – and with good reason.
What did we think?
Amy Currie says: This is certainly an important film, and its (terrifying) statements about climate change are clearly explained and backed up by solid data. However, the movie itself is blatantly manipulative and spends a lot – like, a lot – of time talking about what a great guy Al Gore is. So great. Wow.
It’s pure propaganda – but when it’s propaganda for good, does it really matter? It’s not a brilliant film, but that’s not the point.
The Big Sick
What’s it about?
Writer and star Kumail Nanjiani brings the story of his burgeoning relationship with his now wife to the big screen, illustrating the ups and downs they faced with their cross-cultural connection, not least of which was Emily being in a coma.
What we thought
Angela Young says: This film is brilliant, go see it. It’s properly funny and properly real. Kumail plays himself, so we know we we’re getting the truth there, but Zoe Kazan is fantastic as down-to-earth and bubbly Emily. You will love all the characters in this film, literally – there’s not a baddie (or bad acting) among them. Even Ray Romano as Dad! You’ll laugh, you’ll cry (but only a little bit), and you’ll only just notice the subtle lessons you’re learning about cultural integration and the hilarious nuances at play within a Pakistani muslim family in modern America.