What’s it about?
An Austrian woman born into privilege has her life overturned by a political revolt that targets the bourgeois but then rapidly spins into the systematic destruction of entire creeds. In an attempt to reconnect with those she has lost in the past she commits to reclaiming an important and valuable painting that was stolen from her family.

What did we think?
Dan says: This is a film that tries to stand on the emotional shoulders of the horrific acts of World War 2. If you have a strong connection to the tale this may well be enough to ignore the haphazard story-telling and scattershot tonal shifts.

Helen Mirren and Ryan Reynolds spend over two hours telling of the emotional weight and not enough time showing it. If you’re going to tell a true story that’s important, find the important parts of it to tell.

What’s it about?
When a little girl is stolen away by malevolent spirits, her family must band together to rescue her.

What did we think?
Dominic Barlow says: This remake of the 1982 film has all the modern bells and whistles you’d expect, with computer-generated effects and new technology being used to try to ramp up the spook factor. The cast, including Sam Rockwell as the little girl’s father and Jared Harris as a grizzled paranormal investigator, deliver solidly amusing performances. But amusing isn’t really what horror is going for. On the whole, however, this flick is written and shot too blandly to be especially frightening or fun. Why remake a film if you can’t improve on the original?

What’s it about?
Susan Cooper (Melissa McCarthy) is a desk-bound CIA operative constantly in the ear of suave and in-the-field Bradley Fine (Jude Law). When he disappears, she gets in on the action to save the world from global disaster at the hands of a nasty Russian arms dealer.

What did we think?
Angela Young says: Let’s face it, McCarthy can do no wrong in comedy – especially when she’s permitted to swear outrageously. And there’s plenty here – it had me spitting out my drink on more than one occasion. F-bombs and even c-bombs rain down from above (some might say too many). Guffaw! The storyline’s the same American, crass crap, but it’s hilariously well done with superb one liner scattered throughout. Rose Byrne’s pretty good as a Russian bitch, and it’s fantastic to see loveable Brit Miranda Hart playing her typical endearing role. Allison Janney as the boss is a genius stroke of casting, too. Explosive laughs out loud virtually guaranteed.

What’s it about?
In this Oscar-nominated anthology of six darkly funny short stories, ordinary people carry out violent acts of revenge.

What did we think?
Dominic Barlow says: Szifrón has created a compelling feature-length experience out of very different and surprising short films. Each one steadily increases in length and scale, but is also completely self-contained, so the whole film flies by but you’ll be picking your favourites as you leave the theatre. It’s a fun, classy and bloody affair that you should go into knowing as little about as possible.

What’s it about?
Max escapes a post-apocalyptic cult and ends up unlikely allies with a group of fellow escapees. Explosions and car chases ensue.

What did we think?
Anthony Sherratt says: Gloriously insane or  insanely glorious? To be honest it’s both. I am gobsmacked. In a quite simplistic plot, Miller has taken some huge risks but they have all paid off. Females who are strong characters in their own right. Over-the-top interpretations of religion and in-movie soundtrack guitars and drums. Very little dialogue. Any and all of these could have gone wrong but it’s all part of an escalation of action and adrenalin that leaves you breathless. It’s brutal, unrelenting and so much fun. Are there some problems? Yes. Do I care? No.

If all movies were like this I would never sleep again.