Deadpool
What’s it about?
A wise-cracking former Special Forces operative turned mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers, leading him to adopt the alter ego Deadpool.
What did we think?
Anthony Sherratt says: For a non-family friendly movie, Deadpool is surprisingly gleeful. Sure yes, there’s lots of gruesome violence and full frontal nudity but the laughs are nearly non-stop. Fans of the comic Deadpool will love the irreverent and self-referential Wade Wilson who alternates between breaking the fourth wall and breaking faces in what could be the most faithful comic book adaptation yet.
It’s not a perfect film – for a character determined to subvert the paradigm the movie is surprisingly formulaic, there’s no love at all for the representation of Colossus and the talented Morena Baccarin morphs from a fascinating independent character to a damsel in distress – but the unrelenting humour and action more than compensates.
Make sure you pay attention from the very start and read every word of the opening credits.
Risen
What’s it about?
A body has been stolen from the morgue. Tribune Clavius is the hard-boiled Italian detective put on the case. A left-wing revolutionary faction is the prime suspect, but the truth will have Clavius questioning everything he ever knew about life … and the afterlife.
What did we think?
Dan says: Imagine Sergeant Smith from The Bill was cast back in time and tasked to find the disappeared body of Jesus Christ. A police procedural into one of the most unbelievable get-a-ways of all time. The tone of the film flip-flops as much as the accents, but Joseph Fiennes grounds it and keeps it on track.
Room
What’s it about?
Based on Emma Donoghue’s best-selling book, this is the story of a Joseph Fritzl-style kidnapping, with a 24-year-old (Brie Larson) trapped inside a pervert’s shed with the five-year-old son she conceived with her captor. We learn about the world of Room through a child’s eyes, and follow them as they make to escape.
What did we think?
Angela Young says: Donoghue’s book is an absolute corker (should have won the Booker in my not so humble opinion) and, thanks to her scripting of the film, this is a corker too. Jacob Tremblay is a dream as the adorable Jack, whose bond with the only person in his whole world, Ma, is palpable. Ambitiously covering a period beyond the book, this beautifully understated film (minus any Hollywood hyperbole and dramatic bullshit) nails it. Take some tissues and enjoy the ride as Jack and his Ma encounter the real world, with all the confusion and heartbreak that entails.
The Dark Knight Movie Review
Add-in an optional excerpt to describe your review. Lorem Ipsum is the standard dummy text.
The Hateful Eight
A gritty and bloody western. but is three hours too long?
Goosebumps
What’s it about?
When teenage Zach (Dylan Minnette) moves to a small town, he soon discovers that his new neighbour Hannah (Odeya Rush) and her father, novelist R.L. Stine (Jack Black) are keeping a spooky secret.
What did we think?
Amy Currie says: This adaptation of the popular Goosebumps series starts promisingly enough. The opening scenes are quite self-aware and genuinely funny in a family-friendly sort of way, and Jillian Bell’s Aunt Lorraine character is a standout. Sadly, it soon starts to turn into a Buzzfeed listicle of 15 Crazy Monsters You Might Remember From Goosebumps (Number Nine Will Shock You!). Nostalgia can’t keep it from lagging, Jack Black’s usual intense-eyes-wacky-voice shtick is as grating as ever and by the inevitable final confrontation I was bored. It’s worth pointing out that I’m not ten, though, and the kids in the audience seemed pretty into it. It’s not brilliant, but there are worse family films.
What’s Popular
All The Money In The World
What’s it about?
Despite having “all the money in the world”, JP Getty (Kevin Spacey Christopher Plummer) refuses to pay a ransom when his grandson is kidnapped.
What did we think?
Elizabeth Best says: When editing someone out of a film and still insisting you can stick to your release date, you better make damn sure you do a good job of it. And what a job director Ridley Scott, Plummer and the cast have done, rallying to erase Spacey post #MeToo scandal. Plummer’s performance, shot in just 10 days, is masterful (and with a much larger part than I assumed). Controversy aside, Scott has created a film that remains gripping, even if you know the history behind this “based on true events” tale. I dare you to try and stop yourself muttering “you motherf–ker” every time the penny-pinching Getty sinks lower than you think he could possibly ever go.
Replacing Spacey was the best decision Scott ever made, as having someone with compromised moral character play this asshole would have been film-killing.
The Greatest Showman
What’s it about?
A flash look of the life of legendary showman and salesman PT Barnham told in the style of a larger-than-life musical (of course).
What did we think?
Visually sumptuous, The Greatest Showman embraces chasing dreams, love and acceptance and anyone with joy in their heart will be swept away.
A stellar cast put in incredible performances and the soundtrack is both truly stunning and catchy. Audiences unfamiliar with the musical device of having periods of time pass during songs may feel the story is rushed and light, but with so much to tell the choice is a strong – albeit unusual – one.
Similarly, the promotion of aspiration over historical narrative provides a feel-good story. It’s not perfect and certainly different but there’s just so much to love about this musical spectacular that it’s easy to overlook the flaws. It’s fitting that a film about Barnham is more style than substance. After all, sometimes the entertainment is more important than the art.
Downsizing
What’s it about?
A couple decide to embrace mankind’s newest invention to combat overpopulation – a shrinking process that will see them not only become small but insanely rich.
What did we think?
The producers and marketers of this film should be locked up for fraud. The trailer was fresh, original, entertaining and exciting: exactly everything the film is not. In actuality, it is a depressing story that meanders morbidly around while wasting its truly talented cast. The second half of the movie doesn’t even utilise the whole shrinking premise; it’s wasted beyond some early laughs.
Coco
What’s it about?
A boy growing up in a family who hate music, dreams of becoming a musician. On the day of the dead he decides to pursue his dream with unforeseen consequences.
What did we think?
PIXAR’s ability to manipulate our emotions continues unfettered with a delightful tale that will bring a lump to the throat and maybe even tears to the eye. At its heart COCO is a tale about family and you’d have to be devoid of emotion to not get swept away during this journey of exploration. The characters are rich, the humour sly and the music wonderful.
It does focus on dead family members – indeed our hero spends most of the movie visiting the land of the dead where he interacts with ancestors he annually honours and therefore knows. As such younger audience members may have questions about dying but its handled subtly and tastefully.
Intelligent and full of heart, COCO is a must-see for anyone who loves family, music or the genre.
Editor's Choice
All The Money In The World
What’s it about?
Despite having “all the money in the world”, JP Getty (Kevin Spacey Christopher Plummer) refuses to pay a ransom when his grandson is kidnapped.
What did we think?
Elizabeth Best says: When editing someone out of a film and still insisting you can stick to your release date, you better make damn sure you do a good job of it. And what a job director Ridley Scott, Plummer and the cast have done, rallying to erase Spacey post #MeToo scandal. Plummer’s performance, shot in just 10 days, is masterful (and with a much larger part than I assumed). Controversy aside, Scott has created a film that remains gripping, even if you know the history behind this “based on true events” tale. I dare you to try and stop yourself muttering “you motherf–ker” every time the penny-pinching Getty sinks lower than you think he could possibly ever go.
Replacing Spacey was the best decision Scott ever made, as having someone with compromised moral character play this asshole would have been film-killing.
The Greatest Showman
What’s it about?
A flash look of the life of legendary showman and salesman PT Barnham told in the style of a larger-than-life musical (of course).
What did we think?
Visually sumptuous, The Greatest Showman embraces chasing dreams, love and acceptance and anyone with joy in their heart will be swept away.
A stellar cast put in incredible performances and the soundtrack is both truly stunning and catchy. Audiences unfamiliar with the musical device of having periods of time pass during songs may feel the story is rushed and light, but with so much to tell the choice is a strong – albeit unusual – one.
Similarly, the promotion of aspiration over historical narrative provides a feel-good story. It’s not perfect and certainly different but there’s just so much to love about this musical spectacular that it’s easy to overlook the flaws. It’s fitting that a film about Barnham is more style than substance. After all, sometimes the entertainment is more important than the art.
Downsizing
What’s it about?
A couple decide to embrace mankind’s newest invention to combat overpopulation – a shrinking process that will see them not only become small but insanely rich.
What did we think?
The producers and marketers of this film should be locked up for fraud. The trailer was fresh, original, entertaining and exciting: exactly everything the film is not. In actuality, it is a depressing story that meanders morbidly around while wasting its truly talented cast. The second half of the movie doesn’t even utilise the whole shrinking premise; it’s wasted beyond some early laughs.
Coco
What’s it about?
A boy growing up in a family who hate music, dreams of becoming a musician. On the day of the dead he decides to pursue his dream with unforeseen consequences.
What did we think?
PIXAR’s ability to manipulate our emotions continues unfettered with a delightful tale that will bring a lump to the throat and maybe even tears to the eye. At its heart COCO is a tale about family and you’d have to be devoid of emotion to not get swept away during this journey of exploration. The characters are rich, the humour sly and the music wonderful.
It does focus on dead family members – indeed our hero spends most of the movie visiting the land of the dead where he interacts with ancestors he annually honours and therefore knows. As such younger audience members may have questions about dying but its handled subtly and tastefully.
Intelligent and full of heart, COCO is a must-see for anyone who loves family, music or the genre.