Tinker, Tailor, Soldier, Spy
YAWN… one of those films people tell you is brilliant because they think they’re supposed too.
An endless series of slow conversations, followed by someone walking somewhere, followed by another slow, monotone and utterly snooze worthy conversation.
Save your money.
Young Adult
What’s it about?
A fiction writer returns to her home town with the intent of rekindling a romance with her high-school boyfriend, who just happens to be happily married with a child.
What did we think?
Overly long, slow-paced artsy-wannabe flick with an intensely dislikable lead character. The sass from writer Diablo Cody’s earlier effort, Juno, seems to have disappeared. I didn’t really care what happened to anyone in the film and I want my money and my night back.
The Adventures of Tintin
What’s it about?
Hergé’s classic adventurer Tintin unravels the Secret of the Unicorn through a wild series of exploits accompanied by his super-sleuth dog Snowy and the inebriated Captain Haddock.
What did we think?
Stephen Scott says: This is what Indiana Jones IV should have been. Under Spielberg’s experienced hand, Hergé’s classic comes to performance-captured life in a rollicking story that easily matches the pantheon of immortal matinee adventurers. Blistering barnacles it’s bloody brilliant!
Chronicle
What’s it about?
Three high school friends gain superpowers after making an incredible discovery. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
What did we think?
A much more realistic medium between Heroes and Misfits, Chronicle is actually very entertaining as it follows not only teens exploring their powers in an almost frivolous way, but also the psychological consequences.
This added depth makes this clever film quite fascinating.
The Darkest Hour
What’s it about?
In Moscow, five young people lead the charge against a seemingly invisible alien race who have attacked Earth for our energy.
What did we think?
A largely run-of-the-mill alien invasion/end-of-the-world film where a few unexpected twists and themes are counterbalanced by some appalling logic and stupid characters. It’s nice that it’s set outside the US with some lovely Moscow locations. Not bad but nowhere near great either.
Hugo
What’s it about?
Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery involving his late father and an automaton.
What did we think?
Anthony says: A triumph of storytelling. Martin Scorsese shouldn’t bother making another action film ever. This enchanting film is nothing short of a masterpiece.
What’s Popular
Interstellar
What’s it about?
With humanity facing a ticking clock on earth, a band of scientists launch a mission to space to find a way to expand into the universe.
What did we think?
Anthony Sherratt says: During Interstellar I occasionally found myself reminded of the strong emotional impact that 2001: A Space Odyssey had on me as a child which was wonderful. It took me awhile (luckily we had almost three hours) to realise that while it was emotive it was actually a little light on substance. Sure there are some interesting themes and thought provoking concepts (despite some highly theoretical science) but Interstellar’s greatest failing is its obvious US target demographic.
With WAY too much exposition and Nolan’s inexplicable and incessant need to wrap every little end up neatly, what starts out as a majestic movie capturing both the wonder and terror of being in space sadly finishes feeling like a cliched film from just about any genre. Is it good? Yes. Are the effects impressive? Hell yes. Will you enjoy it? Probably. Will you rush out to see it a second time? Doubtful.
Love Rosie
What’s it about?
Rosie and Alex have been best friends since they were 5, so they couldn’t possibly be right for one another…or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
What did we think?
Anthony Sherratt says: Tender, earnest and sweet, Love Rosie is proof that when it comes to romantic comedies the UK always do it so much better. Even though it’s hardly perfect it still manages to portray more humanity than the average Hollywood formula. Love Rosie’s strength is not the predictable destination but of the almost whimsical journey it takes to get there.
Sam Clafin will inevitably be compared to Hugh Grant (he has many of the mannerisms down pat) but his chemistry with the talented Lily Collins only adds an extra later to a film that true romantics will not be able to get enough of. It certainly has some weaknesses but the characters and pacing gloss over the cracks and you’ll find your heartstrings tugged regardless.
John Wick
What’s it about?
Keanu Reeves plays the titular character, a widower who seeks vengeance against the Russian mobsters that have stolen his car and killed his poor sweet dog.
What did we think?
Dominic Barlow says: Behold: a pulpy retribution flick that puts THE EQUALIZER to shame. This goes through similar story beats to Denzel Washington’s killing spree, but with a fun and refreshing simplicity. A cool neon glow pulsates all throughout its visuals, and the music occasionally makes odd choices that turns the blood-soaked battles into a hypnotic ballet. Through it all, Reeves spits fire as a guy who recognises but can’t help his own barbarism, and he’s backed by a terrific supporting cast that includes Willem Dafoe and John Leguizamo. It’s a revenge fantasy for those well-adjusted enough to understand the second part of that phrase.
This Is Where I Leave You
What’s it about?
When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
What did we think?
Anthony Sherratt says: It’s intelligent, poignant and – to be honest – a little manipulative. Thankfully the tone is more thoughtful than preachy and the quality of the cast is incredible so you can forgive the occasional heavy handedness. Had the potential to be a lot more but it does manage to touch the heart if not fully engage the mind.
Editor's Choice
Interstellar
What’s it about?
With humanity facing a ticking clock on earth, a band of scientists launch a mission to space to find a way to expand into the universe.
What did we think?
Anthony Sherratt says: During Interstellar I occasionally found myself reminded of the strong emotional impact that 2001: A Space Odyssey had on me as a child which was wonderful. It took me awhile (luckily we had almost three hours) to realise that while it was emotive it was actually a little light on substance. Sure there are some interesting themes and thought provoking concepts (despite some highly theoretical science) but Interstellar’s greatest failing is its obvious US target demographic.
With WAY too much exposition and Nolan’s inexplicable and incessant need to wrap every little end up neatly, what starts out as a majestic movie capturing both the wonder and terror of being in space sadly finishes feeling like a cliched film from just about any genre. Is it good? Yes. Are the effects impressive? Hell yes. Will you enjoy it? Probably. Will you rush out to see it a second time? Doubtful.
Love Rosie
What’s it about?
Rosie and Alex have been best friends since they were 5, so they couldn’t possibly be right for one another…or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
What did we think?
Anthony Sherratt says: Tender, earnest and sweet, Love Rosie is proof that when it comes to romantic comedies the UK always do it so much better. Even though it’s hardly perfect it still manages to portray more humanity than the average Hollywood formula. Love Rosie’s strength is not the predictable destination but of the almost whimsical journey it takes to get there.
Sam Clafin will inevitably be compared to Hugh Grant (he has many of the mannerisms down pat) but his chemistry with the talented Lily Collins only adds an extra later to a film that true romantics will not be able to get enough of. It certainly has some weaknesses but the characters and pacing gloss over the cracks and you’ll find your heartstrings tugged regardless.
John Wick
What’s it about?
Keanu Reeves plays the titular character, a widower who seeks vengeance against the Russian mobsters that have stolen his car and killed his poor sweet dog.
What did we think?
Dominic Barlow says: Behold: a pulpy retribution flick that puts THE EQUALIZER to shame. This goes through similar story beats to Denzel Washington’s killing spree, but with a fun and refreshing simplicity. A cool neon glow pulsates all throughout its visuals, and the music occasionally makes odd choices that turns the blood-soaked battles into a hypnotic ballet. Through it all, Reeves spits fire as a guy who recognises but can’t help his own barbarism, and he’s backed by a terrific supporting cast that includes Willem Dafoe and John Leguizamo. It’s a revenge fantasy for those well-adjusted enough to understand the second part of that phrase.
This Is Where I Leave You
What’s it about?
When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
What did we think?
Anthony Sherratt says: It’s intelligent, poignant and – to be honest – a little manipulative. Thankfully the tone is more thoughtful than preachy and the quality of the cast is incredible so you can forgive the occasional heavy handedness. Had the potential to be a lot more but it does manage to touch the heart if not fully engage the mind.