Life of Pi
What’s it about?
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor … a fearsome Bengal tiger.
What did we think?
Anthony Sherratt says: Like a fine meal, Life Of Pi is better once you sit and reflect upon it. But there’s a fine line between satisfied digestion and an unsettling feeling in your stomach. Visually, this film is majestic and the characterisation wonderful. In fact the early stages provide an unexpected depth and layering that was both thought-provoking and had me salivating for more.
And then it hit the second act with our protagonists adrift and the layering simply disappeared. And suddenly it became quite two-dimensional before two distinctly unexpected moments late in the film – one surreal and one TOO real – left your mind racing.
Only time and reflection will tell if it leaves you a little empty after a few hours or if the platter Ang Lee serves up fills you to the brim. It’s probably not for everyone – and indeed will upset some – but it’s a thoughtful piece for hungry minds.
Samsara
What’s it about?
Sequel to the award-winning Baraka, Samsara explores the cyclical nature of life – through birth, growth, decay and death – without words but utilising the most vivid landscapes, people and constructions our planet has to offer.
What did we think?
Stephen says: If you share amazing or inspiring images and videos on social media, you’ll be well-prepared for Samsara: the ultimate visual feast. Taking five years to shoot across 125 countries, this film is a mesmerising visual journey through some of our planet’s most beautiful and thought-provoking vistas.
For the majority it is simply breathtaking, but occasionally the imagery takes you by surprise and opens your eyes to the hidden, but undeniably darker elements of our world.
Wreck-it Ralph
What’s it about?
A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.
What did we think?
Anthony says: You could speak about how Wreck-It Ralph is wonderfully intelligent, cleverly cast, full of easter eggs and video game references but it’s just easier to say this movie is awesome fun. Truly for all ages and demographics, this is a flick that will leave you smiling for hours, if not days, afterwards.
I left the cinema buzzing and with a strong desire to play one of the video games featured in the movie. And I think I may have a new favourite Disney princess. See it!
Red Dawn (2012)
What’s it about?
Noth Korea invade the US. A group of teenagers get trained in a montage and fight back in a vigilante group.
What did we think?
Anthony says: With a flimsy plot, poor characterisations and giant leaps of credibility, Red Yawn (see what I did there?) has very little going for it. Chris Hemsworth does a good job if you ignore an inconsistent accent but everyone and everything else is highly forgettable. This collection of cliches is a terrible movie whether you’ve seen the original or not.
Rise of the Guardians
What’s it about?
When the evil spirit Pitch launches an assault on Earth, the Immortal Guardians team up to protect the innocence of children all around the world.
What did we think?
While very clever, the storyline in this animated flick is more for adults than children. Not to say they won’t enjoy it, but it’s not something they’ll rave about or even remember a day or two later. Interesting but not engaging. Grown-ups should find the plot intriguing and name-the-voice good fun.
Celeste and Jesse Forever
What’s it about?
Celeste (Rashida Jones) and Jesse (Andy Samberg) are the perfect couple. Well, except for the fact that they are getting divorced. Screening at selected cinemas.
What did we think?
Liz says: For all the cheesy romantic comedies that Hollywood churns out, there are those films that invert the genre with aching honesty and richly drawn characters. This is definitely the latter. A smart and original flick written by Jones herself, this is an intensely human portrayal of what comes after the happily ever after. There’s no big, romance-conquers-all, orchestra-swelling finale; no big, looking-back-on-moments-past-only-to-realise-you’re-really-in-love-with-your-ex-who-is-just-about-to-get-married-to-someone-else montage. This simple film needs no bells and whistles to prove that time really does heal all wounds.
What’s Popular
Home
What’s it about?
Oh, an alien on the run from his own people, lands on Earth and makes friends with the adventurous Tip, who is on a quest of her own.
What did we think?
Erin Lane says: Not even the voices of Jim Parsons and Rihanna can save Home from a terrible blandness. Their presence might help the film’s popularity and, to be honest, it probably needs all the help it can get. The forced Boov dialogue – more Jar Jar than Yoda – grates and there are so many little morals coming at you that it’s hard to see what a child would go away with from the movie. A poor plot without a consistent theme just makes it difficult viewing for adults. It alternates between too cutesy and too clever for its own good (for example Tip is a nickname because her name is Gratuity). Kids might possibly like the cute aliens (who change colour with emotions) but let’s face it, cute aliens have been done before and much better.
Big Eyes
What’s it about?
It’s the early ’60s, and Walter Keane (Christoph Waltz) is famous for his kitsch, sentimental paintings of big-eyed children. But it’s all a con – the paintings were actually created by his wife Margaret (Amy Adams), and she’s had just about enough of living in his shadow.
What did we think?
Amy Currie says: Director Tim Burton dials down his trademark spooky-quirky to make a biopic, and there’s not a Depp or Bonham Carter in sight. Adams finds the sweet spot between downtrodden and determined, and Waltz manages to be both the comic relief and a genuinely menacing presence. There’s still enough Burton-ness to make the world seem just a little larger than life (and the gorgeous sets and costumes make the audience want to run away to the ’60s) but it trails off into a made-for-TV ending. Worth seeing, but cross your fingers it doesn’t start a big-eyed art revival.
Run All Night
What’s it about?
A former mob hitman gets caught in a web of conflicting loyalties and goes on the run trying to protect his estranged son from his good friend and boss.
What did we think?
Anthony Sherratt says: Run All Night is edgy, gritty, character driven and fun – everything you want in an action thriller. But despite a solid Liam Neeson performance he’s actually the biggest problem with it. His very presence robs the film of any unpredictability turning it into a by-the-numbers Neeson film (albeit an interesting one). The exploration of loyalty and the complexity of friendship and family is probably worth the price of admission but with someone else in Neeson’s role you’d truly be on the edge of your seat. Great performances and intriguing plot are let down by an eventual lack of tension.
Chappie
What’s it about?
In presumably the not too distant future, crime is patrolled by a robotic police force. When one droid, Chappie, is stolen and reprogrammed, he becomes the first machine with the ability to think and feel for himself.
What did we think?
Casey Moon-Watton says: As a 120-minute music video for Die Antwoord its not great, as a movie exploring the potential of a learning robot, its even worse. The visual effects that bring Chappie to life are amazing, and visually the film is quite pretty to watch. It has some good one liners and showcases a solid performance by Dev Patel. Overall though I didn’t care about any of the characters, just felt like a platform for Neil Blomkamp’s mates (Ninja and Yo-landi) to show off. It’s a shame… There is a good movie burried in here somewhere.
Editor's Choice
Home
What’s it about?
Oh, an alien on the run from his own people, lands on Earth and makes friends with the adventurous Tip, who is on a quest of her own.
What did we think?
Erin Lane says: Not even the voices of Jim Parsons and Rihanna can save Home from a terrible blandness. Their presence might help the film’s popularity and, to be honest, it probably needs all the help it can get. The forced Boov dialogue – more Jar Jar than Yoda – grates and there are so many little morals coming at you that it’s hard to see what a child would go away with from the movie. A poor plot without a consistent theme just makes it difficult viewing for adults. It alternates between too cutesy and too clever for its own good (for example Tip is a nickname because her name is Gratuity). Kids might possibly like the cute aliens (who change colour with emotions) but let’s face it, cute aliens have been done before and much better.
Big Eyes
What’s it about?
It’s the early ’60s, and Walter Keane (Christoph Waltz) is famous for his kitsch, sentimental paintings of big-eyed children. But it’s all a con – the paintings were actually created by his wife Margaret (Amy Adams), and she’s had just about enough of living in his shadow.
What did we think?
Amy Currie says: Director Tim Burton dials down his trademark spooky-quirky to make a biopic, and there’s not a Depp or Bonham Carter in sight. Adams finds the sweet spot between downtrodden and determined, and Waltz manages to be both the comic relief and a genuinely menacing presence. There’s still enough Burton-ness to make the world seem just a little larger than life (and the gorgeous sets and costumes make the audience want to run away to the ’60s) but it trails off into a made-for-TV ending. Worth seeing, but cross your fingers it doesn’t start a big-eyed art revival.
Run All Night
What’s it about?
A former mob hitman gets caught in a web of conflicting loyalties and goes on the run trying to protect his estranged son from his good friend and boss.
What did we think?
Anthony Sherratt says: Run All Night is edgy, gritty, character driven and fun – everything you want in an action thriller. But despite a solid Liam Neeson performance he’s actually the biggest problem with it. His very presence robs the film of any unpredictability turning it into a by-the-numbers Neeson film (albeit an interesting one). The exploration of loyalty and the complexity of friendship and family is probably worth the price of admission but with someone else in Neeson’s role you’d truly be on the edge of your seat. Great performances and intriguing plot are let down by an eventual lack of tension.
Chappie
What’s it about?
In presumably the not too distant future, crime is patrolled by a robotic police force. When one droid, Chappie, is stolen and reprogrammed, he becomes the first machine with the ability to think and feel for himself.
What did we think?
Casey Moon-Watton says: As a 120-minute music video for Die Antwoord its not great, as a movie exploring the potential of a learning robot, its even worse. The visual effects that bring Chappie to life are amazing, and visually the film is quite pretty to watch. It has some good one liners and showcases a solid performance by Dev Patel. Overall though I didn’t care about any of the characters, just felt like a platform for Neil Blomkamp’s mates (Ninja and Yo-landi) to show off. It’s a shame… There is a good movie burried in here somewhere.