Pacific Rim
- By Anthony Sherratt
- 13 years ago
What’s it about?
In the near future, humanity takes its last stand against the interdimensional Kaiju – immense, destructive beasts from beyond the deep – by building equally immense mechas (not robots, thank you) known as Jaegers, which they use to lay the smack down on our would-be conquerors. That is literally all you need to know going in to this film.
What did we think?
Mitch says: Michael Bay wishes he knew how to film giant creatures beating the crap out of each other as well as this. Visually spectacular and possessing a levity, grace and intelligence not commonly found in so many modern “event” movies, Pacific Rim – for all its cheesy dialogue and atrocious Australian accents – is the most fun I’ve had at a blockbuster in years.
Idris Elba and Ron Perlman are highlights on the human side of things, but the show is totally stolen by the gargantuan combatants, beautifully realised and animated as they are. Del Toro and screenwriter Travis Beacham don’t spoon-feed the audience either, nor do they draw things out, and the film is all the richer for it.
The Internship
- By Anthony Sherratt
- 13 years ago
What’s it about?
Two salesmen (Vince Vaughn and Owen Wilson) whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
What did we think?
Anthony Sherratt says: It’s rare to find an American comedy that doesn’t rely on crudity, bodily functions and adolescent physical comedy so Vaughn and Wilson’s new offering was a pleasant surprise. There are some unexpected but lovely messages flowing throughout the film but it’s really the genuine charisma of the leads that manage to take a comedy that, on paper, looks lightweight and turn into a truly warm movie. More about people than tech though there are nerd jokes and references there for us geeks too.
World War Z
- By Anthony Sherratt
- 13 years ago
What’s it about?
A United Nations investigator, Gerry Lane (Brad Pitt), traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments, and threatening to destroy humanity itself.
What did we think?
Anthony Sherratt says: An odd movie to review in that it was actually sort of enjoyable to watch but as soon as you start to apply scrutiny you’re left unsure exactly why. It’s intelligent (despite some gaping plotholes and devices) but it’s not quite an action movie. Nor is it quite a drama and in fact you couldn’t even call it a horror flick with the zombies mostly background fodder – something I actually enjoyed. But while that allowed focus on the human reactions to a looming apocalypse, it unintentionally highlighted the story’s inadequacies. I can’t say it’s bad as it was fun despite Pitt’s seeming boredom. But nor can I say it’s really good. And I have no idea why it’s a 3D movie.
Despicable Me 2
- By Anthony Sherratt
- 13 years ago
What’s it about?
Evil-villain-turned-super-dad Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal in what is promoted as a Bond parody. Alas there aren’t double “o”s, just “oh no”s.
What did we think?
Anthony Sherratt says: The clever undertones of the first movie are missing and in their place are fart jokes and other assorted immaturity. It’s not a bad movie – in fact most kids will love it – but there’s not very much there for adults other than a few late laughs. The promise of a clever parody quickly evaporates and it’s only the antics of the minions that keep it vaguely watchable for maturer audiences.
Haunted House
- By Anthony Sherratt
- 13 years ago
What’s it about?
Malcolm and Kisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm – determined to keep his sex life on track – turns to a priest, a psychic, and a team of ghost-busters for help.
What did we think?
Anthony Sherratt says: If you think the Scary Movies were funny, they will keep taking your money from you.
What’s Popular
Self/Less
What’s it about?
An ageing billionaire is given the chance to cheat death by having his mind transferred into a younger body. When his curiosity threatens the secrecy of the project he must cheat death again… and again… and again.
What we thought
Dan says: It’s like the creators of this film were experimenting with teleportation. Their clever ‘brain-swap’ sci-fi script climbed into the machine but they didn’t notice a gross little nineties action film buzz in at the last moment.
When the smoke clears you’ve got a vaguely interesting tale (brightened up by some artsy editing) that starts to digest itself with dull car chases and lots of uninspired gun fights. I never looked at my watch but I did forget I’d seen it the following day.
The Gallows
What’s it about?
Twenty years after a boy dies while performing in a high school play, a group of students reviving the play are terrorised by his malevolent ghost.
What did we think?
Dominic Barlow says: Behold yet another in the spate of tedious found-footage horror movies that Paranormal Activity unleashed. The usual problems are present – boring attempts at being scary, strained believability in the idea that someone would film it all – but we’re also given what might be the most loathsome main character in any film this year. Another found-footage chiller from this year, Unfriended, showed that vile protagonists are no obstacle to inventive film-making, but there’s no value like that to be found here.
Magic Mike XXL
What’s it about?
Five strippers go to a stripping convention for one last strip.
What did we think?
Elizabeth Best says: This is the movie everyone thought the original would be: an excuse for hot guys to get their kit off and a socially sanctioned way for women to drool over said guys. In between the pelvic thrusting, (I’m PRETTY sure there were scenes between the thrusting…) there’s a sense of humour that was missing from Magic Mike, making this film sillier but somehow more enjoyable (not just because of the semi-naked men, shut up.) If you’ve ever wanted to see porn on the big screen, this is your chance.
Terminator: Genisys
What’s it about?
Kyle Reese (Jai Courtney) is sent back to protect Sarah Connor (Emilia Clarke) from the Terminator (Arnold Schwartzenegger), but Sarah isn’t the fragile flower she was supposed to be at this point in time. So what happened in the future/past to speed up her transition into butt-kicking warrior?
What did we think?
Elizabeth Best says: T5 pays homage without hitting you over the head, goes meta without ramming it home and reboots the franchise with a suitably satisfying time-bending plot. It’s the first Terminator film to feel like a Terminator film since T2. The only thing really wrong with this film is Clarke; Linda Hamilton she ain’t. If you haven’t watched the trailer, don’t: spoilers abound and some cool reveals won’t be revelations at all. Ratings wise, I give the pre-credits film 3.5 stars… A post-credits sting scene drops that to a 3. You were so close, guys.
Editor's Choice
Self/Less
What’s it about?
An ageing billionaire is given the chance to cheat death by having his mind transferred into a younger body. When his curiosity threatens the secrecy of the project he must cheat death again… and again… and again.
What we thought
Dan says: It’s like the creators of this film were experimenting with teleportation. Their clever ‘brain-swap’ sci-fi script climbed into the machine but they didn’t notice a gross little nineties action film buzz in at the last moment.
When the smoke clears you’ve got a vaguely interesting tale (brightened up by some artsy editing) that starts to digest itself with dull car chases and lots of uninspired gun fights. I never looked at my watch but I did forget I’d seen it the following day.
The Gallows
What’s it about?
Twenty years after a boy dies while performing in a high school play, a group of students reviving the play are terrorised by his malevolent ghost.
What did we think?
Dominic Barlow says: Behold yet another in the spate of tedious found-footage horror movies that Paranormal Activity unleashed. The usual problems are present – boring attempts at being scary, strained believability in the idea that someone would film it all – but we’re also given what might be the most loathsome main character in any film this year. Another found-footage chiller from this year, Unfriended, showed that vile protagonists are no obstacle to inventive film-making, but there’s no value like that to be found here.
Magic Mike XXL
What’s it about?
Five strippers go to a stripping convention for one last strip.
What did we think?
Elizabeth Best says: This is the movie everyone thought the original would be: an excuse for hot guys to get their kit off and a socially sanctioned way for women to drool over said guys. In between the pelvic thrusting, (I’m PRETTY sure there were scenes between the thrusting…) there’s a sense of humour that was missing from Magic Mike, making this film sillier but somehow more enjoyable (not just because of the semi-naked men, shut up.) If you’ve ever wanted to see porn on the big screen, this is your chance.
Terminator: Genisys
What’s it about?
Kyle Reese (Jai Courtney) is sent back to protect Sarah Connor (Emilia Clarke) from the Terminator (Arnold Schwartzenegger), but Sarah isn’t the fragile flower she was supposed to be at this point in time. So what happened in the future/past to speed up her transition into butt-kicking warrior?
What did we think?
Elizabeth Best says: T5 pays homage without hitting you over the head, goes meta without ramming it home and reboots the franchise with a suitably satisfying time-bending plot. It’s the first Terminator film to feel like a Terminator film since T2. The only thing really wrong with this film is Clarke; Linda Hamilton she ain’t. If you haven’t watched the trailer, don’t: spoilers abound and some cool reveals won’t be revelations at all. Ratings wise, I give the pre-credits film 3.5 stars… A post-credits sting scene drops that to a 3. You were so close, guys.