Academy Award nominations 2014
BEST PICTURE
“12 Years a Slave”
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
“The Wolf of Wall Street”
BEST DIRECTOR
David O. Russell, “American Hustle”
Alfonso Cuaron, “Gravity”
Alexander Payne, “Nebraska”
Steve McQueen, “12 Years a Slave”
Martin Scorsese, “The Wolf of Wall Street”
BEST ACTOR
Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club”
BEST ACTRESS
Amy Adams, “American Hustle”
Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”
BEST ORIGINAL SCREENPLAY
“American Hustle”
“Blue Jasmine”
“Her”
“Nebraska”
“Dallas Buyers Club”
BEST ADAPTED SCREENPLAY
“Before Midnight”
“Captain Phillips”
“Philomena”
“12 Years a Slave”
“The Wolf of Wall Street”
BEST SUPPORTING ACTRESS
Lupita Nyong’o, “12 Years a Slave”
Jennifer Lawrence, “American Hustle”
June Squibb, “Nebraska”
Julia Roberts, “August: Osage County”
Sally Hawkins, “Blue Jasmine”
BEST SUPPORTING ACTOR
Barkhad Abdi, “Captain Phillips”
Bradley Cooper, “American Hustle”
Michael Fassbender, “12 Years a Slave”
Jonah Hill, “The Wolf of Wall Street”
Jared Leto, “Dallas Buyers Club”
BEST ANIMATED FILM
“The Croods”
“Despicable Me 2”
“Ernest & Celestine”
“Frozen”
“The Wind Rises”
BEST CINEMATOGRAPHY
“The Grandmaster”
“Gravity”
“Inside Llewyn Davis”
“Nebraska”
“Prisoners”
BEST COSTUME DESIGN
Michael Wilkinson, “American Hustle”
William Chang Suk Ping, “The Grandmaster”
Catherine Martin, “The Great Gatsby”
Michael O’Connor, “The Invisible Woman”
Patricia Norris, “12 Years a Slave”
BEST DOCUMENTARY FEATURE
“The Act of Killing”Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” Richard Rowley and Jeremy Scahill
“The Square” Jehane Noujaim and Karim Amer
“20 Feet from Stardom” Nominees to be determined
BEST DOCUMENTARY SHORT SUBJECT
“CaveDigger” Jeffrey Karoff
“Facing Fear” Jason Cohen
“Karama Has No Walls” Sara Ishaq
“The Lady in Number 6: Music Saved My Life” Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall” Edgar Barens
BEST FILM EDITING
“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“Gravity” Alfonso Cuarón and Mark Sanger
“12 Years a Slave” Joe Walker
BEST FOREIGN LANGUAGE FILM
“The Broken Circle Breakdown” Belgium
“The Great Beauty” Italy
“The Hunt” Denmark
“The Missing Picture” Cambodia
“Omar” Palestine
BEST MAKEUP AND HAIRSTYLING
“Dallas Buyers Club” Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” Stephen Prouty
“The Lone Ranger” Joel Harlow and Gloria Pasqua-Casny
Saving Mr Banks
What’s it about?
Based on the true story of Walt Disney pursuing P.L. Travers for the movie rights to her novel Mary Poppins. Except it’s not really about that.
What did we think?
Anthony Sherratt says: A truly and wonderful engaging story that warms the heart and moistens the eyes. Nominally the story is about Disney’s pursuit of Travers, but the actual story shows us the world that shaped the author. It’s this side of the movie – rich in characterisation and emotion – that lifts it above an ordinary movie to make it extraordinary. Incredible performances and a wonderful story shine through even the faint tint of Disney propaganda. Don’t miss it! And stay for the credits and some actual recordings of events.
Her
What’s it about?
After Theo’s (Joaquin Phoenix) childhood sweetheart leaves him, he hermits himself away from the world but finds companionship in an artificial intelligence computer program.
What did we think?
Dan says: You know when you see two people in the first flush of love and they’re effervescent with affection, and your cynical partner rolls their eyes but you tell them, ‘Well I think it’s cute’? Spike Jones captures that cloying and trite behaviour in a manner that feels fresh and joyful. The conceit that one partner is an A.I. turns the trite into sincere, the cloying into guilelessness.
The future presented here is incredibly well thought out. It feels very advanced but connected to our own hi-tech state of being. It fits comfortably around this beautiful love story that guides you through the tricky pastures of forbidden love and an entity’s sense of their place in the universe. Truly spell-binding. Only a monster* would not be touched by this film
*Dan’s wife says: It was cloying and trite. I hated it.
The Book Thief
What’s it about?
In Germany during WWII, Liesel (Sophie Nélisse), age 9, is sent to live with foster parents (Geoffrey Rush and Emily Watson). She earns her title of “the book thief” after “borrowing” books from the mayor’s wife’s library.
What did we think?
Casey says: There is a lot going on in this film and it sometimes feels like it moves too quickly to form meaningful relationships. This is remedied completely by the end, and the relationships are actually what make this film so beautiful. The narration by Death (Roger Allam) felt a little tedious to begin with (and seriously, Back to the Future owns the flying through clouds opening shot – leave it alone), but it all ties together in one of the most moving final shots of a film I’ve ever seen. Ever.
My eyes leaked more than they should have in a public place. Excuse me while I head off to steal the book.
August: Osage County
What’s it about?
When a family member dies, everyone gathers to pay their respects. They end up paying their disrespects.
What did we think?
Elizabeth says: It’s hard to know where to look with this many powerhouse performances competing for attention. There’s Meryl Streep as the manipulative matriarch dropping acid-tongued truth bombs; Juliette Lewis as the eternally upbeat self-deluding youngest daughter; Julia Roberts as the bitter first child so used to copping family abuse that it’s hardened her to the ones she cares about most. But is it too much? This adaptation of a Pulitzer Prize-winning play has so much melodrama it almost requires a theatrical setting to work. The delicious, explosive dialogue needs to seep into the stalls to diffuse the emotional build-up, or the pressure cooker is in danger of exploding with too much force. If you like the sort of epically corrosive family dysfunction seen in Cat on a Hot Tin Roof and Who’s Afraid of Virginia Woolf, then this film is a show-stopper. If not, well, this is gonna be rather uncomfortable for you, isn’t it?
The Hobbit: The Desolation of Smaug
What’s it about?
The continuing adventures of Bilbo Baggins as he and a band of dwarves seek to reclaim a lost kingdom.
What did we think?
Anthony says: This is not The Hobbit you read. In place of the original novel, Peter Jackson has served up an adventure where conflict and action take prominence over discovery and curiosity. It’s still a fun movie and the new character of Tauriel (Evangeline Lilly) is enchanting, but purists may struggle a bit. The rest of the world will enjoy a better-than-average (but still bloated) movie full of great scenery and cinematography.
What’s Popular
Sisters
What’s it about?
Two adult sisters return to their family home to clean out their room when they find out their parents have sold up. But instead of cleaning, they decide to have the party to end all parties. As you do.
What did we think?
Elizabeth Best says: Sisters is like a massive bender: it starts out strong, full of promise of an electrifying night ahead. The kegs are full, the punch is spiked, your crazy friend Tiffany has already started dancing on the tables and someone has just found your old game of Twister under the couch; how could this night NOT be awesome? But by the end of the night, the party has run out of steam. There’s no more booze, Tiffany is passed out on said table sprawled over some random, and a guy just threw up over the Twister mat. But who cares? The party was still rad while it lasted.
The who’s-who of Saturday Night Live cast all bring some chuckles to the table, but were it not for the presence of my spirit animals aka Tina Fey and Amy Poehler, this could have been a lot less funny.
Point Break
What’s it about?
FBI rookie Johnny Utah (Luke Bracey) goes undercover to bring activist/criminal/extreme sportsman Bodhi (Édgar Ramírez) and his gang to justice in a loose remake of the original 1991 film.
What did we think?
Amy Currie says: JOHNNY UTAH is a COOL SPY. He is TROUBLED because EXTREME SPORT killed his BEST FRIEND. BODHI is a COOL GUY. He does EXTREME CRIMES but it’s KIND OF OKAY because he LOVES THE PLANET and is EXTREME. JOHNNY joins BODHI’S GANG to STOP the CRIMES. It is EXTREME and there is SNOWBOARDING and SURFING and PUNCHING and BASE JUMPING OR SOMETHING and EXPLOSIONS and PEOPLE DIE. JOHNNY is CONFLICTED but always EXTREME. Everyone is EXTREME. It is an EXTREME MOVIE and it is TERRIBLE.
Star Wars The Force Awakens
What’s it about?
Two orphans meet in an unlikely series of events that see them fighting forces of evil in the company of a charming smuggler and his giant hairy pet friend.
What did we think?
In a triumphant return to a galaxy far, far away we revisit the fine tradition of a fun space opera. There are a few problems with the story but frankly few will care once the familiar theme song starts and finishes what is a well-polished and entertaining new entry. The performances of Harrison Ford and Daisy Ridley are simply captivating and, with more humour this time around, the future looks bright for this beloved franchise. There’s a fine line between homage, respect and being derivative and there are times it appears Abrams is going out of his way to repeat scenes from A New Hope (both charming and a little irritating) but it makes you feel like you’ve come home even as you immerse yourself in new politics and adventures. A great romp.
The Good Dinosaur
What’s it about?
An Apatosaurus named Arlo becomes lost and during his adventure home makes an unlikely human friend.
What did we think?
In itself The Good Dinosaur is a wonderfully simple and heart-warming tale but it’s this simplicity that is both its strength and weakness. It suffers mainly because we have come to expect so much more from Pixar. Adults won’t enjoy it as much because there’s no intricate multi-layered story with jokes for different ages. Instead we have likeable characters without any real depth and only two emotional scenes to really connect with us. There’s nothing really wrong with the ‘find your way home’ story other than there’s nothing more to it. But the most important thing is that the children WILL enjoy it.
Editor's Choice
Sisters
What’s it about?
Two adult sisters return to their family home to clean out their room when they find out their parents have sold up. But instead of cleaning, they decide to have the party to end all parties. As you do.
What did we think?
Elizabeth Best says: Sisters is like a massive bender: it starts out strong, full of promise of an electrifying night ahead. The kegs are full, the punch is spiked, your crazy friend Tiffany has already started dancing on the tables and someone has just found your old game of Twister under the couch; how could this night NOT be awesome? But by the end of the night, the party has run out of steam. There’s no more booze, Tiffany is passed out on said table sprawled over some random, and a guy just threw up over the Twister mat. But who cares? The party was still rad while it lasted.
The who’s-who of Saturday Night Live cast all bring some chuckles to the table, but were it not for the presence of my spirit animals aka Tina Fey and Amy Poehler, this could have been a lot less funny.
Point Break
What’s it about?
FBI rookie Johnny Utah (Luke Bracey) goes undercover to bring activist/criminal/extreme sportsman Bodhi (Édgar Ramírez) and his gang to justice in a loose remake of the original 1991 film.
What did we think?
Amy Currie says: JOHNNY UTAH is a COOL SPY. He is TROUBLED because EXTREME SPORT killed his BEST FRIEND. BODHI is a COOL GUY. He does EXTREME CRIMES but it’s KIND OF OKAY because he LOVES THE PLANET and is EXTREME. JOHNNY joins BODHI’S GANG to STOP the CRIMES. It is EXTREME and there is SNOWBOARDING and SURFING and PUNCHING and BASE JUMPING OR SOMETHING and EXPLOSIONS and PEOPLE DIE. JOHNNY is CONFLICTED but always EXTREME. Everyone is EXTREME. It is an EXTREME MOVIE and it is TERRIBLE.
Star Wars The Force Awakens
What’s it about?
Two orphans meet in an unlikely series of events that see them fighting forces of evil in the company of a charming smuggler and his giant hairy pet friend.
What did we think?
In a triumphant return to a galaxy far, far away we revisit the fine tradition of a fun space opera. There are a few problems with the story but frankly few will care once the familiar theme song starts and finishes what is a well-polished and entertaining new entry. The performances of Harrison Ford and Daisy Ridley are simply captivating and, with more humour this time around, the future looks bright for this beloved franchise. There’s a fine line between homage, respect and being derivative and there are times it appears Abrams is going out of his way to repeat scenes from A New Hope (both charming and a little irritating) but it makes you feel like you’ve come home even as you immerse yourself in new politics and adventures. A great romp.
The Good Dinosaur
What’s it about?
An Apatosaurus named Arlo becomes lost and during his adventure home makes an unlikely human friend.
What did we think?
In itself The Good Dinosaur is a wonderfully simple and heart-warming tale but it’s this simplicity that is both its strength and weakness. It suffers mainly because we have come to expect so much more from Pixar. Adults won’t enjoy it as much because there’s no intricate multi-layered story with jokes for different ages. Instead we have likeable characters without any real depth and only two emotional scenes to really connect with us. There’s nothing really wrong with the ‘find your way home’ story other than there’s nothing more to it. But the most important thing is that the children WILL enjoy it.