Grand Budapest Hotel
What’s it about?
Zero Moustafa (Tony Revolori) a young lobby boy and Gustave H. (Ralph Fiennes) the legendary concierge of The Grand Budapest Hotel go on a series of adventures, as told by the Mr Moustafa (F. Murray Abraham).
What did we think?
The colour and quirkiness of this film won me over from the get go. The cast of familiar faces (way too many to name) doesn’t distract from this film; in fact it adds to the wonderful chaos that combines to be a truly enjoyable story of one man’s now very lonely, yet complete, life. The story, cast and production design combine to create on the screen an unreal world that sucks you in and holds you there, and at just the right moments slaps you in the face to remind you that it’s all just a bit of fun.
Captain America: The Winter Soldier
What’s it about?
What happens when a superhero dedicated to American ideals starts questioning the government organisation he works for?
What did we think?
Anthony Sherratt says: The Captain America sequel is a rollicking comic book adventure with a nice modern twist: How does an all-american hero with 1940s ideals fit into a world of black-ops and clandestine government strategies? It’s a refreshing angle though turns out to be a little simplistic in delivery.
Thankfully there’s a barrage of action, stunts and fighting to distract you from the occasional clunkiness and predictable moments. Good character development further establishes this as not only a fun movie but a very important touchstone for future Marvel franchise flicks. Chris Evans brings out the conflict of Steve Rogers Man Out Of Time and his interaction with seemingly heartless super spy Natasha Romanov (Scarlett Johanssen) is a delight. Entertaining and one both comic lovers and casuals will appreciate.
I, Frankenstein
What’s it about?
I, Frankenstein picks up where the graphic novel by Kevin Grevioux left off, after Franky’s creator Victor is killed. The Gargoyle queen finds him, the demons are after him and all Franky wants to do is defend himself from the woes of modern day.
What did we think?
Adam says: I suppose the film should get some points for shooting in Australia and for director-writer Stuart Beattie putting up with 11 (that’s right, ELEVEN) producers. Had it not have been for the illusion of high production values and the fact that it will be popular amongst vampy teenagers looking for their next hit of comic book gore, this movie might have brought about the second death of ol’ Frankenstein. Not even the steamy “don’t worry I’ll stitch the monster up after battle” scene with Franky and blonde bombshell Terra (Yvonne Strahovski) can save the gargoyles, special effects and bad boy Bill Nighy’s excruciatingly awkward one liners. Franky needs a stein of lager, I think, and a good lie down.
Pompeii
What’s it about?
A slave-turned-invincible gladiator struggles to save his love in the shadow of an angry volcano.
What did we think?
Anthony Sherratt says: I’ll save you a lot of time and frustration and remind you the volcano erupts killing nearly everyone. And if you’re sitting watching this in a cinema it can’t come quickly enough.
Director Paul W.S. Anderson chooses an odd time to be restrained but, to be frank, nothing could have saved Pompeii.
Annie
I’m going to file this under WTF… though it doesn’t look as bad as I first thought it would.
We shall see.
300: Rise Of An Empire
What’s it about?
The Mad God King Xerxes and his giant army continue their attack on Greece as six-packed soldiers fight them. Usually in slow motion.
What did we think?
Anthony Sherratt says: Breasts, blood and slow-motion violence. The latter two to excess. On paper this sequel (technically a companion piece) offers more, more, more. More blood, more gore, more effects. And yet somehow you feel shortchanged.
It could be the irritatingly repetitious effects that are impressively stylish at first but wearing after the 30th time. Or the fact the story attempts to be complex but fails.
Luckily you’re so distracted by Eva Green’s AMAZING turn as a psychotic villain bent on revenge that you will leave pretty happy. She has slashed her way into my top five movie villains of all-time with an intense performance that has you occasionally cheering for the bad guys. Rather than a third 300 film let’s have an Artemisia prequel.
It’s a mid-range bloody popcorn flick. Now can someone just explain to me why there are particles hanging in the air everywhere in Greek cities?
What’s Popular
Suicide Squad
What’s it about?
Set after the events of Batman V Superman, a task force of bad guys is assembled and blackmailed into saving the world from other bad guys, vigilante style.
What did we think?
Elizabeth Best says: It’s not that Suicide Squad is bad. It’s just not… anything. It’s a long, plot-less fight scene, with too many people to pay attention to, moving too fast to actually lock on to anything. Simply put? It’s frenetically boring. Where’s all the fun from the trailer? Characters get loads of screen time but aren’t explored in much depth (Captain Boomerang is an extended punchline, Harley Quinn is a sexy extended punchline, Diablo is the meta-human equivalent of a Bic lighter). Not very much happens except baddies fight baddies to avoid “goodies” (who are kinda baddies) from blowing their heads up. I can’t help but think think DC have done this whole thing backwards; in trying to do an Avengers-style movie, they forgot that all the Avengers had solo movies to establish their characters before they got thrown in together to defeat the big bad. The Suicide Squad aren’t given the same opportunity and as a result we’re still kind of clueless about who they are. Even Jared Leto’s much-hyped Joker doesn’t leave a lasting impression.
Meh. Just meh.
Star Trek: Beyond
What’s it about?
Several seasons into their “five-year mission”, the crew of the Enterprise, led by the cocksure yet jaded James Tiberius Kirk (Chris Pine) and his emotionally detached scientific officer Spock (Zachary Quinto), heed a distress call from uncharted space. It’s a trap! Oh, wrong franchise.
What did we think?
Ben Bissett and Elizabeth Best say: Beyond may be the title card, but this film asks us to boldly go where we’ve gone before. Set pieces that look like they’re straight from the halcyon TV series, populated by aliens that resemble demons from Buffy meld to create a film that pays fond, knowing homage to the old days of the Enterprise, stardate, oh, whenever Shatner was on the bridge. As always, Star Trek is about the relationships, most importantly that of Spock and Kirk, and the actors all deliver here. The message, that unity is stronger than division, resonates in our uncertain political times, and it’s treated with a great deal of reverence. Colossal visual effects are, as per its predecessors, off the planet (sorry) yet the most powerful image in the movie is a single photograph towards the end. Prepare to wipe a tear away, Trekkers.
The Killing Joke
What’s it about?
A recently escaped Joker targets Batman, Commissioner Gordon and his daughter Batgirl in a depraved mission to prove a point: We’re all just one bad day away from going mad.
What did we think?
Clint Skene says: True to the comics as if it was ripped from the pages itself, scenes play out more as art than straight feature. Each scene leaves you more uneasy than the last as The Joker raises the stakes of depravity with each passing second (including an incredibly upsetting song and dance number). It’s high drama, confronting themes and squeamish moments, married with an atmospheric score and amazing performances from Batman alumni Mark Hamill, Kevin Conroy and Tara Strong. This is definitely another smash hit for WB Animation. The Killing Joke is a remarkable and much welcomed addition to the DC Animated universe.
Sing Street
Will you sing along?
Editor's Choice
Suicide Squad
What’s it about?
Set after the events of Batman V Superman, a task force of bad guys is assembled and blackmailed into saving the world from other bad guys, vigilante style.
What did we think?
Elizabeth Best says: It’s not that Suicide Squad is bad. It’s just not… anything. It’s a long, plot-less fight scene, with too many people to pay attention to, moving too fast to actually lock on to anything. Simply put? It’s frenetically boring. Where’s all the fun from the trailer? Characters get loads of screen time but aren’t explored in much depth (Captain Boomerang is an extended punchline, Harley Quinn is a sexy extended punchline, Diablo is the meta-human equivalent of a Bic lighter). Not very much happens except baddies fight baddies to avoid “goodies” (who are kinda baddies) from blowing their heads up. I can’t help but think think DC have done this whole thing backwards; in trying to do an Avengers-style movie, they forgot that all the Avengers had solo movies to establish their characters before they got thrown in together to defeat the big bad. The Suicide Squad aren’t given the same opportunity and as a result we’re still kind of clueless about who they are. Even Jared Leto’s much-hyped Joker doesn’t leave a lasting impression.
Meh. Just meh.
Star Trek: Beyond
What’s it about?
Several seasons into their “five-year mission”, the crew of the Enterprise, led by the cocksure yet jaded James Tiberius Kirk (Chris Pine) and his emotionally detached scientific officer Spock (Zachary Quinto), heed a distress call from uncharted space. It’s a trap! Oh, wrong franchise.
What did we think?
Ben Bissett and Elizabeth Best say: Beyond may be the title card, but this film asks us to boldly go where we’ve gone before. Set pieces that look like they’re straight from the halcyon TV series, populated by aliens that resemble demons from Buffy meld to create a film that pays fond, knowing homage to the old days of the Enterprise, stardate, oh, whenever Shatner was on the bridge. As always, Star Trek is about the relationships, most importantly that of Spock and Kirk, and the actors all deliver here. The message, that unity is stronger than division, resonates in our uncertain political times, and it’s treated with a great deal of reverence. Colossal visual effects are, as per its predecessors, off the planet (sorry) yet the most powerful image in the movie is a single photograph towards the end. Prepare to wipe a tear away, Trekkers.
The Killing Joke
What’s it about?
A recently escaped Joker targets Batman, Commissioner Gordon and his daughter Batgirl in a depraved mission to prove a point: We’re all just one bad day away from going mad.
What did we think?
Clint Skene says: True to the comics as if it was ripped from the pages itself, scenes play out more as art than straight feature. Each scene leaves you more uneasy than the last as The Joker raises the stakes of depravity with each passing second (including an incredibly upsetting song and dance number). It’s high drama, confronting themes and squeamish moments, married with an atmospheric score and amazing performances from Batman alumni Mark Hamill, Kevin Conroy and Tara Strong. This is definitely another smash hit for WB Animation. The Killing Joke is a remarkable and much welcomed addition to the DC Animated universe.
Sing Street
Will you sing along?