Manchester By The Sea
A sombre examination of mourning as a withdrawn and troubled man is unexpectedly left guardianship of his dead brother’s 16-year-old son.
Angela Young says: This film will split audiences. For me, I was seared in two by its utterly real depiction of a pain so awful as to kill a man’s soul. An eccentric soundtrack (from orchestral to choral to swing) and extremely slow pace fits this artistic masterpiece like a glove. Casey Affleck’s portrayal of Lee – now guardian of his late brother’s kid – deserves the Oscar. Michelle Williams’ brief appearances are perfect, and Lucas Hedges is spot on as the kid. A profoundly moving piece on the vast variances of mourning, superbly written and directed.
Split
What’s it about?
A trio of teenagers are kidnapped and imprisoned by a brilliant but strange man with ambiguous motives. Also, it’s an M. Night Shyamalan film, so, you know, take that as you will.
What we thought
Dan Beeston says:If there’s one thing M. Night does well, it is suspense. The problem is that there is always a sword of Damocles distracting you from being in the moment. That notion that you’re waiting for ‘The Twist™’. Ignore that. Split is not ‘The 6th Sense’. It’s just a scary and interesting story told well.
It’s also one where you can’t trust the reviewer’s experience. I can tell that some people will get a lot more out of this than I did and some people will be left frustrated. Ironically, I expect ‘Split’ to be divisive.
Jackie
What’s it about?
An intimate portrait of stoicism, pride and ego; Jackie is an imagining of the Life magazine interview with Jacqueline Kennedy (Natalie Portman); covering her dignified reaction to the traumatic events she experienced in November 1963, and how she created the legend of Kennedy’s Camelot from her unabashed desire for a meaningful legacy.
What did we think?
Stephen Scott says: The culmination of a thought-provoking script, Portman’s mesmerising portrayal of the iconic First Lady, psychological storytelling technique verging on poetic, and an innovative and organic soundtrack, Jackie delivers a profound exploration of how truth is manufactured and interpreted.
Elizabeth Best says: Just give her the Oscar already.
Monster Trucks
What’s it about?
An all american teen boy finds a strange creature that uses his old truck as a hermit crab shell that allows him locomotion at high speeds.
What we thought
Dan Beeston says: This conceit is so absurd that I expected a collision of poorly thought out reasons for shonky car chases. What I did not expect was a kids adventure story that rivals Spielburgian classics like ET and the Goonies. Every story element meshes together beautifully. Characters are beautifully realised and I found myself chuckling through the entire film.
This film also manages to add something new and fresh to the tired (no pun intended) trope of the car chase.
The best of 2016 – Anthony edition
The highlights of 2016 according to Anthony
Rogue One: A Star Wars Story
What's it about?
It is a period of civil war.
Rebel spaceships, striking from a
hidden base, have won their first victory
against the evil Galactic Empire.
During the battle, Rebel spies managed to steal secret
plans to the Empire's ultimate weapon, the DEATH STAR, an
armored space station with enough power to destroy an entire planet.
What did we think? Stephen Scott says: Where Return of the Jedi was let-down due to 'alleged' toy company requirements, Rogue One seems let down by a meddling committee. Too many cooks dilutes a terrific premise (4 stars) and muddies great characters (3½ stars) thanks to an overly-convoluted introduction (minus 2 stars) and dollops of unnecessary spoon-feeding (minus 7 stars).
But make sure you see it on the big screen for the final battle sequence - it's basically a 21st Century version of the ROTJ final act (5 stars in all its glory - wow it's good).
Epilogue: If you recall, we all loved Star Wars for George's ground-breaking "used universe" and the mythical unanswered questions (Jedi, Clone Wars, why there is no underwear in space). Edwards delivers a gloriously dirty reality, but the committee let the movie down by interrupting him, and providing us with too many answers to questions we didn't ask. A Star Wars movie doesn't require title cards to tell the audience where we are, that's part of the charm. Drop us in and let us swim!
What’s Popular
Gringo
What’s it about?
Downtrodden businessman Harold (David Oyelowo) is caught up in cartels, kidnapping and corporate conspiracies during a business trip to Mexico.
What did we think?
Amy Currie says: I would be perfectly happy watching this on hour six of a long-haul flight. I would then never think about it again in my whole life.
Gringo is a pleasant enough darkly comic caper, but an admittedly impressive cast can’t quite save it from a meandering plot.
Deadpool 2
What’s it about?
An anti-hero tries to protect a young boy from a time-travelling half-robot… wait, isn’t that the Terminator? #RipOff
What did we think?
Anthony says: It was always going to be difficult to follow up such a successful and original first movie, and it has to be said Deadpool 2 doesn’t have the same impact as its predecessor. However, the jokes are funnier – both in intelligence and irreverence – and there’s a little more pathos. Unfortunately, there are a few pacing issues with an odd lull or two breaking up the quips, but to be frank they’re soon forgotten. It truly excels with its music choice; not only in the cool-song-I-loved-this-one way, but the subtleties that add another layer of humour (I can’t go into detail without spoiling it so I won’t). And the early-credit scene is not only hilarious but has upped the stakes on how stories could be told. <redacted-spoiler-redacted>
At the end of the day it’s a great movie and I’m not just saying that because Ryan Reynolds has a gun and apparently knows my address.
Tully
What’s it about?
GAH! Charlize Theron and Ron Livingston have a third baby! It’s awful. The other two children are bad enough. So many children! Nappies! Sore nipples! Sleep Deprivation! Dear Lord! It’s like one of those educational health films from high school except this time they’re using a more persuasive technique to get you to use condoms. At any rate, a savant babysitter turns up and everything settles down a bit.
What we thought
Dan says: This paints the portrait of parenthood, warts and all, and when Tully finally turns up to get things in order it’s with a sigh of relief from the audience as well. Great moments of cinematography, charming performances and some decently funny jokes allow this film to stick the landing.
If you’re single, watch this film and pat yourself on the back for good decisions made. If you’ve had kids, enjoy watching what you’ve already survived. And if you’ve got a newborn…
God help you.
Breath
What’s it about?
Two young boys growing up in 70s Australia are befriended by a stranger who lures them out of their comfort zone as they struggle with their identity.
What did we think?
This simply delightful coming-of-age film is incredibly intimate and wonderfully genuine. It’s unapologetically Australian and that rawness only adds to the emotions of the characterisation. Simon Baker’s directorial debut is ridiculously impressive especially given the constraints of weather dependence and an inexperienced cast. However the cast are magnificent from the two young boys – Ben Spence and Samson Coulter – to the understated Richard Roxburgh.
I grew up in the 70s but in the desert hundreds of kilometres from the surf which sets the background and culture for this flick. The fact it still spoke to me so strongly just shows what an impressive film this is. Slow-paced and stronger for it, this is not a surfing movie as such, but one where surfing is merely important.
Editor's Choice
Gringo
What’s it about?
Downtrodden businessman Harold (David Oyelowo) is caught up in cartels, kidnapping and corporate conspiracies during a business trip to Mexico.
What did we think?
Amy Currie says: I would be perfectly happy watching this on hour six of a long-haul flight. I would then never think about it again in my whole life.
Gringo is a pleasant enough darkly comic caper, but an admittedly impressive cast can’t quite save it from a meandering plot.
Deadpool 2
What’s it about?
An anti-hero tries to protect a young boy from a time-travelling half-robot… wait, isn’t that the Terminator? #RipOff
What did we think?
Anthony says: It was always going to be difficult to follow up such a successful and original first movie, and it has to be said Deadpool 2 doesn’t have the same impact as its predecessor. However, the jokes are funnier – both in intelligence and irreverence – and there’s a little more pathos. Unfortunately, there are a few pacing issues with an odd lull or two breaking up the quips, but to be frank they’re soon forgotten. It truly excels with its music choice; not only in the cool-song-I-loved-this-one way, but the subtleties that add another layer of humour (I can’t go into detail without spoiling it so I won’t). And the early-credit scene is not only hilarious but has upped the stakes on how stories could be told. <redacted-spoiler-redacted>
At the end of the day it’s a great movie and I’m not just saying that because Ryan Reynolds has a gun and apparently knows my address.
Tully
What’s it about?
GAH! Charlize Theron and Ron Livingston have a third baby! It’s awful. The other two children are bad enough. So many children! Nappies! Sore nipples! Sleep Deprivation! Dear Lord! It’s like one of those educational health films from high school except this time they’re using a more persuasive technique to get you to use condoms. At any rate, a savant babysitter turns up and everything settles down a bit.
What we thought
Dan says: This paints the portrait of parenthood, warts and all, and when Tully finally turns up to get things in order it’s with a sigh of relief from the audience as well. Great moments of cinematography, charming performances and some decently funny jokes allow this film to stick the landing.
If you’re single, watch this film and pat yourself on the back for good decisions made. If you’ve had kids, enjoy watching what you’ve already survived. And if you’ve got a newborn…
God help you.
Breath
What’s it about?
Two young boys growing up in 70s Australia are befriended by a stranger who lures them out of their comfort zone as they struggle with their identity.
What did we think?
This simply delightful coming-of-age film is incredibly intimate and wonderfully genuine. It’s unapologetically Australian and that rawness only adds to the emotions of the characterisation. Simon Baker’s directorial debut is ridiculously impressive especially given the constraints of weather dependence and an inexperienced cast. However the cast are magnificent from the two young boys – Ben Spence and Samson Coulter – to the understated Richard Roxburgh.
I grew up in the 70s but in the desert hundreds of kilometres from the surf which sets the background and culture for this flick. The fact it still spoke to me so strongly just shows what an impressive film this is. Slow-paced and stronger for it, this is not a surfing movie as such, but one where surfing is merely important.