Fantastic Beasts and Where To Find Them
What’s it about?
Eccentric magizoologist Newt Scamander (Eddie Redmayne) misplaces an enchanted suitcase in 1920s New York. An extremely profitable franchise is unleashed.
What did we think?
Amy Currie says: Hey, you guys like Harry Potter? Then I’ve got good news. Fantastic Beasts is the worthy spin-off that you’re going to be really into for the next ten years or so. While it’s darker than the original films, it’s packed with subtle little nods to them that fans will adore, and the story (though somewhat complicated) is good enough to stand alone. It’s tremendous fun to see the wizarding world through a 1920s lens – magical speakeasy, anyone? – and the inhabitants of Scamander’s Pokeball-meets-TARDIS suitcase are just as fantastic as advertised. This film will frighten young children, but everyone else will be thoroughly enchanted.
Arrival
What’s it about?
Aliens make contact with earth and Amy Adams is the only person who can speak their language
What did we think?
Nick Bleeker says: An incredibly tense and engrossing film, Arrival subverts the traditional sci-fi blockbuster with a gorgeous mix of cinematography, direction, and really solid narrative. Add Amy Adams’ absolutely stunning performance and you have one of the best movies of 2016.
Nocturnal Animals
What’s it about?
An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.
What did we think?
Cindy Nelson says: My high expectations for Tom Ford’s second foray into feature films were not disappointed – this stunning thriller creates a world that is both brutal and visually beautiful, telling a story within a story that you won’t expect, and having you on the edge of your seat right to the last frame. An unsettling, violent and stylish film with emotional, powerhouse performances.
Doctor Strange
What’s it about?
A former surgeon with damaged handsnamed Stephen Strange (Benedict Cumberbatch) becomes a powerful sorcerer under the tutelage of a mystic known as the Ancient One (Tilda Swinton). Rachel McAdams, Mads Mikkelsen, and Chiwetel Ejiofor co-star in this entry in the Marvel Cinematic Universe.
What did we think?
Anthony Sherratt says: A highly polished affair featuring possibly the most impressive visual effects we’ve seen in the MCU so far, Dr Strange ticks most of the boxes. The performances are top shelf, the often difficult transition of magic onto the big screen is well-handled and Marvel’s penchant for ever-present humour is of course still on show. The storyline is a bit too simplistic for my taste but that’s the danger of an origin story combined with a need to dumb down complex concepts. Still, Doctor Strange is a worthy addition to the ever burgeoning MCU and will entertain for a few hours.
Jack Reacher: Never Go Back
What’s it about?
Tom Cruise returns as Lee Child’s enigmatic action hero. In an action movie. With lots of action.
What did we think?
The second Jack Reacher film is a slick affair with quality production, scenes and acting. It’s hard to fault specifically but its largely by-the-numbers feel leaves little impression beyond the moment. Adding emotional constipation to an action hero is hardly a huge step but Cruise handles it well while Cobie Smulders basically reprises her SHIELD role and does a good job. Youngster Danika Yarosh also entertains but the pieces somehow just don’t come together.
To be fair it’s a fun action movie that will pass the time and popcorn, but despite the polish this film just doesn’t Reach (see what I did there?) great heights.
Hell or High Water
What’s it about?
Two brothers stage a few gnarly bank robberies to try and save their farm while keeping a cunning Texas ranger at bay.
What Did We Think?
Nick Bleeker says: Bolstered by terrific performances from Chris Pine and Jeff Bridges, Hell or High Water sets its scenes beautifully, capturing the dry isolation of the west and the characters within that world, it’s just a shame the plot is paper-thin.
What’s Popular
12 Strong
What’s it about?
This true story describes the immediate aftermath of the September 11 attacks in America where an elite team of 12 American soldiers were sent into Afghanistan to bring American wrath to the anti-American Taliban. America!
What we thought
Dan says: If this were a work of fiction it would be scorned for being two dimensional and predictable. The good guys ride in like white knights, the bad guys are all in black and faceless – perfect for a good bullet to the face. The main villain looks a bit like Jaffar from Aladdin sans parrot.
True stories of war succeed when they cast light on the subtitles of both sides. This story is stripped of all its nuance and packaged up to be perfect wank fodder for the audience members who really hate terrorists (I guess that’s most people). It does leave me feeling unsettled to know that I’m being manipulated into feeling delight when a person’s head explodes.
Nice visuals, occasionally muddy sound and good performances especially from Trevante Rhodes and Michael Shannon.
Black Panther
What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.
What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).
Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.
There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?
Editor's Choice
12 Strong
What’s it about?
This true story describes the immediate aftermath of the September 11 attacks in America where an elite team of 12 American soldiers were sent into Afghanistan to bring American wrath to the anti-American Taliban. America!
What we thought
Dan says: If this were a work of fiction it would be scorned for being two dimensional and predictable. The good guys ride in like white knights, the bad guys are all in black and faceless – perfect for a good bullet to the face. The main villain looks a bit like Jaffar from Aladdin sans parrot.
True stories of war succeed when they cast light on the subtitles of both sides. This story is stripped of all its nuance and packaged up to be perfect wank fodder for the audience members who really hate terrorists (I guess that’s most people). It does leave me feeling unsettled to know that I’m being manipulated into feeling delight when a person’s head explodes.
Nice visuals, occasionally muddy sound and good performances especially from Trevante Rhodes and Michael Shannon.
Black Panther
What’s it about?
A guy with a suit that makes him practically invulnerable fights another guy in a suit that makes him practically invulnerable. Yes, it’s another a Marvel movie. Oh, and 99% of the cast is black. And 95% are women.
What did we think?
Stephen Scott says: Empowerment just reached new highs – which is a good thing. This movie is going to inspire millions of downtrodden kids who’ve never seen anyone like them be the hero – not just non-caucasians, but also non-steroid-pumped-white-males. The women in this flick KICK SERIOUS ASS (physically and intellectually).
Unfortunately a stellar cast and unique premise does not a movie make, and it’s hard to be drawn in by the lacklustre story that doesn’t take any great risks.
There are many great themes touched on – the importance of traditions and when to bend or unfollow them, how to follow your moral compass even if it risks changing everything you believe in, the strength in self-belief – but when the ending is just the rehashed finale of Iron Man AGAIN the whole superhero flick concept just starts getting jaded.
Lady Bird
What’s it about?
Seventeen-year-old Christine “Lady Bird” McPherson (Saoirse Ronan) yearns to break free from her turbulent relationship with her mother and her cash-strapped suburban life.
What did we think?
If 2018 is the Year of the Woman, then certainly Lady Bird is the movie of the Year of the Woman. Writer/Director Greta Gerwig takes the well-trod trope of the coming-of-age tale and somehow makes it feel both comfortingly familiar and like we’ve never been there before. The humour and wit of Gerwig’s semi-autobiographical story mixes with the pain of a suburban adolescent existence to create a bittersweet dramedy brimming with honesty.
Phantom Thread
What’s it about?
Reynolds Woodcock (Daniel Day-Lewis) is a renowned fashion designer to the elite in 1950s London. A confirmed bachelor, his cold personality and obsession with work makes it difficult for him to form a substantial relationship with anyone besides his sister Cyril (Lesley Manville). On a countryside trip, Reynolds takes an interest in waitress Alma (Vicky Krieps), whom he brings back to London as his assistant and lover; a romance which turns complicated, tense and deadly.
What did we think?
James Tinniswood says: Daniel Day-Lewis? Daniel Dresses-Ladies! (What? Never mind.)
Firmly in the grand “There Will Be Blood”/”The Master” style of Paul Thomas Anderson movies – not the needle-dropping “Boogie Nights”/”Magnolia” style – this is one of his good ones. DDL is, naturally, fantastic: there’s a shot where he’s just putting on pants and it’s utterly compelling. Woodcock isn’t prone to snap rants about drinking milkshakes, but DDL again brings such a soft-spoken intensity that you think he just might. The kitchen scene near the end is Tarantino-like in its suspense-building.
The movie looks and sounds great; a score that’s alternatingly beautiful and tense, gorgeous costumes and cinematography.
An unconventional “romance” question mark?