The Woman in Black
What’s it about?
A young lawyer travels to a remote town, thus evoking the vengeful wrath of a dead woman scorned who has been terrorising the locals.
What did we think?
Liz says: A solid, broody, atmospheric ghost flick in which Daniel Radcliffe might not say much but he still delivers the goods. A few cliched thrills don’t detract because it’s a classic tale and one expects classic scares. And I jumped quite a few times. Just sayin’.
Men In Black III
What’s it about?
Agent J travels in time to MIB’s early years in the 1960s, to stop an alien from assassinating his friend Agent K and changing history.
What did we think?
Apparently filming started before they completed the script.
It shows.
The Dictator
What’s it about?
The heroic story of a dictator who risks his life to ensure that democracy would never come to the country he so lovingly oppressed. Or the story of a dictator who is stranded in the America – the country he hates – without his identity but all of his attitude.
What did we think?
Intermittent laugh-out-loud moments don’t disguise the fact that this is a hit-and-miss affair. Imagine Coming To America with outright vulgarity: it’s sort of funny but not always in a good way.
It’s essentially re-heated Sacha Baron Cohen so his fans will lap it up while the rest of us will be hoping for an actor re-boot for his next project.
Dark Shadows
What’s it about?
An imprisoned vampire, Barnabas Collins, is set free after 200 years and returns to his ancestral home, where his dysfunctional descendants are in need of his protection. Hijinx ensue as he ‘adapts’ to the modern world of 1972.
What did we think?
Despite the wacky premise, this self-indulgent movie takes itself far too seriously. Some wicked performances but to be frank, you should watch the first 20 minutes, go out for a coffee/shop/lunch/whatever for 70 minutes and then come back for the final 20.
Maybe that way you’ll enjoy it.
2.5
America Pie Reunion
What’s it about?
The original cast rejoin the war with Jim, Michelle, Stifler, and their friends reuniting in East Great Falls, Michigan for their high school reunion.
What did we think?
Now there’s an EIGHTH movie in the series. On the bright side, it’s the best since the original movie but let’s face it that’s not really saying much given the quality of numbers two through seven.
Diehard fans will enjoy the characterisations and misadventures but most of us have seen it all before. Too many times.
The Hunger Games
What’s it about?
In a dystopian future society, the ruthless Capitol forces one boy and one girl from each district to fight to the death in an arena as punishment for past uprisings. Katniss Everdeen volunteers to take her sister’s place when she is chosen as the District 12 sacrifice.
What did we think?
Liz says: Having missed the bandwagon of The Hunger Games book series, I went into this film completely blind and came out a convert. The film is impressive in its scope and scale, and the alternate world created by the writers is intriguing and imaginatively detailed. The pace of the film never lags and the story had me interested right from the word go. Great performances from a relatively unknown young cast, with some older talent providing a nice anchor: I particularly enjoyed Woody Harrelson as Haymitch Abernathy and Lenny Kravitz as the futuristic stylist Cinna.
See the movie. Buy the books. Repeat.
What’s Popular
The Drop
What it’s about?
Set in the working-class streets of Brooklyn, Bob Saginowski (Tom Hardy) is an unassuming bartender working at his cousin’s bar that operates as a “drop” taking illegal cash deposits from the Mafia.
What do we think?
Andrew Stewart says: This is a movie that builds slowly, storing small pieces of intense energy away until the pressure gets too much and it explodes all over the screen in the most satisfying way. The ending is gripping and is a fitting crescendo to the complex character development carefully crafted throughout. Both Hardy and the late James Gandolfini (The Sopranos) make this mobster thriller worth seeing.
The Mule
What’s it about?
In 1983, a meek Australian footballer (Angus Sampson) is detained by local law enforcement for seven days, until he passes the heroin he is smuggling in his stomach.
What did we think?
Dominic Barlow says: For the first 45 minutes, the film is a dark comedy with a hapless, loveable hero under serious pressure. After that, things go from strangely funny to just strange, because we spend roughly as much time in the affairs of the no-good cops and crooks around him. There’s some nice period touches, with high-panted outfits and TVs tuned to the America’s Cup, to create a muddy feel of middle-class Australia. It’s also stacked with fine performances from the likes of Hugo Weaving, John Noble and Noni Hazelhurst. On the whole, though, it’s a grubby crime caper that doesn’t have much humour, and not much intrigue either.
Interstellar
What’s it about?
With humanity facing a ticking clock on earth, a band of scientists launch a mission to space to find a way to expand into the universe.
What did we think?
Anthony Sherratt says: During Interstellar I occasionally found myself reminded of the strong emotional impact that 2001: A Space Odyssey had on me as a child which was wonderful. It took me awhile (luckily we had almost three hours) to realise that while it was emotive it was actually a little light on substance. Sure there are some interesting themes and thought provoking concepts (despite some highly theoretical science) but Interstellar’s greatest failing is its obvious US target demographic.
With WAY too much exposition and Nolan’s inexplicable and incessant need to wrap every little end up neatly, what starts out as a majestic movie capturing both the wonder and terror of being in space sadly finishes feeling like a cliched film from just about any genre. Is it good? Yes. Are the effects impressive? Hell yes. Will you enjoy it? Probably. Will you rush out to see it a second time? Doubtful.
Love Rosie
What’s it about?
Rosie and Alex have been best friends since they were 5, so they couldn’t possibly be right for one another…or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
What did we think?
Anthony Sherratt says: Tender, earnest and sweet, Love Rosie is proof that when it comes to romantic comedies the UK always do it so much better. Even though it’s hardly perfect it still manages to portray more humanity than the average Hollywood formula. Love Rosie’s strength is not the predictable destination but of the almost whimsical journey it takes to get there.
Sam Clafin will inevitably be compared to Hugh Grant (he has many of the mannerisms down pat) but his chemistry with the talented Lily Collins only adds an extra later to a film that true romantics will not be able to get enough of. It certainly has some weaknesses but the characters and pacing gloss over the cracks and you’ll find your heartstrings tugged regardless.
Editor's Choice
The Drop
What it’s about?
Set in the working-class streets of Brooklyn, Bob Saginowski (Tom Hardy) is an unassuming bartender working at his cousin’s bar that operates as a “drop” taking illegal cash deposits from the Mafia.
What do we think?
Andrew Stewart says: This is a movie that builds slowly, storing small pieces of intense energy away until the pressure gets too much and it explodes all over the screen in the most satisfying way. The ending is gripping and is a fitting crescendo to the complex character development carefully crafted throughout. Both Hardy and the late James Gandolfini (The Sopranos) make this mobster thriller worth seeing.
The Mule
What’s it about?
In 1983, a meek Australian footballer (Angus Sampson) is detained by local law enforcement for seven days, until he passes the heroin he is smuggling in his stomach.
What did we think?
Dominic Barlow says: For the first 45 minutes, the film is a dark comedy with a hapless, loveable hero under serious pressure. After that, things go from strangely funny to just strange, because we spend roughly as much time in the affairs of the no-good cops and crooks around him. There’s some nice period touches, with high-panted outfits and TVs tuned to the America’s Cup, to create a muddy feel of middle-class Australia. It’s also stacked with fine performances from the likes of Hugo Weaving, John Noble and Noni Hazelhurst. On the whole, though, it’s a grubby crime caper that doesn’t have much humour, and not much intrigue either.
Interstellar
What’s it about?
With humanity facing a ticking clock on earth, a band of scientists launch a mission to space to find a way to expand into the universe.
What did we think?
Anthony Sherratt says: During Interstellar I occasionally found myself reminded of the strong emotional impact that 2001: A Space Odyssey had on me as a child which was wonderful. It took me awhile (luckily we had almost three hours) to realise that while it was emotive it was actually a little light on substance. Sure there are some interesting themes and thought provoking concepts (despite some highly theoretical science) but Interstellar’s greatest failing is its obvious US target demographic.
With WAY too much exposition and Nolan’s inexplicable and incessant need to wrap every little end up neatly, what starts out as a majestic movie capturing both the wonder and terror of being in space sadly finishes feeling like a cliched film from just about any genre. Is it good? Yes. Are the effects impressive? Hell yes. Will you enjoy it? Probably. Will you rush out to see it a second time? Doubtful.
Love Rosie
What’s it about?
Rosie and Alex have been best friends since they were 5, so they couldn’t possibly be right for one another…or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
What did we think?
Anthony Sherratt says: Tender, earnest and sweet, Love Rosie is proof that when it comes to romantic comedies the UK always do it so much better. Even though it’s hardly perfect it still manages to portray more humanity than the average Hollywood formula. Love Rosie’s strength is not the predictable destination but of the almost whimsical journey it takes to get there.
Sam Clafin will inevitably be compared to Hugh Grant (he has many of the mannerisms down pat) but his chemistry with the talented Lily Collins only adds an extra later to a film that true romantics will not be able to get enough of. It certainly has some weaknesses but the characters and pacing gloss over the cracks and you’ll find your heartstrings tugged regardless.