Margin Call
What’s it about?
This flick follows the key people at a financial investment firm over a 24-hour period, during the early stages of the financial crisis.
What did we think?
The reviews that call this “the best Wall Street movie ever made” are not unfounded. It’s a taut, fast paced thrill of a film that has you shaking your head in disbelief at just how the hell Capitalism ever led to this.
Loved the fact that the positions of the actors in the company reflected their Hollywood cred from the big boss veteran Jeremy Irons, through middle man Paul Bettany, right down to underlings Penn Badgely and Zachary Quinto. Powerhouse performances by all.
The Avengers
What’s it about?
Nick Fury of S.H.I.E.L.D. brings together a rag-tag team of super humans to form The Avengers to help save the Earth from the demi-god Loki and his army.
What did we think?
Half an hour of exposition followed by two hours of rollicking comic action. Great fun. Some minor problems here and there but the ride is so much fun you simply don’t care.
Mark Ruffalo steals the show as the Hulk and it seems inevitable that Joss Whedon will get a greenlight for a sequel. And perhaps Ruffalo’s performance means yet another Hulk movie.
The Cabin In The Woods
What’s it about?
Five friends go for a break at a remote cabin in the woods, where they get more than they bargained for. Will they discover the truth?
What did we think?
The Cabin In The Woods isn’t quite what it seems on many levels. It’s not quite a light comedy and not as two-dimensional as it tries to make itself out to be. Nor – despite the premise of college kids going away to a cabin in the woods for a weekend – is it cliched.
Sometimes playful, often funny and without excessive gore, The Cabin In The Woods quite simply isn’t your run-of-the-mill flick. It’s an intelligent film that simultaneously mocks and pays homage to the genre and shouldn’t be missed by any horror fan.
Act of Valor
What’s it about?
An elite team of Navy SEALs embark on a covert mission to recover a kidnapped CIA agent.
What did we think?
A bizarre mishmash of recruitment ad and feature film. Military enthusiasts will no doubt enjoy a realistic look inside some interesting operations but the average viewer may struggle with the staccato plot.
The discordance is heightened by the occasional switching to first person shooter view (ala Call of Duty games). The use of real Navy Seals has pros and cons but the fact it was often difficult to tell the two wooden main characters apart just shows how generic and cliched this movie is.
Battleship
What’s it about?
A fleet of ships is forced to do battle with an armada of unknown origins in order to discover and thwart their destructive goals.
What did we think?
With characters that are both cliched and two-dimensional, a loose plot, a very clumsy forced tie-in with the boardgame of the same name and transformer-like alien ships… Battleship is more advertisement loosely disguised as a feature film.
And yet if you’re interested in mindless action over quality then there might actually be something here for you. Not for the discerning movie goer but it’s not a total shipwreck.
2.5/5
21 Jump Street
What’s it about?
A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring.
What did we think?
A remake of a classic 80s TV show sounded like a bad idea. Making it a B grade comedy sounded like an atrocious idea. The trailer left me seething. And yet somehow this actually works.
With intelligent B-grade writing and some very insightful commentary about society and youth today, it turned out to very entertaining even as it respectfully mocked the series it’s based on. I liked it. Dammit.
B Grade but quality B Grade.
What’s Popular
Gone Girl
What’s it about?
Nick Dunne’s wife Amy disappears suddenly one morning, with signs suggesting she has been abducted, possibly murdered. As the hunt for her begins and the story of their marriage unfolds, police and media suspicion falls on Nick.
What did we think?
Francesca Percy says: How well do you know your spouse? This is the central question of Gone Girl, based on the acclaimed novel and screenplay by Gillian Flynn, cleverly directed by David Fincher and featuring Ben Affleck and Rosamund Pike, brilliantly cast as the central couple, too cool to be true. It’s a suspenseful treasure hunt that draws you in further with every clue, twist and revelation about Ben and Amy, from the first time they meet to the day of their fifth anniversary. Honestly, the less you know about the plot, the better. It’s thrilling, chilling, occasionally funny, and well worth your time.
Dracula Untold
What it’s about?
Vlad the Impaler (Luke Evans), prince of Transylvania, risks eternal damnation by gaining demonic superpowers in order to save his people from the invading Turkish hordes.
What did we think?
Andrew Stewart says: Action hero flick meets comic-book thriller meets PG13 horror film and it’s not a winning combination. Evans carries the film through a suspenseful but ultimately jumbled Dracula origins tale. Battle scenes don’t reach any epic heights (they’re mostly just full of bats, and not the kind you hit people with) and for a vamp story there’s not a great deal of horror here either. This one didn’t totally suck (get it? Vampires!) but it wasn’t bloody good either.
The Equalizer
What’s it about?
An everyday insomniac turns out to be more than he seems when the scum of the earth floats to the top of his little pond. He quickly goes about adding ventilation holes to those who would do harm to the innocent in his life.
What did we think?
Dan says: This modern reimagining of the eighties TV show of the same name is a beautiful demonstration of the ‘Justice Porn’ genre of film. Denzil Washington is a calm and calculating avenging angel. Apparently invincible he separates each two dimensional bad guy from his insides on route to make calmly psychopathic speeches to his main adversary.
The film doesn’t really challenge the viewer unless the viewer’s stomach for visceral violence is weak. No big surprises but a well-made piece of cinema that would have wooed Edward Woodward if Edward Woodward could be wooed.
Sin City: A Dame To Kill For
What’s it about?
More intertwining stories from Basin ‘sin’ City. In black and white. With OTT violence and sexual themes.
What did we think?
Anthony Sherratt says: The sequel is almost exactly the same as the first in both style and general narrative technique. In fact, while some would say it should embrace what set it apart, you’re left feeling it’s actually far too similar and instead of a fresh continuation it’s almost a rehash. It’s certainly still enjoyable but Miller and Rodrigues seem to have sacrificed the grit for some average one liners and far more two-dimensional characters.
Fans of the original will still have fun with this romp but it ends up running 20 minutes too long and there actually may be a bit too much nudity (something I thought I’d never write – but it’s probably a reflection of the sameness of it) though it has to be said Eva Green yet again steals the show. Missing sparkle.
Editor's Choice
Gone Girl
What’s it about?
Nick Dunne’s wife Amy disappears suddenly one morning, with signs suggesting she has been abducted, possibly murdered. As the hunt for her begins and the story of their marriage unfolds, police and media suspicion falls on Nick.
What did we think?
Francesca Percy says: How well do you know your spouse? This is the central question of Gone Girl, based on the acclaimed novel and screenplay by Gillian Flynn, cleverly directed by David Fincher and featuring Ben Affleck and Rosamund Pike, brilliantly cast as the central couple, too cool to be true. It’s a suspenseful treasure hunt that draws you in further with every clue, twist and revelation about Ben and Amy, from the first time they meet to the day of their fifth anniversary. Honestly, the less you know about the plot, the better. It’s thrilling, chilling, occasionally funny, and well worth your time.
Dracula Untold
What it’s about?
Vlad the Impaler (Luke Evans), prince of Transylvania, risks eternal damnation by gaining demonic superpowers in order to save his people from the invading Turkish hordes.
What did we think?
Andrew Stewart says: Action hero flick meets comic-book thriller meets PG13 horror film and it’s not a winning combination. Evans carries the film through a suspenseful but ultimately jumbled Dracula origins tale. Battle scenes don’t reach any epic heights (they’re mostly just full of bats, and not the kind you hit people with) and for a vamp story there’s not a great deal of horror here either. This one didn’t totally suck (get it? Vampires!) but it wasn’t bloody good either.
The Equalizer
What’s it about?
An everyday insomniac turns out to be more than he seems when the scum of the earth floats to the top of his little pond. He quickly goes about adding ventilation holes to those who would do harm to the innocent in his life.
What did we think?
Dan says: This modern reimagining of the eighties TV show of the same name is a beautiful demonstration of the ‘Justice Porn’ genre of film. Denzil Washington is a calm and calculating avenging angel. Apparently invincible he separates each two dimensional bad guy from his insides on route to make calmly psychopathic speeches to his main adversary.
The film doesn’t really challenge the viewer unless the viewer’s stomach for visceral violence is weak. No big surprises but a well-made piece of cinema that would have wooed Edward Woodward if Edward Woodward could be wooed.
Sin City: A Dame To Kill For
What’s it about?
More intertwining stories from Basin ‘sin’ City. In black and white. With OTT violence and sexual themes.
What did we think?
Anthony Sherratt says: The sequel is almost exactly the same as the first in both style and general narrative technique. In fact, while some would say it should embrace what set it apart, you’re left feeling it’s actually far too similar and instead of a fresh continuation it’s almost a rehash. It’s certainly still enjoyable but Miller and Rodrigues seem to have sacrificed the grit for some average one liners and far more two-dimensional characters.
Fans of the original will still have fun with this romp but it ends up running 20 minutes too long and there actually may be a bit too much nudity (something I thought I’d never write – but it’s probably a reflection of the sameness of it) though it has to be said Eva Green yet again steals the show. Missing sparkle.