What’s it about?
Having been thrust into the the spotlight as the reluctant face of the rebellion, Katniss must help inspire others to overthrow the Capitol.

What did we think?
Elizabeth says: It’s all a bit lather, rinse, repeat at this point of the franchise: Katniss looks horrified at something the Capitol did, Katniss gets upset, Katniss channels her upset into anger, Katniss attacks. Katniss looks horrified again, Katniss gets upset again. Lather. Rinse. Repeat. It may have made commercial sense to cut the final book of the trilogy into two parts but it leaves us without the payoff this installment sorely needed. It’s entertaining enough and fans will love it regardless of what anyone says but without it’s predecessors, this mockingjay wouldn’t fly.

What’s it about?
Agatha (Mia Wasikowska) the exiled daughter of a Hollywood power couple (John Cusack and Olivia Williams) returns to LA to reconnect with her famous younger brother (Evan Bird). Violence pursues those around her, including a frustrated actor turned chauffeur (Robert Pattinson) and fading star Havana Segrand (Julianne Moore).

What did we think?
Scott Ford says: A cavalcade of stars, commentary on celebrity and self-help, incest and tween violence — director David Cronenberg has packed a lot into this film, but nothing sticks. The plot, which gestures at classical tragedy and references surrealist poetry, is often advanced by the appearance of exposition-spewing phantoms and is entirely forgettable.

Cronenberg’s direction is excellent as ever, dancing the line between alienation and intimacy. The dialogue between tween superstars is a reminder of his talent for making discomfiture compelling. But there are also more than a few regrettable moments. Maps to the Stars is a lot adding up to not much.

What’s it about?
Alexander has more terrible days than most, especially compared to the rest of his ‘perfect’ family. Wishing on his birthday that they could experience the sort of day that he normally has, Liar Liar-style, they do.

What did we think?
Rob O’Connor says: Surprisingly amusing! This live-action Disney family film is loosely based on a popular children’s book, so our expectations were low – happily they were exceeded. While so many of these films feature idiot parents, bratty kids and a story aimed at selling Happy Meals, Alexander avoids all that, delivering a nice message about families sticking together.

The jokes were well spread over our posse (9yo, 13yo and parents) and there were enough quality laughs for all for a pass mark. The cast, which include Steve Carell and Jennifer Garner, are dependable but not stretched. The film is good, single-view, inoffensive, forgettable family fun for 7 year olds and up. That’s definitely better than most films in this genre.

What’s it about?
Two friends dress up as policeman and get carried away when they get mistaken for the real thing.

What did we think?
What do you get when you have a cop movie without cops? This.  With a simple premise, Let’s Be Cops is really a one-joke wonder trading off the popularity of TV’s New Girl. And for fans of the show that’s probably gong to be enough. Nick and Coach…. er… I mean Jake Johnson and Damon Wayans are likable (and rather similar to their small screen characters) but there’s just not enough in the script for anyone.

For non-New Girl fans, the first half of the movie is sort of okay but it just runs out of direction and laughs. After awhile it feels like you’re the one doing time. Don’t do the crime kids.

What it’s about?
Set in the working-class streets of Brooklyn, Bob Saginowski (Tom Hardy) is an unassuming bartender working at his cousin’s bar that operates as a “drop” taking illegal cash deposits from the Mafia.

What do we think?
Andrew Stewart says: This is a movie that builds slowly, storing small pieces of intense energy away until the pressure gets too much and it explodes all over the screen in the most satisfying way. The ending is gripping and is a fitting crescendo to the complex character development carefully crafted throughout. Both Hardy and the late James Gandolfini (The Sopranos) make this mobster thriller worth seeing.

What’s it about?
In 1983, a meek Australian footballer (Angus Sampson) is detained by local law enforcement for seven days, until he passes the heroin he is smuggling in his stomach.

What did we think?
Dominic Barlow says: For the first 45 minutes, the film is a dark comedy with a hapless, loveable hero under serious pressure. After that, things go from strangely funny to just strange, because we spend roughly as much time in the affairs of the no-good cops and crooks around him. There’s some nice period touches, with high-panted outfits and TVs tuned to the America’s Cup, to create a muddy feel of middle-class Australia. It’s also stacked with fine performances from the likes of Hugo Weaving, John Noble and Noni Hazelhurst. On the whole, though, it’s a grubby crime caper that doesn’t have much humour, and not much intrigue either.