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Jack Ryan: Shadow Recruit

What’s it about?
While working undercover as a junior analyst for the CIA, Jack Ryan (Chris Pine) uncovers an imminent terrorist attack designed to destroy the US economy.  

What did we think?
Elodie says:  If you blink, you’ll probably miss something.  And once you’ve missed it, good luck trying to keep up with the plot.  Jack Ryan: Shadow Recruit is fast-paced, action-packed and topical, drawing on issues such as 9/11 and global economic instability for emphasis.  At times, the action scenes could be from almost any spy drama.  However, Pine meets expectations in a polished performance – he’s shed Captain Kirk and taken on shades of Jason Bourne.  Worth seeing, even if only for Keira Knightley’s gawky American accent.

47 Ronin

What’s it about? A Hollywoodisation (I thought I just made up a word, but someone on the internet has already taken credit) of an 18th-century Japanese “national” legend The Revenge of the 47 Ronin.

What did we think?
Casey says: Clearly aimed at an audience that doesn’t like too many words, can’t spell numbers and hasn’t stopped smoking pot since the release of Bill & Teds Excellent Adventure, Ted’s latest romp falls somewhat short of a well-crafted depiction of a compelling Japanese legend.

Flags, costumes, cherry blossoms, traditional architecture, awesome sword fights and cool flippy fabric things are all in this film’s favour. Keanu Reeves, random helpful demons, and awful dialog are not.

 

Free Birds

What’s it about?
Two turkeys travel back in time to prevent turkeys becoming the main menu piece for thanksgiving.

What did we think?
Anthony Sherratt says: This movie will make you wish time travel was possible … so you could go back in time and stop yourself from seeing it. Or go back and stopping the film being made at all.

The script is so badly written it beggars belief. There are far too many ’70s references for grown-ups, none of which are funny. This movie is so bad I can’t even be bothered working in a joke about it being a ‘turkey’. It’s worse than that. Much worse.

Academy Award nominations 2014

And the Oscar goes to… Well no one just yet but the nominations are out and being the hardcore film buffs we are,SuperQuickReviews  stayed up til the wee hours of the morning for the announcement. Seriously, we did. Check the time stamp if you don’t believe us!
Below are the 2014 nominees. Who’s your pick? Will Jennifer Lawrence win her second Oscar? Will Meryl’s 18th nod be the lucky one? Will the Academy finally give Leo a statue to say “sorry we left you out of the nominations for Titanic?” Make your predictions below!

BEST PICTURE

“12 Years a Slave”
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
“The Wolf of Wall Street”

BEST DIRECTOR 

David O. Russell, “American Hustle”
Alfonso Cuaron, “Gravity”
Alexander Payne, “Nebraska”
Steve McQueen, “12 Years a Slave”
Martin Scorsese, “The Wolf of Wall Street”

BEST ACTOR

Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club”

BEST ACTRESS

Amy Adams, “American Hustle”
Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”

BEST ORIGINAL SCREENPLAY

“American Hustle”
“Blue Jasmine”
“Her”
“Nebraska”
“Dallas Buyers Club”

BEST ADAPTED SCREENPLAY

“Before Midnight”
“Captain Phillips”
“Philomena”
“12 Years a Slave”
“The Wolf of Wall Street”

BEST SUPPORTING ACTRESS

Lupita Nyong’o, “12 Years a Slave”
Jennifer Lawrence, “American Hustle”
June Squibb, “Nebraska”
Julia Roberts, “August: Osage County”
Sally Hawkins, “Blue Jasmine”

BEST SUPPORTING ACTOR

Barkhad Abdi, “Captain Phillips”
Bradley Cooper, “American Hustle”
Michael Fassbender, “12 Years a Slave”
Jonah Hill, “The Wolf of Wall Street”
Jared Leto, “Dallas Buyers Club”

BEST ANIMATED FILM

“The Croods”
“Despicable Me 2”
“Ernest & Celestine”
“Frozen”
“The Wind Rises”

BEST CINEMATOGRAPHY

“The Grandmaster”
“Gravity”
“Inside Llewyn Davis”
“Nebraska”
“Prisoners”

BEST COSTUME DESIGN

Michael Wilkinson, “American Hustle”
William Chang Suk Ping, “The Grandmaster”
Catherine Martin, “The Great Gatsby”
Michael O’Connor, “The Invisible Woman”
Patricia Norris, “12 Years a Slave”

BEST DOCUMENTARY FEATURE

“The Act of Killing”Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” Richard Rowley and Jeremy Scahill
“The Square” Jehane Noujaim and Karim Amer
“20 Feet from Stardom” Nominees to be determined

BEST DOCUMENTARY SHORT SUBJECT

“CaveDigger” Jeffrey Karoff
“Facing Fear” Jason Cohen
“Karama Has No Walls” Sara Ishaq
“The Lady in Number 6: Music Saved My Life” Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall” Edgar Barens

BEST FILM EDITING

“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“Gravity” Alfonso Cuarón and Mark Sanger
“12 Years a Slave” Joe Walker

BEST FOREIGN LANGUAGE FILM

“The Broken Circle Breakdown” Belgium
“The Great Beauty” Italy
“The Hunt” Denmark
“The Missing Picture” Cambodia
“Omar” Palestine

BEST MAKEUP AND HAIRSTYLING

“Dallas Buyers Club” Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” Stephen Prouty
“The Lone Ranger” Joel Harlow and Gloria Pasqua-Casny

 

Saving Mr Banks

What’s it about?
Based on the true story of Walt Disney pursuing P.L. Travers for the movie rights to her novel Mary Poppins. Except it’s not really about that.

What did we think?
Anthony Sherratt says: A truly and wonderful engaging story that warms the heart and moistens the eyes. Nominally the story is about Disney’s pursuit of Travers, but the actual story shows us the world that shaped the author. It’s this side of the movie – rich in characterisation and emotion – that lifts it above an ordinary movie to make it extraordinary. Incredible performances and a wonderful story shine through even the faint tint of Disney propaganda. Don’t miss it! And stay for the credits and some actual recordings of events.

 

Her

What’s it about?
After Theo’s (Joaquin Phoenix) childhood sweetheart leaves him, he hermits himself away from the world but finds companionship in an artificial intelligence computer program.

What did we think?
Dan says:
You know when you see two people in the first flush of love and they’re effervescent with affection, and your cynical partner rolls their eyes but you tell them, ‘Well I think it’s cute’? Spike Jones captures that cloying and trite behaviour in a manner that feels fresh and joyful. The conceit that one partner is an A.I. turns the trite into sincere, the cloying into guilelessness.

The future presented here is incredibly well thought out. It feels very advanced but connected to our own hi-tech state of being. It fits comfortably around this beautiful love story that guides you through the tricky pastures of forbidden love and an entity’s sense of their place in the universe. Truly spell-binding. Only a monster* would not be touched by this film

*Dan’s wife says: It was cloying and trite. I hated it.

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